Revitalization of the stigmatized roots. How sami yoik and shamanistic symbols appear in Christian discourses from the early modern age
Yoiking is a vocal singing tradition of the Sami and it involves many sacred and profane symbols. Medieval and early modern sources all mention the yoik as a symbol of paganism, as a magical, diabolical song constituting part of the shaman’s ritual ceremony. One of the external categories, the stigm...
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ftmtak:oai:real.mtak.hu:86074 2023-05-15T18:10:59+02:00 Revitalization of the stigmatized roots. How sami yoik and shamanistic symbols appear in Christian discourses from the early modern age Tamás, Ildikó 2018-08-27 text http://real.mtak.hu/86074/ http://real.mtak.hu/86074/7/revitalization%20of%20the%20stigmatized%20roots.pdf hu hun http://real.mtak.hu/86074/7/revitalization%20of%20the%20stigmatized%20roots.pdf Tamás, Ildikó (2018) Revitalization of the stigmatized roots. How sami yoik and shamanistic symbols appear in Christian discourses from the early modern age. Ežegodnik finno-ugorskih issledovanij / Yearbook of Finno-Ugric Studies, 12. pp. 28-42. ISSN 2224-9443 GR Folklore / etnológia folklór kulturális antropológia Article PeerReviewed info:eu-repo/semantics/article 2018 ftmtak 2019-01-17T00:06:30Z Yoiking is a vocal singing tradition of the Sami and it involves many sacred and profane symbols. Medieval and early modern sources all mention the yoik as a symbol of paganism, as a magical, diabolical song constituting part of the shaman’s ritual ceremony. One of the external categories, the stigmatizing concept of “pagan” became firmly embedded in the notion of yoiking over the course of the seventeenth and eighteenth centuries. These negative undertones regarding the Sami were accentuated by a new (political and scientific) discourse unfolding at the beginning of the twentieth century (as an offshoot of evolutionism and racial theory), separated from religious institutions, in which yoiking was described as an inferior, despicable and shameful custom. Although the fear of punishment was very successful in repressing the practice of the yoik, the sermons of the much-respected and popular Laestadius, and the Christian Awakening movement that he had launched resulted in an even stronger repression of this vocal tradition. After that it was not out of fear that many Sami did not yoik, but because they were convinced that it was a sin and an instrument for ‘conjuring the Devil’. Most of the Laestadians rejected the yoik also nowadays, but many among the Christian Sami youth desire to reconnect with their culture’s music, while rejecting the pagan interpretation of yoik. Some of them not only try to relieve the yoik of its pagan connotations, but they specifically invest it with new, Christian meanings. In some places, the yoik has already become part of the liturgy in spite of the reluctance of conservative Christians. Article in Journal/Newspaper sami sami MTAK: REAL (Library and Information Centre of the Hungarian Academy of Sciences |
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MTAK: REAL (Library and Information Centre of the Hungarian Academy of Sciences |
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language |
Hungarian |
topic |
GR Folklore / etnológia folklór kulturális antropológia |
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GR Folklore / etnológia folklór kulturális antropológia Tamás, Ildikó Revitalization of the stigmatized roots. How sami yoik and shamanistic symbols appear in Christian discourses from the early modern age |
topic_facet |
GR Folklore / etnológia folklór kulturális antropológia |
description |
Yoiking is a vocal singing tradition of the Sami and it involves many sacred and profane symbols. Medieval and early modern sources all mention the yoik as a symbol of paganism, as a magical, diabolical song constituting part of the shaman’s ritual ceremony. One of the external categories, the stigmatizing concept of “pagan” became firmly embedded in the notion of yoiking over the course of the seventeenth and eighteenth centuries. These negative undertones regarding the Sami were accentuated by a new (political and scientific) discourse unfolding at the beginning of the twentieth century (as an offshoot of evolutionism and racial theory), separated from religious institutions, in which yoiking was described as an inferior, despicable and shameful custom. Although the fear of punishment was very successful in repressing the practice of the yoik, the sermons of the much-respected and popular Laestadius, and the Christian Awakening movement that he had launched resulted in an even stronger repression of this vocal tradition. After that it was not out of fear that many Sami did not yoik, but because they were convinced that it was a sin and an instrument for ‘conjuring the Devil’. Most of the Laestadians rejected the yoik also nowadays, but many among the Christian Sami youth desire to reconnect with their culture’s music, while rejecting the pagan interpretation of yoik. Some of them not only try to relieve the yoik of its pagan connotations, but they specifically invest it with new, Christian meanings. In some places, the yoik has already become part of the liturgy in spite of the reluctance of conservative Christians. |
format |
Article in Journal/Newspaper |
author |
Tamás, Ildikó |
author_facet |
Tamás, Ildikó |
author_sort |
Tamás, Ildikó |
title |
Revitalization of the stigmatized roots. How sami yoik and shamanistic symbols appear in Christian discourses from the early modern age |
title_short |
Revitalization of the stigmatized roots. How sami yoik and shamanistic symbols appear in Christian discourses from the early modern age |
title_full |
Revitalization of the stigmatized roots. How sami yoik and shamanistic symbols appear in Christian discourses from the early modern age |
title_fullStr |
Revitalization of the stigmatized roots. How sami yoik and shamanistic symbols appear in Christian discourses from the early modern age |
title_full_unstemmed |
Revitalization of the stigmatized roots. How sami yoik and shamanistic symbols appear in Christian discourses from the early modern age |
title_sort |
revitalization of the stigmatized roots. how sami yoik and shamanistic symbols appear in christian discourses from the early modern age |
publishDate |
2018 |
url |
http://real.mtak.hu/86074/ http://real.mtak.hu/86074/7/revitalization%20of%20the%20stigmatized%20roots.pdf |
genre |
sami sami |
genre_facet |
sami sami |
op_relation |
http://real.mtak.hu/86074/7/revitalization%20of%20the%20stigmatized%20roots.pdf Tamás, Ildikó (2018) Revitalization of the stigmatized roots. How sami yoik and shamanistic symbols appear in Christian discourses from the early modern age. Ežegodnik finno-ugorskih issledovanij / Yearbook of Finno-Ugric Studies, 12. pp. 28-42. ISSN 2224-9443 |
_version_ |
1766183695941632000 |