From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music
The paper gives an overview of the standing and socio-cultural importance of the jojk-tradition among the Sami (Laplanders), show different stylistic traits between the Southern and Nortern jojk dialects and discuss the socio-historical implications and reasons for these different styles. The influe...
Published in: | Studia Musicologica Academiae Scientiarum Hungaricae |
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Akadémiai Kiadó
2003
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Online Access: | http://real.mtak.hu/65269/ http://real.mtak.hu/65269/1/smus.44.2003.1-2.23.pdf https://doi.org/10.1556/SMus.44.2003.1-2.23 |
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ftmtak:oai:real.mtak.hu:65269 2023-05-15T18:10:28+02:00 From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music Edström, Olle 2003 text http://real.mtak.hu/65269/ http://real.mtak.hu/65269/1/smus.44.2003.1-2.23.pdf https://doi.org/10.1556/SMus.44.2003.1-2.23 hu hun Akadémiai Kiadó http://real.mtak.hu/65269/1/smus.44.2003.1-2.23.pdf Edström, Olle (2003) From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music. Studia Musicologica Academiae Scientiarum Hungaricae, 44 (1-2). pp. 263-283. ISSN 0039-3266 M1 Music / zene M10 Theory and philosophy of music / zeneelmélet muzikológia Article PeerReviewed info:eu-repo/semantics/article 2003 ftmtak https://doi.org/10.1556/SMus.44.2003.1-2.23 2023-03-02T00:27:10Z The paper gives an overview of the standing and socio-cultural importance of the jojk-tradition among the Sami (Laplanders), show different stylistic traits between the Southern and Nortern jojk dialects and discuss the socio-historical implications and reasons for these different styles. The influence and impact of the massmedia from the 1950s and the socio-economical changes within Sweden, Norway and Finland leding to new developments within the musical culture of the Sami will be the topic of the second part. It will be shown how different administrative traditions within the majority peoples have influenced the possibilities for a new kind of musical tradition within the Sami. The different stylistic blend of jojk and contemporary forms of popular music, as well as the functions and use of these new forms of modern Sami music are discussed. Article in Journal/Newspaper sami sami MTAK: REAL (Library and Information Centre of the Hungarian Academy of Sciences Norway Studia Musicologica Academiae Scientiarum Hungaricae 44 1 263 283 |
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Open Polar |
collection |
MTAK: REAL (Library and Information Centre of the Hungarian Academy of Sciences |
op_collection_id |
ftmtak |
language |
Hungarian |
topic |
M1 Music / zene M10 Theory and philosophy of music / zeneelmélet muzikológia |
spellingShingle |
M1 Music / zene M10 Theory and philosophy of music / zeneelmélet muzikológia Edström, Olle From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music |
topic_facet |
M1 Music / zene M10 Theory and philosophy of music / zeneelmélet muzikológia |
description |
The paper gives an overview of the standing and socio-cultural importance of the jojk-tradition among the Sami (Laplanders), show different stylistic traits between the Southern and Nortern jojk dialects and discuss the socio-historical implications and reasons for these different styles. The influence and impact of the massmedia from the 1950s and the socio-economical changes within Sweden, Norway and Finland leding to new developments within the musical culture of the Sami will be the topic of the second part. It will be shown how different administrative traditions within the majority peoples have influenced the possibilities for a new kind of musical tradition within the Sami. The different stylistic blend of jojk and contemporary forms of popular music, as well as the functions and use of these new forms of modern Sami music are discussed. |
format |
Article in Journal/Newspaper |
author |
Edström, Olle |
author_facet |
Edström, Olle |
author_sort |
Edström, Olle |
title |
From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music |
title_short |
From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music |
title_full |
From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music |
title_fullStr |
From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music |
title_full_unstemmed |
From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music |
title_sort |
from jojk to rock & jojk: some remarks on the process of change and of the socially constructed meaning of sami music |
publisher |
Akadémiai Kiadó |
publishDate |
2003 |
url |
http://real.mtak.hu/65269/ http://real.mtak.hu/65269/1/smus.44.2003.1-2.23.pdf https://doi.org/10.1556/SMus.44.2003.1-2.23 |
geographic |
Norway |
geographic_facet |
Norway |
genre |
sami sami |
genre_facet |
sami sami |
op_relation |
http://real.mtak.hu/65269/1/smus.44.2003.1-2.23.pdf Edström, Olle (2003) From Jojk to Rock & Jojk: Some Remarks on the Process of Change and of the Socially Constructed Meaning of Sami Music. Studia Musicologica Academiae Scientiarum Hungaricae, 44 (1-2). pp. 263-283. ISSN 0039-3266 |
op_doi |
https://doi.org/10.1556/SMus.44.2003.1-2.23 |
container_title |
Studia Musicologica Academiae Scientiarum Hungaricae |
container_volume |
44 |
container_issue |
1 |
container_start_page |
263 |
op_container_end_page |
283 |
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1766183256900763648 |