Writing to Right the Wrongs: Truth, Appropriation, and Poetry on a Genocide Site (an essay in three-and-a-half parts)

Five years ago, an ill-worded editorial in a literary trade newsletter brought international attention to the so-called “appropriation debate” in Canadian literature. This essay examines literary cultural appropriation as a tool of settler colonialism, and reflects on the lasting impact of the “appr...

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Bibliographic Details
Main Author: Callanan, Andreae
Format: Article in Journal/Newspaper
Language:English
Published: Memorial University of Newfoundland 2022
Subjects:
Online Access:http://journals.library.mun.ca/index.php/JU/article/view/2373
https://doi.org/10.2021/ju.v1i2.2373
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spelling ftmemunijournals:oai:journals.library.mun.ca:article/2373 2024-06-09T07:47:52+00:00 Writing to Right the Wrongs: Truth, Appropriation, and Poetry on a Genocide Site (an essay in three-and-a-half parts) Callanan, Andreae 2022-06-29 application/pdf http://journals.library.mun.ca/index.php/JU/article/view/2373 https://doi.org/10.2021/ju.v1i2.2373 eng eng Memorial University of Newfoundland http://journals.library.mun.ca/index.php/JU/article/view/2373/pdf_6 http://journals.library.mun.ca/index.php/JU/article/view/2373 doi:10.2021/ju.v1i2.2373 Janus Unbound: Journal of Critical Studies; Vol. 1 No. 2 (2022): Settler-Colonialism and Indigenous Communities; 53-63 2564-2154 Canadian literature Indigenous literature cultural appropriation poetry pedagogy social justice info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2022 ftmemunijournals https://doi.org/10.2021/ju.v1i2.2373 2024-05-16T04:02:03Z Five years ago, an ill-worded editorial in a literary trade newsletter brought international attention to the so-called “appropriation debate” in Canadian literature. This essay examines literary cultural appropriation as a tool of settler colonialism, and reflects on the lasting impact of the “appropriation debate” on the author’s own research and writing methodologies as a non-Indigenous poet, scholar, editor, and instructor. Establishing my own positionality as a white, female, disabled Newfoundland writer, and taking creative non-fiction methods as critical starting points, I ask: what are the obligations and possibilities inherent in reading and teaching poetry? What are the boundaries of settler interpretation of Indigenous writing? What does “living in right relation” look like in a region captured through genocide? These questions are deliberately open-ended, urging the reader to examine their own reading and writing practices. Article in Journal/Newspaper Newfoundland Memorial University of Newfoundland: Electronic Journals
institution Open Polar
collection Memorial University of Newfoundland: Electronic Journals
op_collection_id ftmemunijournals
language English
topic Canadian literature
Indigenous literature
cultural appropriation
poetry
pedagogy
social justice
spellingShingle Canadian literature
Indigenous literature
cultural appropriation
poetry
pedagogy
social justice
Callanan, Andreae
Writing to Right the Wrongs: Truth, Appropriation, and Poetry on a Genocide Site (an essay in three-and-a-half parts)
topic_facet Canadian literature
Indigenous literature
cultural appropriation
poetry
pedagogy
social justice
description Five years ago, an ill-worded editorial in a literary trade newsletter brought international attention to the so-called “appropriation debate” in Canadian literature. This essay examines literary cultural appropriation as a tool of settler colonialism, and reflects on the lasting impact of the “appropriation debate” on the author’s own research and writing methodologies as a non-Indigenous poet, scholar, editor, and instructor. Establishing my own positionality as a white, female, disabled Newfoundland writer, and taking creative non-fiction methods as critical starting points, I ask: what are the obligations and possibilities inherent in reading and teaching poetry? What are the boundaries of settler interpretation of Indigenous writing? What does “living in right relation” look like in a region captured through genocide? These questions are deliberately open-ended, urging the reader to examine their own reading and writing practices.
format Article in Journal/Newspaper
author Callanan, Andreae
author_facet Callanan, Andreae
author_sort Callanan, Andreae
title Writing to Right the Wrongs: Truth, Appropriation, and Poetry on a Genocide Site (an essay in three-and-a-half parts)
title_short Writing to Right the Wrongs: Truth, Appropriation, and Poetry on a Genocide Site (an essay in three-and-a-half parts)
title_full Writing to Right the Wrongs: Truth, Appropriation, and Poetry on a Genocide Site (an essay in three-and-a-half parts)
title_fullStr Writing to Right the Wrongs: Truth, Appropriation, and Poetry on a Genocide Site (an essay in three-and-a-half parts)
title_full_unstemmed Writing to Right the Wrongs: Truth, Appropriation, and Poetry on a Genocide Site (an essay in three-and-a-half parts)
title_sort writing to right the wrongs: truth, appropriation, and poetry on a genocide site (an essay in three-and-a-half parts)
publisher Memorial University of Newfoundland
publishDate 2022
url http://journals.library.mun.ca/index.php/JU/article/view/2373
https://doi.org/10.2021/ju.v1i2.2373
genre Newfoundland
genre_facet Newfoundland
op_source Janus Unbound: Journal of Critical Studies; Vol. 1 No. 2 (2022): Settler-Colonialism and Indigenous Communities; 53-63
2564-2154
op_relation http://journals.library.mun.ca/index.php/JU/article/view/2373/pdf_6
http://journals.library.mun.ca/index.php/JU/article/view/2373
doi:10.2021/ju.v1i2.2373
op_doi https://doi.org/10.2021/ju.v1i2.2373
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