Stand-up comedy - a folkloristic approach
Thesis (Ph.D.)--Memorial University of Newfoundland, 2010. Folklore Includes bibliographical references (leaves 373-404) Building on both a textual analysis and ethnographic fieldwork, this dissertation employs folkloristic analysis to examine stand-up comedy, a professional verbal comic performance...
Main Author: | |
---|---|
Other Authors: | |
Format: | Thesis |
Language: | English |
Published: |
2009
|
Subjects: | |
Online Access: | http://collections.mun.ca/cdm/ref/collection/theses4/id/86953 |
id |
ftmemorialunivdc:oai:collections.mun.ca:theses4/86953 |
---|---|
record_format |
openpolar |
spelling |
ftmemorialunivdc:oai:collections.mun.ca:theses4/86953 2023-05-15T17:23:33+02:00 Stand-up comedy - a folkloristic approach Brodie, Ian Bernard, 1973- Memorial University of Newfoundland. Dept. of Folklore 2009 viii, 407 leaves Image/jpeg; Application/pdf http://collections.mun.ca/cdm/ref/collection/theses4/id/86953 Eng eng Electronic Theses and Dissertations (47.99 MB) -- http://collections.mun.ca/PDFs/theses/Brodie_IanBernard.pdf a3315199 http://collections.mun.ca/cdm/ref/collection/theses4/id/86953 The author retains copyright ownership and moral rights in this thesis. Neither the thesis nor substantial extracts from it may be printed or otherwise reproduced without the author's permission. Paper copy kept in the Centre for Newfoundland Studies, Memorial University Libraries Folklore--Methodology Folklore--Performance Intimacy (Psychology) in the theater Stand-up comedy Text Electronic thesis or dissertation 2009 ftmemorialunivdc 2015-08-06T19:22:11Z Thesis (Ph.D.)--Memorial University of Newfoundland, 2010. Folklore Includes bibliographical references (leaves 373-404) Building on both a textual analysis and ethnographic fieldwork, this dissertation employs folkloristic analysis to examine stand-up comedy, a professional verbal comic performance with its roots in vernacular forms of talk. It requires an audience: all broadcasts and recordings of stand-up comedy without exception are recorded in front of a live audience, which makes it unique among popular culture forms. Working backward from this observation, it is evident that an audience is vital for performances, and that the stand-up comedy performance is a collaborative act between a comedian and an audience. It emulates the intimacy of face-to-face encounter, although it is made distant by the concrete division of performer from audience by virtue of it occurring on a stage, and subsequently by the spatiotemporal distancing of broadcasts and recordings. This dissertation examines the strategies through which the stand-up comedian reconciles intimacy and distance, through examining how the various media of stand-up comedy's dissemination - amplification, broadcasting, recording, and each of their respective variations - are adapted by and used by the comedian to replicate intimacy and bridge literal distance, and how the stand-up comedian develops a biography, a persona, and observations on the local and the universal which address cultural distance. Thesis Newfoundland studies University of Newfoundland Memorial University of Newfoundland: Digital Archives Initiative (DAI) |
institution |
Open Polar |
collection |
Memorial University of Newfoundland: Digital Archives Initiative (DAI) |
op_collection_id |
ftmemorialunivdc |
language |
English |
topic |
Folklore--Methodology Folklore--Performance Intimacy (Psychology) in the theater Stand-up comedy |
spellingShingle |
Folklore--Methodology Folklore--Performance Intimacy (Psychology) in the theater Stand-up comedy Brodie, Ian Bernard, 1973- Stand-up comedy - a folkloristic approach |
topic_facet |
Folklore--Methodology Folklore--Performance Intimacy (Psychology) in the theater Stand-up comedy |
description |
Thesis (Ph.D.)--Memorial University of Newfoundland, 2010. Folklore Includes bibliographical references (leaves 373-404) Building on both a textual analysis and ethnographic fieldwork, this dissertation employs folkloristic analysis to examine stand-up comedy, a professional verbal comic performance with its roots in vernacular forms of talk. It requires an audience: all broadcasts and recordings of stand-up comedy without exception are recorded in front of a live audience, which makes it unique among popular culture forms. Working backward from this observation, it is evident that an audience is vital for performances, and that the stand-up comedy performance is a collaborative act between a comedian and an audience. It emulates the intimacy of face-to-face encounter, although it is made distant by the concrete division of performer from audience by virtue of it occurring on a stage, and subsequently by the spatiotemporal distancing of broadcasts and recordings. This dissertation examines the strategies through which the stand-up comedian reconciles intimacy and distance, through examining how the various media of stand-up comedy's dissemination - amplification, broadcasting, recording, and each of their respective variations - are adapted by and used by the comedian to replicate intimacy and bridge literal distance, and how the stand-up comedian develops a biography, a persona, and observations on the local and the universal which address cultural distance. |
author2 |
Memorial University of Newfoundland. Dept. of Folklore |
format |
Thesis |
author |
Brodie, Ian Bernard, 1973- |
author_facet |
Brodie, Ian Bernard, 1973- |
author_sort |
Brodie, Ian Bernard, 1973- |
title |
Stand-up comedy - a folkloristic approach |
title_short |
Stand-up comedy - a folkloristic approach |
title_full |
Stand-up comedy - a folkloristic approach |
title_fullStr |
Stand-up comedy - a folkloristic approach |
title_full_unstemmed |
Stand-up comedy - a folkloristic approach |
title_sort |
stand-up comedy - a folkloristic approach |
publishDate |
2009 |
url |
http://collections.mun.ca/cdm/ref/collection/theses4/id/86953 |
genre |
Newfoundland studies University of Newfoundland |
genre_facet |
Newfoundland studies University of Newfoundland |
op_source |
Paper copy kept in the Centre for Newfoundland Studies, Memorial University Libraries |
op_relation |
Electronic Theses and Dissertations (47.99 MB) -- http://collections.mun.ca/PDFs/theses/Brodie_IanBernard.pdf a3315199 http://collections.mun.ca/cdm/ref/collection/theses4/id/86953 |
op_rights |
The author retains copyright ownership and moral rights in this thesis. Neither the thesis nor substantial extracts from it may be printed or otherwise reproduced without the author's permission. |
_version_ |
1766113278106271744 |