Sexing desire : the construction and treatment of female sexuality in popular women's magazines

Thesis (M.W.S.)--Memorial University of Newfoundland, 2002. Women's Studies Bibliography: leaves 94-98 This thesis explores the social construction of female sexuality in popular women's magazines and draws attention to the commercial interests that are served by the simultaneous processes...

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Bibliographic Details
Main Author: Finney, Danielle, 1973-
Other Authors: Memorial University of Newfoundland.Women's Studies Programme
Format: Thesis
Language:English
Published: 2001
Subjects:
Online Access:http://collections.mun.ca/cdm/ref/collection/theses3/id/51664
Description
Summary:Thesis (M.W.S.)--Memorial University of Newfoundland, 2002. Women's Studies Bibliography: leaves 94-98 This thesis explores the social construction of female sexuality in popular women's magazines and draws attention to the commercial interests that are served by the simultaneous processes of creating sexual difference and "sexing desire." The teen magazines Seventeen, Ym, and Teen, and the young women's magazines Cosmo, Glamour, and New Woman, are used to track the cultivation of a specifically feminine form of desire, a form of desire which is differentiated from masculine desire, offered only to female bodies, and which bears no inherent relation to female bodies. It is shown that for the purposes of generating revenue, the cosmetic, fashion, diet, and magazine industries participate in the creation of feminine desire. In these magazines, feminine desire is established as the desire for male sexual desire and for committed, monogamous relationships while male desire is characterized as the desire for sexual gratification. This thesis also elucidates the ways that popular women's magazines often react to the differences that they themselves have helped to create. Numerous contradictions become visible through an examination of the advice given to readers on how to deal with or overcome the consequences of sexed desire. Ultimately, my analysis reveals that contradiction is a key feature of the women's magazines' treatment of female sexuality and suggests that contradiction may be an integral part of the magazines’ success.