A heritage portrayed: nationalist theatre in Newfoundland, 1972-1982
This thesis concerns the ethnic and nationalist dimensions of alternate theatre in Newfoundland. More specifically, it deals with the strategies by which elements of nationalism and ethnicity (or ethnic identity) are incorporated and transmitted via the medium of theatre. -- The analysis focuses on...
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Memorial University of Newfoundland
1982
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ftmemorialuniv:oai:research.library.mun.ca:7690 2023-10-01T03:57:33+02:00 A heritage portrayed: nationalist theatre in Newfoundland, 1972-1982 Drodge, Janice Ann 1982-08 application/pdf https://research.library.mun.ca/7690/ https://research.library.mun.ca/7690/1/Drodge_JaniceAnn.pdf https://research.library.mun.ca/7690/3/Drodge_JaniceAnn.pdf en eng Memorial University of Newfoundland https://research.library.mun.ca/7690/1/Drodge_JaniceAnn.pdf https://research.library.mun.ca/7690/3/Drodge_JaniceAnn.pdf Drodge, Janice Ann <https://research.library.mun.ca/view/creator_az/Drodge=3AJanice_Ann=3A=3A.html> (1982) A heritage portrayed: nationalist theatre in Newfoundland, 1972-1982. Masters thesis, Memorial University of Newfoundland. thesis_license Thesis NonPeerReviewed 1982 ftmemorialuniv 2023-09-03T06:46:32Z This thesis concerns the ethnic and nationalist dimensions of alternate theatre in Newfoundland. More specifically, it deals with the strategies by which elements of nationalism and ethnicity (or ethnic identity) are incorporated and transmitted via the medium of theatre. -- The analysis focuses on three St. John's-based theatre companies, namely; The Mummers Troupe, Codco, and Rising Tide Theatre, and covers the time period from 1972 to the present. These groups have been among the most visible and active "conveyors" of ethnic and nationalist sentiments in Newfoundland, to an audience that frequently includes a mainland in addition to a significant local contingent. -- The development of nationalist theatre is examined within the context of the wider "cultural renaissance" commencing in the 1960's, and which resulted in a renewal of emphasis on indigenous and traditional forms of cultural expression such as music, crafts and literature. The socio-economic and cultural roots of both phenomena are investigated in historic and contemporary terms. It is concluded that nationalist theatre evolved in response and in reaction to the perceived loss of cultural pride and identity, and the erosion of traditional values and forms following Newfoundland's union with Canada in 1949. -- As it is the nature of theatre to not only provide entertainment, but to also reflect a society's face to itself in a very immediate and compelling way, it represents a type of artistic expression particularly suited to the above form of inquiry. This is all the more so when the dramatic works themselves convey perspectives and themes indigenous and often unique to their own society and time. In Newfoundland theatre, this is demonstrated in both the dominant and recurring themes found within the plays of the Mummers Troupe, Codco, and Rising Tide Theatre, and in the stated motivations and philosophies of the actors themselves. -- The identity expressed in nationalist theatre is described as an ethnic one and nationalism is interpreted as a ... Thesis Newfoundland Memorial University of Newfoundland: Research Repository Canada |
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Memorial University of Newfoundland: Research Repository |
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English |
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This thesis concerns the ethnic and nationalist dimensions of alternate theatre in Newfoundland. More specifically, it deals with the strategies by which elements of nationalism and ethnicity (or ethnic identity) are incorporated and transmitted via the medium of theatre. -- The analysis focuses on three St. John's-based theatre companies, namely; The Mummers Troupe, Codco, and Rising Tide Theatre, and covers the time period from 1972 to the present. These groups have been among the most visible and active "conveyors" of ethnic and nationalist sentiments in Newfoundland, to an audience that frequently includes a mainland in addition to a significant local contingent. -- The development of nationalist theatre is examined within the context of the wider "cultural renaissance" commencing in the 1960's, and which resulted in a renewal of emphasis on indigenous and traditional forms of cultural expression such as music, crafts and literature. The socio-economic and cultural roots of both phenomena are investigated in historic and contemporary terms. It is concluded that nationalist theatre evolved in response and in reaction to the perceived loss of cultural pride and identity, and the erosion of traditional values and forms following Newfoundland's union with Canada in 1949. -- As it is the nature of theatre to not only provide entertainment, but to also reflect a society's face to itself in a very immediate and compelling way, it represents a type of artistic expression particularly suited to the above form of inquiry. This is all the more so when the dramatic works themselves convey perspectives and themes indigenous and often unique to their own society and time. In Newfoundland theatre, this is demonstrated in both the dominant and recurring themes found within the plays of the Mummers Troupe, Codco, and Rising Tide Theatre, and in the stated motivations and philosophies of the actors themselves. -- The identity expressed in nationalist theatre is described as an ethnic one and nationalism is interpreted as a ... |
format |
Thesis |
author |
Drodge, Janice Ann |
spellingShingle |
Drodge, Janice Ann A heritage portrayed: nationalist theatre in Newfoundland, 1972-1982 |
author_facet |
Drodge, Janice Ann |
author_sort |
Drodge, Janice Ann |
title |
A heritage portrayed: nationalist theatre in Newfoundland, 1972-1982 |
title_short |
A heritage portrayed: nationalist theatre in Newfoundland, 1972-1982 |
title_full |
A heritage portrayed: nationalist theatre in Newfoundland, 1972-1982 |
title_fullStr |
A heritage portrayed: nationalist theatre in Newfoundland, 1972-1982 |
title_full_unstemmed |
A heritage portrayed: nationalist theatre in Newfoundland, 1972-1982 |
title_sort |
heritage portrayed: nationalist theatre in newfoundland, 1972-1982 |
publisher |
Memorial University of Newfoundland |
publishDate |
1982 |
url |
https://research.library.mun.ca/7690/ https://research.library.mun.ca/7690/1/Drodge_JaniceAnn.pdf https://research.library.mun.ca/7690/3/Drodge_JaniceAnn.pdf |
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Canada |
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Canada |
genre |
Newfoundland |
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Newfoundland |
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https://research.library.mun.ca/7690/1/Drodge_JaniceAnn.pdf https://research.library.mun.ca/7690/3/Drodge_JaniceAnn.pdf Drodge, Janice Ann <https://research.library.mun.ca/view/creator_az/Drodge=3AJanice_Ann=3A=3A.html> (1982) A heritage portrayed: nationalist theatre in Newfoundland, 1972-1982. Masters thesis, Memorial University of Newfoundland. |
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1778529015195238400 |