Some aspects of the folk music complex of a Newfoundland outport

This thesis is based on tape recorded interviews made during fieldwork carried out in Green's Harbour and in the Trinity Bay South area, principally in June and December, 1975, and January, 1976, as well as numerous weekends, and on research done at the "Newfoundland Room," Memorial U...

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Main Author: Cox, Gordon S. A.
Format: Thesis
Language:English
Published: Memorial University of Newfoundland 1976
Subjects:
Online Access:https://research.library.mun.ca/7349/
https://research.library.mun.ca/7349/1/Cox_GordonSidneyAllister.pdf
https://research.library.mun.ca/7349/3/Cox_GordonSidneyAllister.pdf
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spelling ftmemorialuniv:oai:research.library.mun.ca:7349 2023-10-01T03:57:34+02:00 Some aspects of the folk music complex of a Newfoundland outport Cox, Gordon S. A. 1976 application/pdf https://research.library.mun.ca/7349/ https://research.library.mun.ca/7349/1/Cox_GordonSidneyAllister.pdf https://research.library.mun.ca/7349/3/Cox_GordonSidneyAllister.pdf en eng Memorial University of Newfoundland https://research.library.mun.ca/7349/1/Cox_GordonSidneyAllister.pdf https://research.library.mun.ca/7349/3/Cox_GordonSidneyAllister.pdf Cox, Gordon S. A. <https://research.library.mun.ca/view/creator_az/Cox=3AGordon_S=2E_A=2E=3A=3A.html> (1976) Some aspects of the folk music complex of a Newfoundland outport. Masters thesis, Memorial University of Newfoundland. thesis_license Thesis NonPeerReviewed 1976 ftmemorialuniv 2023-09-03T06:46:20Z This thesis is based on tape recorded interviews made during fieldwork carried out in Green's Harbour and in the Trinity Bay South area, principally in June and December, 1975, and January, 1976, as well as numerous weekends, and on research done at the "Newfoundland Room," Memorial University Library, St. John's, between 1974 and 1976. -- The aim of the study is to present as holistic a description as possible of the variety of musics in a Newfoundland outport, and to demonstrate the relationship between music and society by treating music as a form of human bahaviour. -- The theoretical framework of the thesis is presented in the Introduction, together with a description of my own background and fieldwork. This is followed by an ethnogrpahy of Green's Harbour, paying particular attention to social change. The next chapter can be regarded as complementary to the ethnography in that it discusses the contexts in which music was, and is performed. This includes important data for later conclusions about the reasons for musical change. A unique Christmas Carolling tradition is discussed in the succeeding two chapters. This can be regarded as representative of the older way of life, although it is presented also as a conscious attempt to control the acculturative process--a revitalization movement. Because it is such a unique tradition a brief description of other carolling traditions is presented, and the carol texts are discussed. The influence of country music on local performers is the subject of the next chapter, and it provides a suitable contrast to the emphasis laid on the traditional past in the previous two chapters. The concluding chapter explores the relationship between the musical and social change that has been described in the preceding chapters. -- The thesis attempts to demonstrate the relationships that exist between a community's values, social institutions and its music. Although the description is specific and concentrates on one community, it is hoped that it has a wider application. Thesis Newfoundland Memorial University of Newfoundland: Research Repository
institution Open Polar
collection Memorial University of Newfoundland: Research Repository
op_collection_id ftmemorialuniv
language English
description This thesis is based on tape recorded interviews made during fieldwork carried out in Green's Harbour and in the Trinity Bay South area, principally in June and December, 1975, and January, 1976, as well as numerous weekends, and on research done at the "Newfoundland Room," Memorial University Library, St. John's, between 1974 and 1976. -- The aim of the study is to present as holistic a description as possible of the variety of musics in a Newfoundland outport, and to demonstrate the relationship between music and society by treating music as a form of human bahaviour. -- The theoretical framework of the thesis is presented in the Introduction, together with a description of my own background and fieldwork. This is followed by an ethnogrpahy of Green's Harbour, paying particular attention to social change. The next chapter can be regarded as complementary to the ethnography in that it discusses the contexts in which music was, and is performed. This includes important data for later conclusions about the reasons for musical change. A unique Christmas Carolling tradition is discussed in the succeeding two chapters. This can be regarded as representative of the older way of life, although it is presented also as a conscious attempt to control the acculturative process--a revitalization movement. Because it is such a unique tradition a brief description of other carolling traditions is presented, and the carol texts are discussed. The influence of country music on local performers is the subject of the next chapter, and it provides a suitable contrast to the emphasis laid on the traditional past in the previous two chapters. The concluding chapter explores the relationship between the musical and social change that has been described in the preceding chapters. -- The thesis attempts to demonstrate the relationships that exist between a community's values, social institutions and its music. Although the description is specific and concentrates on one community, it is hoped that it has a wider application.
format Thesis
author Cox, Gordon S. A.
spellingShingle Cox, Gordon S. A.
Some aspects of the folk music complex of a Newfoundland outport
author_facet Cox, Gordon S. A.
author_sort Cox, Gordon S. A.
title Some aspects of the folk music complex of a Newfoundland outport
title_short Some aspects of the folk music complex of a Newfoundland outport
title_full Some aspects of the folk music complex of a Newfoundland outport
title_fullStr Some aspects of the folk music complex of a Newfoundland outport
title_full_unstemmed Some aspects of the folk music complex of a Newfoundland outport
title_sort some aspects of the folk music complex of a newfoundland outport
publisher Memorial University of Newfoundland
publishDate 1976
url https://research.library.mun.ca/7349/
https://research.library.mun.ca/7349/1/Cox_GordonSidneyAllister.pdf
https://research.library.mun.ca/7349/3/Cox_GordonSidneyAllister.pdf
genre Newfoundland
genre_facet Newfoundland
op_relation https://research.library.mun.ca/7349/1/Cox_GordonSidneyAllister.pdf
https://research.library.mun.ca/7349/3/Cox_GordonSidneyAllister.pdf
Cox, Gordon S. A. <https://research.library.mun.ca/view/creator_az/Cox=3AGordon_S=2E_A=2E=3A=3A.html> (1976) Some aspects of the folk music complex of a Newfoundland outport. Masters thesis, Memorial University of Newfoundland.
op_rights thesis_license
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