The most (imagined) Irish place in the world? : the interaction between Irish and Newfoundland musicians, electronic mass media, and the construction of musical senses of place
Newfoundland has been described as “the most Irish place outside of Ireland” (McGinn 2000, 8). As a North Atlantic island and a former British colony, Newfoundland shares many ethnic, geographic and economic similarities with Ireland. The actual musical culture in Newfoundland is a blend of western...
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ftmemorialuniv:oai:research.library.mun.ca:6216 2023-10-01T03:57:29+02:00 The most (imagined) Irish place in the world? : the interaction between Irish and Newfoundland musicians, electronic mass media, and the construction of musical senses of place Osborne, Evelyn 2013 application/pdf https://research.library.mun.ca/6216/ https://research.library.mun.ca/6216/1/Osborne_Evelyn.pdf https://research.library.mun.ca/6216/3/Osborne_Evelyn.pdf en eng Memorial University of Newfoundland https://research.library.mun.ca/6216/1/Osborne_Evelyn.pdf https://research.library.mun.ca/6216/3/Osborne_Evelyn.pdf Osborne, Evelyn <https://research.library.mun.ca/view/creator_az/Osborne=3AEvelyn=3A=3A.html> (2013) The most (imagined) Irish place in the world? : the interaction between Irish and Newfoundland musicians, electronic mass media, and the construction of musical senses of place. Doctoral (PhD) thesis, Memorial University of Newfoundland. thesis_license Thesis NonPeerReviewed 2013 ftmemorialuniv 2023-09-03T06:45:44Z Newfoundland has been described as “the most Irish place outside of Ireland” (McGinn 2000, 8). As a North Atlantic island and a former British colony, Newfoundland shares many ethnic, geographic and economic similarities with Ireland. The actual musical culture in Newfoundland is a blend of western European immigration and musical technological flows. However, the Irish connection is privileged in discourses of musical cultural heritage. This dissertation examines how interactions both live and meditated by radio, television, and recordings between Irish and Newfoundland musicians have contributed to the construction of musical senses of place as having an Irish foundation. Using three case studies of Irish musicians throughout the 20th and 21st centuries, this dissertation examines the construction of Irishness in Newfoundland music, particularly in relation to instrumental (fiddle/accordion) music and musicians. -- The first case study examines an Irish-American group, The McNulty Family (1920s-1960s). Newfoundland businessman, J. M. Devine (1876-1959) both featured them on weekly radio shows (ca.1944-1974) and sponsored their 1953 tour of the island. Their music was heard regularly during the development of the Newfoundland recording industry and was highly influential in the establishment of local recorded repertoire. -- The second case study examines Ryan’s Fancy, a trio of Irishmen who moved to Newfoundland during the cultural revival of the 1970s. They became an integral part of the community and their (inter)national television show (1975-1977) highlighted rural Newfoundland musical traditions through a folklore-based documentary approach. -- The final case study examines the interactions between Irish fiddler Séamus Creagh and local St. John’s instrumentalists from the late 1980s into the early 21st century. In 2003, Creagh released a joint CD project entitled Island to Island: Traditional Music from Newfoundland and Ireland. This chapter explores how some St. John’s musicians perceive Irish music in ... Thesis Newfoundland North Atlantic Memorial University of Newfoundland: Research Repository |
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Memorial University of Newfoundland: Research Repository |
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English |
description |
Newfoundland has been described as “the most Irish place outside of Ireland” (McGinn 2000, 8). As a North Atlantic island and a former British colony, Newfoundland shares many ethnic, geographic and economic similarities with Ireland. The actual musical culture in Newfoundland is a blend of western European immigration and musical technological flows. However, the Irish connection is privileged in discourses of musical cultural heritage. This dissertation examines how interactions both live and meditated by radio, television, and recordings between Irish and Newfoundland musicians have contributed to the construction of musical senses of place as having an Irish foundation. Using three case studies of Irish musicians throughout the 20th and 21st centuries, this dissertation examines the construction of Irishness in Newfoundland music, particularly in relation to instrumental (fiddle/accordion) music and musicians. -- The first case study examines an Irish-American group, The McNulty Family (1920s-1960s). Newfoundland businessman, J. M. Devine (1876-1959) both featured them on weekly radio shows (ca.1944-1974) and sponsored their 1953 tour of the island. Their music was heard regularly during the development of the Newfoundland recording industry and was highly influential in the establishment of local recorded repertoire. -- The second case study examines Ryan’s Fancy, a trio of Irishmen who moved to Newfoundland during the cultural revival of the 1970s. They became an integral part of the community and their (inter)national television show (1975-1977) highlighted rural Newfoundland musical traditions through a folklore-based documentary approach. -- The final case study examines the interactions between Irish fiddler Séamus Creagh and local St. John’s instrumentalists from the late 1980s into the early 21st century. In 2003, Creagh released a joint CD project entitled Island to Island: Traditional Music from Newfoundland and Ireland. This chapter explores how some St. John’s musicians perceive Irish music in ... |
format |
Thesis |
author |
Osborne, Evelyn |
spellingShingle |
Osborne, Evelyn The most (imagined) Irish place in the world? : the interaction between Irish and Newfoundland musicians, electronic mass media, and the construction of musical senses of place |
author_facet |
Osborne, Evelyn |
author_sort |
Osborne, Evelyn |
title |
The most (imagined) Irish place in the world? : the interaction between Irish and Newfoundland musicians, electronic mass media, and the construction of musical senses of place |
title_short |
The most (imagined) Irish place in the world? : the interaction between Irish and Newfoundland musicians, electronic mass media, and the construction of musical senses of place |
title_full |
The most (imagined) Irish place in the world? : the interaction between Irish and Newfoundland musicians, electronic mass media, and the construction of musical senses of place |
title_fullStr |
The most (imagined) Irish place in the world? : the interaction between Irish and Newfoundland musicians, electronic mass media, and the construction of musical senses of place |
title_full_unstemmed |
The most (imagined) Irish place in the world? : the interaction between Irish and Newfoundland musicians, electronic mass media, and the construction of musical senses of place |
title_sort |
most (imagined) irish place in the world? : the interaction between irish and newfoundland musicians, electronic mass media, and the construction of musical senses of place |
publisher |
Memorial University of Newfoundland |
publishDate |
2013 |
url |
https://research.library.mun.ca/6216/ https://research.library.mun.ca/6216/1/Osborne_Evelyn.pdf https://research.library.mun.ca/6216/3/Osborne_Evelyn.pdf |
genre |
Newfoundland North Atlantic |
genre_facet |
Newfoundland North Atlantic |
op_relation |
https://research.library.mun.ca/6216/1/Osborne_Evelyn.pdf https://research.library.mun.ca/6216/3/Osborne_Evelyn.pdf Osborne, Evelyn <https://research.library.mun.ca/view/creator_az/Osborne=3AEvelyn=3A=3A.html> (2013) The most (imagined) Irish place in the world? : the interaction between Irish and Newfoundland musicians, electronic mass media, and the construction of musical senses of place. Doctoral (PhD) thesis, Memorial University of Newfoundland. |
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thesis_license |
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1778528811432804352 |