Drawing Spirits in the Sand: Performative Storytelling in the Digital Age

For First Nations people living in the central desert of Australia, the performance of oral storytelling drawing in the sand drives new agency in the cultural metamorphosis of communication practices accelerated by the proliferation of portable digital devices. Drawing on the ground sustains the pro...

Full description

Bibliographic Details
Published in:Religions
Main Author: David I. Tafler
Format: Text
Language:English
Published: Multidisciplinary Digital Publishing Institute 2019
Subjects:
Online Access:https://doi.org/10.3390/rel10090492
id ftmdpi:oai:mdpi.com:/2077-1444/10/9/492/
record_format openpolar
spelling ftmdpi:oai:mdpi.com:/2077-1444/10/9/492/ 2023-08-20T04:06:31+02:00 Drawing Spirits in the Sand: Performative Storytelling in the Digital Age David I. Tafler 2019-08-21 application/pdf https://doi.org/10.3390/rel10090492 EN eng Multidisciplinary Digital Publishing Institute https://dx.doi.org/10.3390/rel10090492 https://creativecommons.org/licenses/by/4.0/ Religions; Volume 10; Issue 9; Pages: 492 storytelling sand drawing Aboriginal media performative speech digital economy oral culture Text 2019 ftmdpi https://doi.org/10.3390/rel10090492 2023-07-31T22:32:18Z For First Nations people living in the central desert of Australia, the performance of oral storytelling drawing in the sand drives new agency in the cultural metamorphosis of communication practices accelerated by the proliferation of portable digital devices. Drawing on the ground sustains the proxemic and kinesthetic aspects of performative storytelling as a sign gesture system. When rendering this drawing supra-language, the people negotiate and ride the ontological divide symbolized by traditional elders in First Nations communities and digital engineers who program and code. In particular, storytelling’s chronemic encounter offsets the estrangement of the recorded event and maintains every participants’ ability to shape identity and navigate space-time relationships. Drawing storytelling demonstrates a concomitant capacity to mediate changes in tradition and spiritual systems. While the digital portals of the global arena remain open and luring, the force enabled by the chiasmic entwinement of speech, gesture and sand continues to map the frontier of First Nations identity formation and reformation. Text First Nations MDPI Open Access Publishing Religions 10 9 492
institution Open Polar
collection MDPI Open Access Publishing
op_collection_id ftmdpi
language English
topic storytelling
sand drawing
Aboriginal media
performative speech
digital economy
oral culture
spellingShingle storytelling
sand drawing
Aboriginal media
performative speech
digital economy
oral culture
David I. Tafler
Drawing Spirits in the Sand: Performative Storytelling in the Digital Age
topic_facet storytelling
sand drawing
Aboriginal media
performative speech
digital economy
oral culture
description For First Nations people living in the central desert of Australia, the performance of oral storytelling drawing in the sand drives new agency in the cultural metamorphosis of communication practices accelerated by the proliferation of portable digital devices. Drawing on the ground sustains the proxemic and kinesthetic aspects of performative storytelling as a sign gesture system. When rendering this drawing supra-language, the people negotiate and ride the ontological divide symbolized by traditional elders in First Nations communities and digital engineers who program and code. In particular, storytelling’s chronemic encounter offsets the estrangement of the recorded event and maintains every participants’ ability to shape identity and navigate space-time relationships. Drawing storytelling demonstrates a concomitant capacity to mediate changes in tradition and spiritual systems. While the digital portals of the global arena remain open and luring, the force enabled by the chiasmic entwinement of speech, gesture and sand continues to map the frontier of First Nations identity formation and reformation.
format Text
author David I. Tafler
author_facet David I. Tafler
author_sort David I. Tafler
title Drawing Spirits in the Sand: Performative Storytelling in the Digital Age
title_short Drawing Spirits in the Sand: Performative Storytelling in the Digital Age
title_full Drawing Spirits in the Sand: Performative Storytelling in the Digital Age
title_fullStr Drawing Spirits in the Sand: Performative Storytelling in the Digital Age
title_full_unstemmed Drawing Spirits in the Sand: Performative Storytelling in the Digital Age
title_sort drawing spirits in the sand: performative storytelling in the digital age
publisher Multidisciplinary Digital Publishing Institute
publishDate 2019
url https://doi.org/10.3390/rel10090492
genre First Nations
genre_facet First Nations
op_source Religions; Volume 10; Issue 9; Pages: 492
op_relation https://dx.doi.org/10.3390/rel10090492
op_rights https://creativecommons.org/licenses/by/4.0/
op_doi https://doi.org/10.3390/rel10090492
container_title Religions
container_volume 10
container_issue 9
container_start_page 492
_version_ 1774717628273655808