Towards Decolonial Choreographies of Co-Resistance

This article engages movement as a methodology for understanding the creative coalition work that we carried out for a project series called Into the Light (ITL) that used research from university archives to mount a museum exhibition and then develop an interactive public education site that counte...

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Published in:Social Sciences
Main Authors: Evadne Kelly, Carla Rice, Mona Stonefish
Format: Text
Language:English
Published: Multidisciplinary Digital Publishing Institute 2023
Subjects:
art
Online Access:https://doi.org/10.3390/socsci12040204
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spelling ftmdpi:oai:mdpi.com:/2076-0760/12/4/204/ 2023-08-20T03:59:46+02:00 Towards Decolonial Choreographies of Co-Resistance Evadne Kelly Carla Rice Mona Stonefish 2023-03-30 application/pdf https://doi.org/10.3390/socsci12040204 EN eng Multidisciplinary Digital Publishing Institute https://dx.doi.org/10.3390/socsci12040204 https://creativecommons.org/licenses/by/4.0/ Social Sciences; Volume 12; Issue 4; Pages: 204 co-creation decolonization difference disability justice art choreography eugenics Original Peoples Anishinaabe neomaterialism Text 2023 ftmdpi https://doi.org/10.3390/socsci12040204 2023-08-01T09:30:33Z This article engages movement as a methodology for understanding the creative coalition work that we carried out for a project series called Into the Light (ITL) that used research from university archives to mount a museum exhibition and then develop an interactive public education site that counters histories and ongoing realities of colonial eugenics and their exclusionary ideas of what it means to be human in Canada’s educational institutions. We address different movement practices, both those initiated by ableist-colonial forces to destroy difference and by our coalition of co-resistors to affirm difference. We apply a decolonizing and Anishinaabe philosophical lens alongside a feminist disability-informed neomaterialist and dance studies one to theorize examples of ITL’s “choreographies of co-resistance”. Anishinaabe knowledge practices refuse and thus interfere with colonial-eugenic practices of erasure while enacting an ethic of self-determination and mutual respect for difference. The ripple effect of this decolonizing and difference-affirming interference reverberates through our words and moves at varying tempos through our bodies—traveling through flesh, holding up at bones, and passing through watery, stretchy connective tissue pathways. These are our choreographies of co-resistance as actions of mattering and world-building. Text anishina* MDPI Open Access Publishing Social Sciences 12 4 204
institution Open Polar
collection MDPI Open Access Publishing
op_collection_id ftmdpi
language English
topic co-creation
decolonization
difference
disability justice
art
choreography
eugenics
Original Peoples
Anishinaabe
neomaterialism
spellingShingle co-creation
decolonization
difference
disability justice
art
choreography
eugenics
Original Peoples
Anishinaabe
neomaterialism
Evadne Kelly
Carla Rice
Mona Stonefish
Towards Decolonial Choreographies of Co-Resistance
topic_facet co-creation
decolonization
difference
disability justice
art
choreography
eugenics
Original Peoples
Anishinaabe
neomaterialism
description This article engages movement as a methodology for understanding the creative coalition work that we carried out for a project series called Into the Light (ITL) that used research from university archives to mount a museum exhibition and then develop an interactive public education site that counters histories and ongoing realities of colonial eugenics and their exclusionary ideas of what it means to be human in Canada’s educational institutions. We address different movement practices, both those initiated by ableist-colonial forces to destroy difference and by our coalition of co-resistors to affirm difference. We apply a decolonizing and Anishinaabe philosophical lens alongside a feminist disability-informed neomaterialist and dance studies one to theorize examples of ITL’s “choreographies of co-resistance”. Anishinaabe knowledge practices refuse and thus interfere with colonial-eugenic practices of erasure while enacting an ethic of self-determination and mutual respect for difference. The ripple effect of this decolonizing and difference-affirming interference reverberates through our words and moves at varying tempos through our bodies—traveling through flesh, holding up at bones, and passing through watery, stretchy connective tissue pathways. These are our choreographies of co-resistance as actions of mattering and world-building.
format Text
author Evadne Kelly
Carla Rice
Mona Stonefish
author_facet Evadne Kelly
Carla Rice
Mona Stonefish
author_sort Evadne Kelly
title Towards Decolonial Choreographies of Co-Resistance
title_short Towards Decolonial Choreographies of Co-Resistance
title_full Towards Decolonial Choreographies of Co-Resistance
title_fullStr Towards Decolonial Choreographies of Co-Resistance
title_full_unstemmed Towards Decolonial Choreographies of Co-Resistance
title_sort towards decolonial choreographies of co-resistance
publisher Multidisciplinary Digital Publishing Institute
publishDate 2023
url https://doi.org/10.3390/socsci12040204
genre anishina*
genre_facet anishina*
op_source Social Sciences; Volume 12; Issue 4; Pages: 204
op_relation https://dx.doi.org/10.3390/socsci12040204
op_rights https://creativecommons.org/licenses/by/4.0/
op_doi https://doi.org/10.3390/socsci12040204
container_title Social Sciences
container_volume 12
container_issue 4
container_start_page 204
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