From the ashes:a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions
Over the last decade, a series of publications - such as, most notably, Steve Jones's Rock Formations (1992), 1 Michael Chanan's Repeated Takes (1995) 2 and Paul Théberge's Any Sound You Can Imagine (1997) 3 - have offered accounts of the impact of various technological innovations on...
Published in: | Convergence: The International Journal of Research into New Media Technologies |
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1999
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ftmacquarieunicr:oai:https://researchers.mq.edu.au:publications/e2902fc8-cd34-47db-a2ea-cd7beb54b64d 2023-05-15T17:32:25+02:00 From the ashes:a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions Crowdy, Denis Hayward, Philip 1999 https://researchers.mq.edu.au/en/publications/e2902fc8-cd34-47db-a2ea-cd7beb54b64d https://doi.org/10.1177/135485659900500306 http://www.scopus.com/inward/record.url?scp=61049558540&partnerID=8YFLogxK eng eng info:eu-repo/semantics/closedAccess Crowdy , D & Hayward , P 1999 , ' From the ashes : a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions ' , Convergence , vol. 5 , no. 3 , pp. 67-82 . https://doi.org/10.1177/135485659900500306 article 1999 ftmacquarieunicr https://doi.org/10.1177/135485659900500306 2022-02-18T14:31:50Z Over the last decade, a series of publications - such as, most notably, Steve Jones's Rock Formations (1992), 1 Michael Chanan's Repeated Takes (1995) 2 and Paul Théberge's Any Sound You Can Imagine (1997) 3 - have offered accounts of the impact of various technological innovations on contemporary music culture. Almost without exception, they have advanced their analyses with near-total reliance on examples drawn from the North Atlantic core of the Western music industry. To date, the impact of various technologies on the music cultures and industries of the rest of the planet have been little examined. While these cultures and industries may 'lag behind' their better-facilitated western counterparts in terms of provision of new equipment and associated creative and industrial practices, the impact of new technologies on these territories is just as marked and complex as it is in the West. Article in Journal/Newspaper North Atlantic Macquarie University Research Portal Convergence: The International Journal of Research into New Media Technologies 5 3 67 82 |
institution |
Open Polar |
collection |
Macquarie University Research Portal |
op_collection_id |
ftmacquarieunicr |
language |
English |
description |
Over the last decade, a series of publications - such as, most notably, Steve Jones's Rock Formations (1992), 1 Michael Chanan's Repeated Takes (1995) 2 and Paul Théberge's Any Sound You Can Imagine (1997) 3 - have offered accounts of the impact of various technological innovations on contemporary music culture. Almost without exception, they have advanced their analyses with near-total reliance on examples drawn from the North Atlantic core of the Western music industry. To date, the impact of various technologies on the music cultures and industries of the rest of the planet have been little examined. While these cultures and industries may 'lag behind' their better-facilitated western counterparts in terms of provision of new equipment and associated creative and industrial practices, the impact of new technologies on these territories is just as marked and complex as it is in the West. |
format |
Article in Journal/Newspaper |
author |
Crowdy, Denis Hayward, Philip |
spellingShingle |
Crowdy, Denis Hayward, Philip From the ashes:a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions |
author_facet |
Crowdy, Denis Hayward, Philip |
author_sort |
Crowdy, Denis |
title |
From the ashes:a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions |
title_short |
From the ashes:a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions |
title_full |
From the ashes:a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions |
title_fullStr |
From the ashes:a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions |
title_full_unstemmed |
From the ashes:a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions |
title_sort |
from the ashes:a case study of the re-development of local music recording in rabaul (papua new guinea) following the 1994 volcanic eruptions |
publishDate |
1999 |
url |
https://researchers.mq.edu.au/en/publications/e2902fc8-cd34-47db-a2ea-cd7beb54b64d https://doi.org/10.1177/135485659900500306 http://www.scopus.com/inward/record.url?scp=61049558540&partnerID=8YFLogxK |
genre |
North Atlantic |
genre_facet |
North Atlantic |
op_source |
Crowdy , D & Hayward , P 1999 , ' From the ashes : a case study of the re-development of local music recording in Rabaul (Papua New Guinea) following the 1994 volcanic eruptions ' , Convergence , vol. 5 , no. 3 , pp. 67-82 . https://doi.org/10.1177/135485659900500306 |
op_rights |
info:eu-repo/semantics/closedAccess |
op_doi |
https://doi.org/10.1177/135485659900500306 |
container_title |
Convergence: The International Journal of Research into New Media Technologies |
container_volume |
5 |
container_issue |
3 |
container_start_page |
67 |
op_container_end_page |
82 |
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1766130530231779328 |