Ludic maps and capitalist spectacle in Rio de Janeiro

Rio de Janeiro is undergoing a makeover that is undeniably spectacular. Redevelopment schemes are dramatically rearranging the urban landscape, and crucially, this economic growth hinges on the production and circulation of images of the city. This paper explores a site of alterity and resistance wh...

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Main Author: Angelini, Alessandro
Format: Article in Journal/Newspaper
Language:English
Published: Elsevier 2015
Subjects:
Online Access:http://eprints.lse.ac.uk/64512/
http://eprints.lse.ac.uk/64512/1/ludic_maps.pdf
http://www.sciencedirect.com/science/journal/00167185
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spelling ftlondoneconom:oai:eprints.lse.ac.uk:64512 2024-05-19T07:45:10+00:00 Ludic maps and capitalist spectacle in Rio de Janeiro Angelini, Alessandro 2015-10 application/pdf http://eprints.lse.ac.uk/64512/ http://eprints.lse.ac.uk/64512/1/ludic_maps.pdf http://www.sciencedirect.com/science/journal/00167185 en eng eng Elsevier http://eprints.lse.ac.uk/64512/1/ludic_maps.pdf Angelini, Alessandro (2015) Ludic maps and capitalist spectacle in Rio de Janeiro. Geoforum, 65. pp. 421-430. ISSN 0016-7185 H Social Sciences (General) Article PeerReviewed 2015 ftlondoneconom 2024-04-30T23:39:54Z Rio de Janeiro is undergoing a makeover that is undeniably spectacular. Redevelopment schemes are dramatically rearranging the urban landscape, and crucially, this economic growth hinges on the production and circulation of images of the city. This paper explores a site of alterity and resistance where a favela youth collective has re-created Rio from its margins. This miniature world, known as Morrinho and built of bricks, mortar, and re-used materials, hosts a role-playing game featuring thousands of inch-tall avatars. This paper argues that re-visioning the world anew through play makes the society of the spectacle inhabitable and thus contestable. How does the society of the spectacle become a terrain for struggle in Rio? Locating spectacle production in nation-state formation and the urban process, the paper provides a genealogy of the spectacle beyond the modern North Atlantic metropole. Locating the favela within a Brazilian geographical imagination frames ethnographic data collected as an observer and participant in the Morrinho game. While the spectacle may hinge on the relationship between visuality and power, this essay observes how signs take on material lives through ludic re-appropriation. Play becomes a form of commentary, an alternative mode of knowledge about the city, and functions dually as both description of and participant in the social world in which it is embedded. Article in Journal/Newspaper North Atlantic The London School of Economics and Political Science: LSE Research Online
institution Open Polar
collection The London School of Economics and Political Science: LSE Research Online
op_collection_id ftlondoneconom
language English
topic H Social Sciences (General)
spellingShingle H Social Sciences (General)
Angelini, Alessandro
Ludic maps and capitalist spectacle in Rio de Janeiro
topic_facet H Social Sciences (General)
description Rio de Janeiro is undergoing a makeover that is undeniably spectacular. Redevelopment schemes are dramatically rearranging the urban landscape, and crucially, this economic growth hinges on the production and circulation of images of the city. This paper explores a site of alterity and resistance where a favela youth collective has re-created Rio from its margins. This miniature world, known as Morrinho and built of bricks, mortar, and re-used materials, hosts a role-playing game featuring thousands of inch-tall avatars. This paper argues that re-visioning the world anew through play makes the society of the spectacle inhabitable and thus contestable. How does the society of the spectacle become a terrain for struggle in Rio? Locating spectacle production in nation-state formation and the urban process, the paper provides a genealogy of the spectacle beyond the modern North Atlantic metropole. Locating the favela within a Brazilian geographical imagination frames ethnographic data collected as an observer and participant in the Morrinho game. While the spectacle may hinge on the relationship between visuality and power, this essay observes how signs take on material lives through ludic re-appropriation. Play becomes a form of commentary, an alternative mode of knowledge about the city, and functions dually as both description of and participant in the social world in which it is embedded.
format Article in Journal/Newspaper
author Angelini, Alessandro
author_facet Angelini, Alessandro
author_sort Angelini, Alessandro
title Ludic maps and capitalist spectacle in Rio de Janeiro
title_short Ludic maps and capitalist spectacle in Rio de Janeiro
title_full Ludic maps and capitalist spectacle in Rio de Janeiro
title_fullStr Ludic maps and capitalist spectacle in Rio de Janeiro
title_full_unstemmed Ludic maps and capitalist spectacle in Rio de Janeiro
title_sort ludic maps and capitalist spectacle in rio de janeiro
publisher Elsevier
publishDate 2015
url http://eprints.lse.ac.uk/64512/
http://eprints.lse.ac.uk/64512/1/ludic_maps.pdf
http://www.sciencedirect.com/science/journal/00167185
genre North Atlantic
genre_facet North Atlantic
op_relation http://eprints.lse.ac.uk/64512/1/ludic_maps.pdf
Angelini, Alessandro (2015) Ludic maps and capitalist spectacle in Rio de Janeiro. Geoforum, 65. pp. 421-430. ISSN 0016-7185
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