Tale of the Whale

In his critique of Herman Melville’s Moby Dick, A.N. Deacon accurately captures one of the main tenets if not the central theme of the book; however, he also makes several claims about the novel that do not seem to fit with the evidence seen in the actual story. For example, Deacon holds that Melvil...

Full description

Bibliographic Details
Main Author: Schlaudt, Joel
Format: Text
Language:unknown
Published: Scholars Crossing 2015
Subjects:
Online Access:https://digitalcommons.liberty.edu/lujal/vol1/iss1/5
https://digitalcommons.liberty.edu/cgi/viewcontent.cgi?article=1004&context=lujal
id ftlibertyuniv:oai:digitalcommons.liberty.edu:lujal-1004
record_format openpolar
spelling ftlibertyuniv:oai:digitalcommons.liberty.edu:lujal-1004 2023-05-15T18:44:04+02:00 Tale of the Whale Schlaudt, Joel 2015-01-08T13:25:11Z application/pdf https://digitalcommons.liberty.edu/lujal/vol1/iss1/5 https://digitalcommons.liberty.edu/cgi/viewcontent.cgi?article=1004&context=lujal unknown Scholars Crossing https://digitalcommons.liberty.edu/lujal/vol1/iss1/5 https://digitalcommons.liberty.edu/cgi/viewcontent.cgi?article=1004&context=lujal Aidenn: The Liberty Undergraduate Journal of American Literature Moby Dick Herman Melville whale Calvinism critique American Literature Literature in English North America Other Classics text 2015 ftlibertyuniv 2022-12-11T11:37:07Z In his critique of Herman Melville’s Moby Dick, A.N. Deacon accurately captures one of the main tenets if not the central theme of the book; however, he also makes several claims about the novel that do not seem to fit with the evidence seen in the actual story. For example, Deacon holds that Melville is attempting to show that the power and attributes of Moby Dick are the source, symbolically, of truth and meaning. However, this is not the impression we get when we look closely at the work itself and note Melville’s treatment of the subject. Furthermore, Deacon posits that the person of Ahab is incoherent as his outward, wild actions do not line up with the eloquent and forceful man Melville portrays through his inward character. This claim, however, ignores not only evidence from the novel but some tenets of common sense and real-life experience as well. Deacon does, however, accurately capture the central meaning and chief analogy of the book in his evaluation of Melville’s portrayal of Ahab in utter defiance and rebellion toward a Calvinistic God, or at least of the image of such a god he has projected upon the white whale. There is abundant evidence to support this argument throughout the work. Thus, though Deacon does miss the mark on some of his claims, he succeeds in pinning down the heart and soul of Melville’s classic work. Text White whale DigitalCommons@Liberty University (Lynchburg, VA) Ahab ENVELOPE(-62.178,-62.178,-65.434,-65.434) Deacon ENVELOPE(-59.987,-59.987,-73.248,-73.248)
institution Open Polar
collection DigitalCommons@Liberty University (Lynchburg, VA)
op_collection_id ftlibertyuniv
language unknown
topic Moby Dick
Herman Melville
whale
Calvinism
critique
American Literature
Literature in English
North America
Other Classics
spellingShingle Moby Dick
Herman Melville
whale
Calvinism
critique
American Literature
Literature in English
North America
Other Classics
Schlaudt, Joel
Tale of the Whale
topic_facet Moby Dick
Herman Melville
whale
Calvinism
critique
American Literature
Literature in English
North America
Other Classics
description In his critique of Herman Melville’s Moby Dick, A.N. Deacon accurately captures one of the main tenets if not the central theme of the book; however, he also makes several claims about the novel that do not seem to fit with the evidence seen in the actual story. For example, Deacon holds that Melville is attempting to show that the power and attributes of Moby Dick are the source, symbolically, of truth and meaning. However, this is not the impression we get when we look closely at the work itself and note Melville’s treatment of the subject. Furthermore, Deacon posits that the person of Ahab is incoherent as his outward, wild actions do not line up with the eloquent and forceful man Melville portrays through his inward character. This claim, however, ignores not only evidence from the novel but some tenets of common sense and real-life experience as well. Deacon does, however, accurately capture the central meaning and chief analogy of the book in his evaluation of Melville’s portrayal of Ahab in utter defiance and rebellion toward a Calvinistic God, or at least of the image of such a god he has projected upon the white whale. There is abundant evidence to support this argument throughout the work. Thus, though Deacon does miss the mark on some of his claims, he succeeds in pinning down the heart and soul of Melville’s classic work.
format Text
author Schlaudt, Joel
author_facet Schlaudt, Joel
author_sort Schlaudt, Joel
title Tale of the Whale
title_short Tale of the Whale
title_full Tale of the Whale
title_fullStr Tale of the Whale
title_full_unstemmed Tale of the Whale
title_sort tale of the whale
publisher Scholars Crossing
publishDate 2015
url https://digitalcommons.liberty.edu/lujal/vol1/iss1/5
https://digitalcommons.liberty.edu/cgi/viewcontent.cgi?article=1004&context=lujal
long_lat ENVELOPE(-62.178,-62.178,-65.434,-65.434)
ENVELOPE(-59.987,-59.987,-73.248,-73.248)
geographic Ahab
Deacon
geographic_facet Ahab
Deacon
genre White whale
genre_facet White whale
op_source Aidenn: The Liberty Undergraduate Journal of American Literature
op_relation https://digitalcommons.liberty.edu/lujal/vol1/iss1/5
https://digitalcommons.liberty.edu/cgi/viewcontent.cgi?article=1004&context=lujal
_version_ 1766234633418047488