Girls strike back : the politics of parody in an indigenous TV comedy

The diversification of the media has opened up new spaces for performances that seek not only to evoke laughter but also to voice social critique. One example of this development is the TV comedy show Märät säpikkäät/Njuoska bittut, created by two young women belonging to the indigenous Sámi people...

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Published in:Gender and Language
Main Authors: Dlaske, Kati, Jäntti, Saara
Format: Article in Journal/Newspaper
Language:English
Published: Equinox Publishing Ltd.; International Gender & Language Association 2016
Subjects:
Online Access:http://urn.fi/URN:NBN:fi:jyu-201607273682
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author Dlaske, Kati
Jäntti, Saara
author_facet Dlaske, Kati
Jäntti, Saara
author_sort Dlaske, Kati
collection JYX - Jyväskylä University Digital Archive
container_issue 2
container_start_page 191
container_title Gender and Language
container_volume 10
description The diversification of the media has opened up new spaces for performances that seek not only to evoke laughter but also to voice social critique. One example of this development is the TV comedy show Märät säpikkäät/Njuoska bittut, created by two young women belonging to the indigenous Sámi people living in Finland. This paper focuses on one particularly critical sketch in the show: a counter-parody of a popular parody of the Sámi presented by two Finnish male comedians. The original sketch was a parody of ethnicity. As they strike back, however, the female presenters consciously foreground the categories of gender and class, thereby introducing a completely new figure: a white, urban, underclass woman. In this paper we draw on intersectionality and indexicality to analyse this multidimensional performance and its intertextual links to the original sketch. We ask, what do these insurgent discursive practices mean in terms of critique? What do they do under cover of laughter? peerReviewed
format Article in Journal/Newspaper
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10.1558/genl.v10i2.24055
Dlaske, K., & Jäntti, S. (2016). Girls strike back : the politics of parody in an indigenous TV comedy. Gender and Language , 10 (2). https://doi.org/10.1558/genl.v10i2.24055
op_rights © International Gender & Language Association, 2016. This is a final draft version of an article whose final and definitive form has been published by Equinox Publishing Ltd. Published in this repository with the kind permission of the publisher.
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spelling ftjyvaeskylaenun:oai:jyx.jyu.fi:123456789/51022 2025-04-13T14:26:34+00:00 Girls strike back : the politics of parody in an indigenous TV comedy Dlaske, Kati Jäntti, Saara 2016 application/pdf http://urn.fi/URN:NBN:fi:jyu-201607273682 eng eng Equinox Publishing Ltd.; International Gender & Language Association Gender and Language 1747-6321 2 10 10.1558/genl.v10i2.24055 Dlaske, K., & Jäntti, S. (2016). Girls strike back : the politics of parody in an indigenous TV comedy. Gender and Language , 10 (2). https://doi.org/10.1558/genl.v10i2.24055 © International Gender & Language Association, 2016. This is a final draft version of an article whose final and definitive form has been published by Equinox Publishing Ltd. Published in this repository with the kind permission of the publisher. openAccess TV comedies Soveltava kielitiede Applied Linguistics parodia media research article http://purl.org/eprint/type/JournalArticle http://purl.org/coar/resource_type/c_2df8fbb1 acceptedVersion article A1 2016 ftjyvaeskylaenun 2025-03-20T05:54:17Z The diversification of the media has opened up new spaces for performances that seek not only to evoke laughter but also to voice social critique. One example of this development is the TV comedy show Märät säpikkäät/Njuoska bittut, created by two young women belonging to the indigenous Sámi people living in Finland. This paper focuses on one particularly critical sketch in the show: a counter-parody of a popular parody of the Sámi presented by two Finnish male comedians. The original sketch was a parody of ethnicity. As they strike back, however, the female presenters consciously foreground the categories of gender and class, thereby introducing a completely new figure: a white, urban, underclass woman. In this paper we draw on intersectionality and indexicality to analyse this multidimensional performance and its intertextual links to the original sketch. We ask, what do these insurgent discursive practices mean in terms of critique? What do they do under cover of laughter? peerReviewed Article in Journal/Newspaper Sámi JYX - Jyväskylä University Digital Archive Gender and Language 10 2 191 215
spellingShingle TV comedies
Soveltava kielitiede
Applied Linguistics
parodia
media
Dlaske, Kati
Jäntti, Saara
Girls strike back : the politics of parody in an indigenous TV comedy
title Girls strike back : the politics of parody in an indigenous TV comedy
title_full Girls strike back : the politics of parody in an indigenous TV comedy
title_fullStr Girls strike back : the politics of parody in an indigenous TV comedy
title_full_unstemmed Girls strike back : the politics of parody in an indigenous TV comedy
title_short Girls strike back : the politics of parody in an indigenous TV comedy
title_sort girls strike back : the politics of parody in an indigenous tv comedy
topic TV comedies
Soveltava kielitiede
Applied Linguistics
parodia
media
topic_facet TV comedies
Soveltava kielitiede
Applied Linguistics
parodia
media
url http://urn.fi/URN:NBN:fi:jyu-201607273682