The local appropriation of warrior ideals in Late Bronze Age Europe: a review of the rock art site of Arroyo Tamujoso 8 and the ‘warrior’ stela of Cancho Roano (Badajoz, Spain)

This study offers new insights into the local appropriation of warrior ideals in Late Bronze Age Europe. Through the new study of the carvings of Cancho Roano and Arroyo Tamujoso 8, located in Southwest Iberia and their landscape settings with state-of-the-art digital technologies, this paper unpick...

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Bibliographic Details
Published in:Trabajos de Prehistoria
Main Authors: Díaz-Guardamino, Marta, Ling, Johan, Koch, John, Schulz Paulsson, Bettina, Horn, Christian, Paulsson, Jonas
Format: Article in Journal/Newspaper
Language:English
Published: Consejo Superior de Investigaciones Científicas 2022
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Online Access:https://tp.revistas.csic.es/index.php/tp/article/view/895
https://doi.org/10.3989/tp.2022.12302
Description
Summary:This study offers new insights into the local appropriation of warrior ideals in Late Bronze Age Europe. Through the new study of the carvings of Cancho Roano and Arroyo Tamujoso 8, located in Southwest Iberia and their landscape settings with state-of-the-art digital technologies, this paper unpicks some of the key idiosyncrasies of Iberian Late Bronze Age warrior iconography, revealing that responses to the warrior ideals circulating across Europe during that period were diverse. To understand the contexts of circulation and appropriation of these ideas from a local perspective, we also consider very briefly the multiscale connections in which the communities who created warrior stelae in Iberia were involved. The ultimate goal of this paper is to lay the groundwork for further work developing more detailed comparisons between Iberian warrior stelae and Swedish warrior iconography on rock art, also taking into account other evidence. Este estudio ofrece nuevos datos sobre la apropiación local de los ideales asociados al guerrero en Europa durante la Edad del Bronce Final a través del nuevo estudio de los grabados de Cancho Roano y Arroyo Tamujoso 8, situados en el Suroeste de la península ibérica, de sus soportes y contextos paisajísticos. Emplea tecnologías digitales de vanguardia para identificar algunos de los particularismos más distintivos de esa iconografía, revelando diversas respuestas a los ideales de guerrero que estaban en circulación en Europa durante dicho período. Para comprender los contextos de circulación desde una perspectiva local, también consideramos brevemente las conexiones multi-escala en las que estaban involucradas las comunidades que crearon estelas de guerrero en Iberia. El objetivo final de este artículo es sentar las bases para un próximo trabajo donde se comparan con mayor detalle la iconografía de las estelas de guerrero y la de los guerreros del arte rupestre escandinavo, teniendo también en cuenta otros aspectos.