From Global Risk to Private Catastrophe: The Domestic and the Planetary in Daniel Kramb’s From Here and Susannah Waters’ Cold Comfort

Climate change is at the heart of recent critical debates about the role of the global and the local in the critical practice of the environmental humanities. While critics like Ursula K. Heise and Timothy Clark have argued for putting the global at the conceptual centre of inquiry, others have warn...

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Published in:Open Library of Humanities
Main Author: Levihn-Kutzler, Karsten
Format: Article in Journal/Newspaper
Language:English
Published: Open Library of Humanities 2018
Subjects:
Online Access:https://olh.openlibhums.org/jms/article/view/378
https://doi.org/10.16995/olh.378
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collection Open Library of Humanities (E-Journal)
op_collection_id ftjolh
language English
topic English literature
environmental humanities
spellingShingle English literature
environmental humanities
Levihn-Kutzler, Karsten
From Global Risk to Private Catastrophe: The Domestic and the Planetary in Daniel Kramb’s From Here and Susannah Waters’ Cold Comfort
topic_facet English literature
environmental humanities
description Climate change is at the heart of recent critical debates about the role of the global and the local in the critical practice of the environmental humanities. While critics like Ursula K. Heise and Timothy Clark have argued for putting the global at the conceptual centre of inquiry, others have warned that such a wide focus obscures the localized effects of climate change and their connection to histories of colonial and capitalist exploitation. Rather than privileging one side of this argument over the other, this paper seeks to put both perspectives into a productive dialogue that focusses on how literature can connect the local histories and global environmental risks. The paper draws on two relatively unknown novels, Susannah Waters’ Cold Comfort (2007) and Daniel Kramb’s From Here (2012), in order to show how the threat of climate change disrupts understandings of scale that structure our social lives by linking global forces to moments of domestic and intimate crisis. From Here’s protagonist is a cosmopolitan culture worker, whose perpetual uprootedness becomes the vantage point for her political engagement with the threat of climate change. Cold Comfort’s Alaska Native protagonist finds her house literally tilting due to the melting permafrost ground, while domestic violence and sexual abuse make her home uninhabitable. Despite the huge disjuncture in the contexts they portray, the texts share an interest in the disjuncture between awareness and agency, in the impact of climate change on domestic and intimate relationships, and in links between the private, the political and the planetary.
format Article in Journal/Newspaper
author Levihn-Kutzler, Karsten
author_facet Levihn-Kutzler, Karsten
author_sort Levihn-Kutzler, Karsten
title From Global Risk to Private Catastrophe: The Domestic and the Planetary in Daniel Kramb’s From Here and Susannah Waters’ Cold Comfort
title_short From Global Risk to Private Catastrophe: The Domestic and the Planetary in Daniel Kramb’s From Here and Susannah Waters’ Cold Comfort
title_full From Global Risk to Private Catastrophe: The Domestic and the Planetary in Daniel Kramb’s From Here and Susannah Waters’ Cold Comfort
title_fullStr From Global Risk to Private Catastrophe: The Domestic and the Planetary in Daniel Kramb’s From Here and Susannah Waters’ Cold Comfort
title_full_unstemmed From Global Risk to Private Catastrophe: The Domestic and the Planetary in Daniel Kramb’s From Here and Susannah Waters’ Cold Comfort
title_sort from global risk to private catastrophe: the domestic and the planetary in daniel kramb’s from here and susannah waters’ cold comfort
publisher Open Library of Humanities
publishDate 2018
url https://olh.openlibhums.org/jms/article/view/378
https://doi.org/10.16995/olh.378
op_coverage Anglophone Literature
Contemporary Literature
long_lat ENVELOPE(-54.065,-54.065,49.700,49.700)
geographic Tilting
geographic_facet Tilting
genre permafrost
Alaska
genre_facet permafrost
Alaska
op_source Open Library of Humanities; Vol 4, No 2 (2018); 41
2056-6700
op_relation https://olh.openlibhums.org/jms/article/view/378/278
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https://olh.openlibhums.org/jms/article/view/378
doi:10.16995/olh.378
op_rights Autor/innen, die in diesem Journal publizieren, stimmen den folgenden Bedingungen zu:Autor/innen behalten das Copyright und übertragen dem Journal das Recht zur Erstveröffentlichung, bei einer gleichzeitigen Lizensierung des Werkes unter der Creative-Commons-Lizenz Namensnennung (CC-BY), die es anderen gestattet, das Werk unter Nennung der Urheber/in und des ersten Publikationsortes zu teilen. Wenn Sie Ihren Beitrag unter einer anderen Creative-Commons-Lizenz publizieren möchten, geben Sie diesen Wunsch bitte an den Hinweisen für die Redaktion an und nennen Sie Gründe für diesen Wunsch.Autor/innen dürfen weitere, zusätzliche Vertragsabschlüsse zur nicht-exklusiven Verbreitung der im Journal publizierten Version ihres Beitrags vornehmen (z.B. Archivierung in einem institutionellen Repositorium, oder Veröffentlichung als Teil eines Buches), wenn die Erstveröffentlichung in diesem Journal benannt wird.Autor/innen ist es gestattet und sie werden dazu ermuntert, Ihr Werk vor und während des Einreichungsprozesses online zu veröffentlichen (z.B. in einem institutionellen Repositorium oder auf ihrer Webseite), da so ein produktiver inhaltlicher Austausch angeregt werden kann, und der später publizierte Beitrag häufiger zitiert wird.
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. If you would prefer to publish your work under an alternative Creative Commons License, please indicate this in the Comments for the Editor box below, providing reasons for your request.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish
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spelling ftjolh:oai:ojs.openlibhums.org:article/378 2023-05-15T17:58:08+02:00 From Global Risk to Private Catastrophe: The Domestic and the Planetary in Daniel Kramb’s From Here and Susannah Waters’ Cold Comfort Levihn-Kutzler, Karsten Anglophone Literature Contemporary Literature 2018-12-07 application/pdf application/xml https://olh.openlibhums.org/jms/article/view/378 https://doi.org/10.16995/olh.378 eng eng Open Library of Humanities https://olh.openlibhums.org/jms/article/view/378/278 https://olh.openlibhums.org/jms/article/view/378/279 10.16995/olh.378 https://olh.openlibhums.org/jms/article/view/378 doi:10.16995/olh.378 Autor/innen, die in diesem Journal publizieren, stimmen den folgenden Bedingungen zu:Autor/innen behalten das Copyright und übertragen dem Journal das Recht zur Erstveröffentlichung, bei einer gleichzeitigen Lizensierung des Werkes unter der Creative-Commons-Lizenz Namensnennung (CC-BY), die es anderen gestattet, das Werk unter Nennung der Urheber/in und des ersten Publikationsortes zu teilen. Wenn Sie Ihren Beitrag unter einer anderen Creative-Commons-Lizenz publizieren möchten, geben Sie diesen Wunsch bitte an den Hinweisen für die Redaktion an und nennen Sie Gründe für diesen Wunsch.Autor/innen dürfen weitere, zusätzliche Vertragsabschlüsse zur nicht-exklusiven Verbreitung der im Journal publizierten Version ihres Beitrags vornehmen (z.B. Archivierung in einem institutionellen Repositorium, oder Veröffentlichung als Teil eines Buches), wenn die Erstveröffentlichung in diesem Journal benannt wird.Autor/innen ist es gestattet und sie werden dazu ermuntert, Ihr Werk vor und während des Einreichungsprozesses online zu veröffentlichen (z.B. in einem institutionellen Repositorium oder auf ihrer Webseite), da so ein produktiver inhaltlicher Austausch angeregt werden kann, und der später publizierte Beitrag häufiger zitiert wird. Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal. If you would prefer to publish your work under an alternative Creative Commons License, please indicate this in the Comments for the Editor box below, providing reasons for your request.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish CC-BY Open Library of Humanities; Vol 4, No 2 (2018); 41 2056-6700 English literature environmental humanities info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2018 ftjolh https://doi.org/10.16995/olh.378 2020-10-28T08:24:32Z Climate change is at the heart of recent critical debates about the role of the global and the local in the critical practice of the environmental humanities. While critics like Ursula K. Heise and Timothy Clark have argued for putting the global at the conceptual centre of inquiry, others have warned that such a wide focus obscures the localized effects of climate change and their connection to histories of colonial and capitalist exploitation. Rather than privileging one side of this argument over the other, this paper seeks to put both perspectives into a productive dialogue that focusses on how literature can connect the local histories and global environmental risks. The paper draws on two relatively unknown novels, Susannah Waters’ Cold Comfort (2007) and Daniel Kramb’s From Here (2012), in order to show how the threat of climate change disrupts understandings of scale that structure our social lives by linking global forces to moments of domestic and intimate crisis. From Here’s protagonist is a cosmopolitan culture worker, whose perpetual uprootedness becomes the vantage point for her political engagement with the threat of climate change. Cold Comfort’s Alaska Native protagonist finds her house literally tilting due to the melting permafrost ground, while domestic violence and sexual abuse make her home uninhabitable. Despite the huge disjuncture in the contexts they portray, the texts share an interest in the disjuncture between awareness and agency, in the impact of climate change on domestic and intimate relationships, and in links between the private, the political and the planetary. Article in Journal/Newspaper permafrost Alaska Open Library of Humanities (E-Journal) Tilting ENVELOPE(-54.065,-54.065,49.700,49.700) Open Library of Humanities 4 2