The Danger of the Extended Hand: A Critique of Humanitarian Aid in Makenzy Orcel’s L’Ombre Animale
Since the 2010 earthquake that destroyed Port-au-Prince, there have been a number of inquiries detailing the material failures of the multi-national humanitarian aid response. Studies have focused on the misuse of funds by large international organizations, and they have attempted to trace the donat...
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Stockholm University Press
2018
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ftjkarib:oai:ojs.karib.no:article/42 2023-05-15T17:34:31+02:00 The Danger of the Extended Hand: A Critique of Humanitarian Aid in Makenzy Orcel’s L’Ombre Animale Franklin, Jocelyn Sutton Atlantic, Caribbean 21st century 2018-11-01 application/pdf application/xml https://www.karib.no/jms/article/view/42 https://doi.org/10.16993/karib.42 eng eng Stockholm University Press https://www.karib.no/jms/article/view/42/49 https://www.karib.no/jms/article/view/42/50 10.16993/karib.42 https://www.karib.no/jms/article/view/42 doi:10.16993/karib.42 Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access). CC-BY Karib – Nordic Journal for Caribbean Studies; Vol 4, No 1 (2018); 7 2387-6743 1894-8421 literature Francophone literature Caribbean Studies foreign aid foreign development Haiti Haitian exceptionalism Haitian resilience white savior narrative marvelous realism info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2018 ftjkarib https://doi.org/10.16993/karib.42 2021-08-11T09:06:52Z Since the 2010 earthquake that destroyed Port-au-Prince, there have been a number of inquiries detailing the material failures of the multi-national humanitarian aid response. Studies have focused on the misuse of funds by large international organizations, and they have attempted to trace the donations made by individuals and governments alike. Still others indicate the neocolonial manner in which Haitians were themselves cut out of negotiations regarding how their nation should be rebuilt. Such criticisms are of particular interest, given the 40,000 Haitians still living under tarps more than eight years after the quake. Despite the documented disappointments of the post-earthquake aid initiative, North Atlantic aid workers and organizations enjoy a privileged position in the collective unconscious of the global North. As is becoming increasingly clear, “Aid” often does more harm than good, whether due to oversight, greed, or the momentum of the global wealth and power disparity. Makenzy Orcel’s 2016 novel L’Ombre animale represents foreign development workers—not as the long-awaited rescuers of Haiti—but as wolves come to feed off the precarity and vulnerability of a rural Haitian village. In this article, I maintain that, through the historically and mythologically salient figure of the wolf, Orcel systematically questions the moral capital attributed to the white savior. Article in Journal/Newspaper North Atlantic Karib - Nordic Journal for Caribbean Studies Karib – Nordic Journal for Caribbean Studies 4 1 |
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Open Polar |
collection |
Karib - Nordic Journal for Caribbean Studies |
op_collection_id |
ftjkarib |
language |
English |
topic |
literature Francophone literature Caribbean Studies foreign aid foreign development Haiti Haitian exceptionalism Haitian resilience white savior narrative marvelous realism |
spellingShingle |
literature Francophone literature Caribbean Studies foreign aid foreign development Haiti Haitian exceptionalism Haitian resilience white savior narrative marvelous realism Franklin, Jocelyn Sutton The Danger of the Extended Hand: A Critique of Humanitarian Aid in Makenzy Orcel’s L’Ombre Animale |
topic_facet |
literature Francophone literature Caribbean Studies foreign aid foreign development Haiti Haitian exceptionalism Haitian resilience white savior narrative marvelous realism |
description |
Since the 2010 earthquake that destroyed Port-au-Prince, there have been a number of inquiries detailing the material failures of the multi-national humanitarian aid response. Studies have focused on the misuse of funds by large international organizations, and they have attempted to trace the donations made by individuals and governments alike. Still others indicate the neocolonial manner in which Haitians were themselves cut out of negotiations regarding how their nation should be rebuilt. Such criticisms are of particular interest, given the 40,000 Haitians still living under tarps more than eight years after the quake. Despite the documented disappointments of the post-earthquake aid initiative, North Atlantic aid workers and organizations enjoy a privileged position in the collective unconscious of the global North. As is becoming increasingly clear, “Aid” often does more harm than good, whether due to oversight, greed, or the momentum of the global wealth and power disparity. Makenzy Orcel’s 2016 novel L’Ombre animale represents foreign development workers—not as the long-awaited rescuers of Haiti—but as wolves come to feed off the precarity and vulnerability of a rural Haitian village. In this article, I maintain that, through the historically and mythologically salient figure of the wolf, Orcel systematically questions the moral capital attributed to the white savior. |
format |
Article in Journal/Newspaper |
author |
Franklin, Jocelyn Sutton |
author_facet |
Franklin, Jocelyn Sutton |
author_sort |
Franklin, Jocelyn Sutton |
title |
The Danger of the Extended Hand: A Critique of Humanitarian Aid in Makenzy Orcel’s L’Ombre Animale |
title_short |
The Danger of the Extended Hand: A Critique of Humanitarian Aid in Makenzy Orcel’s L’Ombre Animale |
title_full |
The Danger of the Extended Hand: A Critique of Humanitarian Aid in Makenzy Orcel’s L’Ombre Animale |
title_fullStr |
The Danger of the Extended Hand: A Critique of Humanitarian Aid in Makenzy Orcel’s L’Ombre Animale |
title_full_unstemmed |
The Danger of the Extended Hand: A Critique of Humanitarian Aid in Makenzy Orcel’s L’Ombre Animale |
title_sort |
danger of the extended hand: a critique of humanitarian aid in makenzy orcel’s l’ombre animale |
publisher |
Stockholm University Press |
publishDate |
2018 |
url |
https://www.karib.no/jms/article/view/42 https://doi.org/10.16993/karib.42 |
op_coverage |
Atlantic, Caribbean 21st century |
genre |
North Atlantic |
genre_facet |
North Atlantic |
op_source |
Karib – Nordic Journal for Caribbean Studies; Vol 4, No 1 (2018); 7 2387-6743 1894-8421 |
op_relation |
https://www.karib.no/jms/article/view/42/49 https://www.karib.no/jms/article/view/42/50 10.16993/karib.42 https://www.karib.no/jms/article/view/42 doi:10.16993/karib.42 |
op_rights |
Authors who publish with this journal agree to the following terms:Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access). |
op_rightsnorm |
CC-BY |
op_doi |
https://doi.org/10.16993/karib.42 |
container_title |
Karib – Nordic Journal for Caribbean Studies |
container_volume |
4 |
container_issue |
1 |
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1766133385370009600 |