Across the Unseen Sea and Dinner for Deep Surface Divers
Dinner for Deep Surface Divers uses food as a poetic medium, where eating is depicted as a highly sensual act, while exploring the role of the senses and embodiment in informing our vision. Across the Unseen Sea captures the essence of a multi-sensory banquet that I created and which took place in L...
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Fine Arts Cultural Studies, York University
2018
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ftjintensions:oai:intensions.journals.yorku.ca:article/37402 2023-05-15T16:49:34+02:00 Across the Unseen Sea and Dinner for Deep Surface Divers Stehlíková, Tereza 2018-04-01 text/html https://intensions.journals.yorku.ca/index.php/intensions/article/view/37402 https://doi.org/10.25071/1913-5874/37402 eng eng Fine Arts Cultural Studies, York University https://intensions.journals.yorku.ca/index.php/intensions/article/view/37402/1860 https://intensions.journals.yorku.ca/index.php/intensions/article/view/37402 doi:10.25071/1913-5874/37402 Copyright (c) 2022 Tereza Stehlíková InTensions; 2018: 9.0 - Food for Thought: Food, Embodiment, and Knowledge 1913-5874 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2018 ftjintensions https://doi.org/10.25071/1913-5874/37402 2022-10-07T18:33:16Z Dinner for Deep Surface Divers uses food as a poetic medium, where eating is depicted as a highly sensual act, while exploring the role of the senses and embodiment in informing our vision. Across the Unseen Sea captures the essence of a multi-sensory banquet that I created and which took place in London, in 2013. I based the event on William Morris’s diary entries from his journey to Iceland, in 1871/73 and “translated” these into a multi-sensory immersive performance. The project was developed in collaboration with Charles Michel (cook and researcher at Charles Spence’s Crossmodal Research laboratory, Oxford), as well as a team of dedicated collaborators from various backgrounds and with different professional expertise (set, sound, scent designers, actors, food historians etc.). The film was created with the intention of communicating the subjective, multi-sensory experience of one of the guests, a writer, by audio-visual. Article in Journal/Newspaper Iceland InTensions (E-Journal) InTensions |
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InTensions (E-Journal) |
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ftjintensions |
language |
English |
description |
Dinner for Deep Surface Divers uses food as a poetic medium, where eating is depicted as a highly sensual act, while exploring the role of the senses and embodiment in informing our vision. Across the Unseen Sea captures the essence of a multi-sensory banquet that I created and which took place in London, in 2013. I based the event on William Morris’s diary entries from his journey to Iceland, in 1871/73 and “translated” these into a multi-sensory immersive performance. The project was developed in collaboration with Charles Michel (cook and researcher at Charles Spence’s Crossmodal Research laboratory, Oxford), as well as a team of dedicated collaborators from various backgrounds and with different professional expertise (set, sound, scent designers, actors, food historians etc.). The film was created with the intention of communicating the subjective, multi-sensory experience of one of the guests, a writer, by audio-visual. |
format |
Article in Journal/Newspaper |
author |
Stehlíková, Tereza |
spellingShingle |
Stehlíková, Tereza Across the Unseen Sea and Dinner for Deep Surface Divers |
author_facet |
Stehlíková, Tereza |
author_sort |
Stehlíková, Tereza |
title |
Across the Unseen Sea and Dinner for Deep Surface Divers |
title_short |
Across the Unseen Sea and Dinner for Deep Surface Divers |
title_full |
Across the Unseen Sea and Dinner for Deep Surface Divers |
title_fullStr |
Across the Unseen Sea and Dinner for Deep Surface Divers |
title_full_unstemmed |
Across the Unseen Sea and Dinner for Deep Surface Divers |
title_sort |
across the unseen sea and dinner for deep surface divers |
publisher |
Fine Arts Cultural Studies, York University |
publishDate |
2018 |
url |
https://intensions.journals.yorku.ca/index.php/intensions/article/view/37402 https://doi.org/10.25071/1913-5874/37402 |
genre |
Iceland |
genre_facet |
Iceland |
op_source |
InTensions; 2018: 9.0 - Food for Thought: Food, Embodiment, and Knowledge 1913-5874 |
op_relation |
https://intensions.journals.yorku.ca/index.php/intensions/article/view/37402/1860 https://intensions.journals.yorku.ca/index.php/intensions/article/view/37402 doi:10.25071/1913-5874/37402 |
op_rights |
Copyright (c) 2022 Tereza Stehlíková |
op_doi |
https://doi.org/10.25071/1913-5874/37402 |
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InTensions |
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1766039708735897600 |