Wishes, Lies, Dreams
I wish., I hope., I’m angry., I’m afraid., I’m sad., I’m happy., Come with me. Wishes, Lies, Dreams (an ongoing three-dimensional mixed media installation) focuses on the mechanisms of perception and dreams, the private world between fantasy and unconsciousness, nature and the extra-ordinary, memory...
Published in: | InTensions |
---|---|
Main Author: | |
Format: | Article in Journal/Newspaper |
Language: | English |
Published: |
Fine Arts Cultural Studies, York University
2009
|
Subjects: | |
Online Access: | https://intensions.journals.yorku.ca/index.php/intensions/article/view/37341 https://doi.org/10.25071/1913-5874/37341 |
id |
ftjintensions:oai:intensions.journals.yorku.ca:article/37341 |
---|---|
record_format |
openpolar |
spelling |
ftjintensions:oai:intensions.journals.yorku.ca:article/37341 2023-05-15T17:09:15+02:00 Wishes, Lies, Dreams Chutiwongpeti, Sarawut 2009-09-01 text/html https://intensions.journals.yorku.ca/index.php/intensions/article/view/37341 https://doi.org/10.25071/1913-5874/37341 eng eng Fine Arts Cultural Studies, York University https://intensions.journals.yorku.ca/index.php/intensions/article/view/37341/1869 https://intensions.journals.yorku.ca/index.php/intensions/article/view/37341 doi:10.25071/1913-5874/37341 Copyright (c) 2022 Sarawut Chutiwongpeti InTensions; 2009: 3.0 - Suspended 1913-5874 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2009 ftjintensions https://doi.org/10.25071/1913-5874/37341 2022-10-07T18:33:16Z I wish., I hope., I’m angry., I’m afraid., I’m sad., I’m happy., Come with me. Wishes, Lies, Dreams (an ongoing three-dimensional mixed media installation) focuses on the mechanisms of perception and dreams, the private world between fantasy and unconsciousness, nature and the extra-ordinary, memory and immediacy: the conditions underlying the system by which mind and spirit operate. The (in)-visibility of this structure aims to ignite confusion as the viewer perceives the work and the space where it is placed. There is an intimacy here, but the story is unclear, cannot be clarified. Unlocking a mysterious force at the border of the truth and lie, Wishes, Lies, Dreams creates unexpected angles of approach, which in turn forces the viewer to take up a new position in the observation of the surrounding world. What can we learn, see, know, remember, feel between patterns of tranquillity and the disquieting? Entering the landscape of another’s dreams, provoked is an ambiguous relationship between the viewer, the object, its function and its appearance. Sarawut Chutiwongpeti graduated from the Department of Fine and Applied Arts at Chulalongkorn University in 1996. Winner of several awards, he has applied his artistic and research practice at the Banff Centre for the Arts (Canada), ImaginAsia Project, Smithsonian Institution (The Freer Gallery of Art and The Arthur M. Sackler Gallery, United State of America), ZKM Project, (Institute for Visual Media, Germany), Designskolen (Denmark), Fukuoka Asian Art Museum; Waseda University; Kobe University of Design (Japan), Central European University (Hungary), International Cultural Centre Jeunesses Musicales Croatia Groznjan (Croatia), The Nordland Kunst 0g Filmskole; The Trondheim Electronic Arts Centre; The Kunstakademiet Trondheim (Norway), Luleå Winter Biennial; The Beeoff/Splintermind; The Ricklundgården and The Royal University College of Fine Arts (Sweden); MAAP-Multimedia Art Asia Pacific, Nanyang Technological University (Singapore), Designing Your Future, Berlinale ... Article in Journal/Newspaper Luleå Luleå Luleå Nordland Nordland Nordland InTensions (E-Journal) Canada Norway Pacific InTensions |
institution |
Open Polar |
collection |
InTensions (E-Journal) |
op_collection_id |
ftjintensions |
language |
English |
description |
I wish., I hope., I’m angry., I’m afraid., I’m sad., I’m happy., Come with me. Wishes, Lies, Dreams (an ongoing three-dimensional mixed media installation) focuses on the mechanisms of perception and dreams, the private world between fantasy and unconsciousness, nature and the extra-ordinary, memory and immediacy: the conditions underlying the system by which mind and spirit operate. The (in)-visibility of this structure aims to ignite confusion as the viewer perceives the work and the space where it is placed. There is an intimacy here, but the story is unclear, cannot be clarified. Unlocking a mysterious force at the border of the truth and lie, Wishes, Lies, Dreams creates unexpected angles of approach, which in turn forces the viewer to take up a new position in the observation of the surrounding world. What can we learn, see, know, remember, feel between patterns of tranquillity and the disquieting? Entering the landscape of another’s dreams, provoked is an ambiguous relationship between the viewer, the object, its function and its appearance. Sarawut Chutiwongpeti graduated from the Department of Fine and Applied Arts at Chulalongkorn University in 1996. Winner of several awards, he has applied his artistic and research practice at the Banff Centre for the Arts (Canada), ImaginAsia Project, Smithsonian Institution (The Freer Gallery of Art and The Arthur M. Sackler Gallery, United State of America), ZKM Project, (Institute for Visual Media, Germany), Designskolen (Denmark), Fukuoka Asian Art Museum; Waseda University; Kobe University of Design (Japan), Central European University (Hungary), International Cultural Centre Jeunesses Musicales Croatia Groznjan (Croatia), The Nordland Kunst 0g Filmskole; The Trondheim Electronic Arts Centre; The Kunstakademiet Trondheim (Norway), Luleå Winter Biennial; The Beeoff/Splintermind; The Ricklundgården and The Royal University College of Fine Arts (Sweden); MAAP-Multimedia Art Asia Pacific, Nanyang Technological University (Singapore), Designing Your Future, Berlinale ... |
format |
Article in Journal/Newspaper |
author |
Chutiwongpeti, Sarawut |
spellingShingle |
Chutiwongpeti, Sarawut Wishes, Lies, Dreams |
author_facet |
Chutiwongpeti, Sarawut |
author_sort |
Chutiwongpeti, Sarawut |
title |
Wishes, Lies, Dreams |
title_short |
Wishes, Lies, Dreams |
title_full |
Wishes, Lies, Dreams |
title_fullStr |
Wishes, Lies, Dreams |
title_full_unstemmed |
Wishes, Lies, Dreams |
title_sort |
wishes, lies, dreams |
publisher |
Fine Arts Cultural Studies, York University |
publishDate |
2009 |
url |
https://intensions.journals.yorku.ca/index.php/intensions/article/view/37341 https://doi.org/10.25071/1913-5874/37341 |
geographic |
Canada Norway Pacific |
geographic_facet |
Canada Norway Pacific |
genre |
Luleå Luleå Luleå Nordland Nordland Nordland |
genre_facet |
Luleå Luleå Luleå Nordland Nordland Nordland |
op_source |
InTensions; 2009: 3.0 - Suspended 1913-5874 |
op_relation |
https://intensions.journals.yorku.ca/index.php/intensions/article/view/37341/1869 https://intensions.journals.yorku.ca/index.php/intensions/article/view/37341 doi:10.25071/1913-5874/37341 |
op_rights |
Copyright (c) 2022 Sarawut Chutiwongpeti |
op_doi |
https://doi.org/10.25071/1913-5874/37341 |
container_title |
InTensions |
_version_ |
1766065255388020736 |