Cold crimes : enquête polaire et boréalisme dans la littérature française contemporaine
If the Nordic imagination has existed in France for a long time, it is currently migrating and has become restricted to the extent that it is attracted by the poles. The aim of this article is to conduct an investigation in the French polar polar, to be interested in the articulation between boreali...
Published in: | Nordic Journal of Francophone Studies/Revue nordique des études francophones |
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Main Author: | |
Format: | Article in Journal/Newspaper |
Language: | French |
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Stockholm University Press
2020
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Online Access: | https://franorfon.org/jms/article/view/43 https://doi.org/10.16993/rnef.43 |
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Nordic Journal of Francophone Studies |
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French |
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borealism criminal fiction Nordic Noir cultural transfer generic export |
spellingShingle |
borealism criminal fiction Nordic Noir cultural transfer generic export Toudoire-Surlapierre, Frédérique Cold crimes : enquête polaire et boréalisme dans la littérature française contemporaine |
topic_facet |
borealism criminal fiction Nordic Noir cultural transfer generic export |
description |
If the Nordic imagination has existed in France for a long time, it is currently migrating and has become restricted to the extent that it is attracted by the poles. The aim of this article is to conduct an investigation in the French polar polar, to be interested in the articulation between borealism, Greenland and the very genre of criminal fiction. What are the issues of borealism when it takes the form of criminal fiction? What are the figures, the diagrams, the images, the archetypes, the narratives of the polar thrillers? What is this criminalization of the boreal imagination called? Or rather what symptoms and signs does it reveal? RésuméSi l’imaginaire nordique essaime en France depuis longtemps, il est actuellement en train de migrer et s’est boréalisé dans la mesure où il subit l’attirance des pôles. L’enjeu de cet article consiste à mener une enquête dans le polar polaire français, à s’intéresser à l’articulation entre le boréalisme, le Groenland et le genre même de la fiction criminelle. Quels sont les enjeux du boréalisme lorsqu’il prend la forme de la fiction criminelle ? Quelles sont les figures, les schémas, les images, archétypes, les trames narratives des polars polaires ? De quoi cette criminalisation de l’imaginaire boréal est-elle le nom ? Ou plutôt quels symptômes et quels signes révèle-t-elle ? Mots-clefs: boréalisme; Nordic noir; polar polaire; transfert culturel; exportation générique |
format |
Article in Journal/Newspaper |
author |
Toudoire-Surlapierre, Frédérique |
author_facet |
Toudoire-Surlapierre, Frédérique |
author_sort |
Toudoire-Surlapierre, Frédérique |
title |
Cold crimes : enquête polaire et boréalisme dans la littérature française contemporaine |
title_short |
Cold crimes : enquête polaire et boréalisme dans la littérature française contemporaine |
title_full |
Cold crimes : enquête polaire et boréalisme dans la littérature française contemporaine |
title_fullStr |
Cold crimes : enquête polaire et boréalisme dans la littérature française contemporaine |
title_full_unstemmed |
Cold crimes : enquête polaire et boréalisme dans la littérature française contemporaine |
title_sort |
cold crimes : enquête polaire et boréalisme dans la littérature française contemporaine |
publisher |
Stockholm University Press |
publishDate |
2020 |
url |
https://franorfon.org/jms/article/view/43 https://doi.org/10.16993/rnef.43 |
geographic |
Greenland |
geographic_facet |
Greenland |
genre |
Greenland Groenland |
genre_facet |
Greenland Groenland |
op_source |
Nordic Journal of Francophone Studies/ Revue nordique des études francophones; Vol 3, No 1 (2020); 150–160 2003-0401 |
op_relation |
https://franorfon.org/jms/article/view/43/67 https://franorfon.org/jms/article/view/43/68 10.16993/rnef.43 https://franorfon.org/jms/article/view/43 doi:10.16993/rnef.43 |
op_rights |
Authors who publish with this journal agree to the following terms. If a submission is rejected or withdrawn prior to publication, all rights return to the author(s):Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).Submitting to the journal implicitly confirms that all named authors and rights holders have agreed to the above terms of publication. It is the submitting author's responsibility to ensure all authors and relevant institutional bodies have given their agreement at the point of submission.Note: some institutions require authors to seek written approval in relation to the terms of publication. Should this be required, authors can request a separate licence agreement document from the editorial team (e.g. authors who are Crown employees). Les auteurs qui publient avec cette revue acceptent les termes suivants. Si une soumission est rejetée ou retirée avant la publication, tous les droits reviennent à l'auteur ou aux auteurs :Les auteurs conservent le droit d'auteur et accordent à la revue le droit de première publication avec l'œuvre simultanément sous licence Creative Commons Attribution License qui permet à d'autres de partager l'œuvre avec u |
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CC-BY |
op_doi |
https://doi.org/10.16993/rnef.43 |
container_title |
Nordic Journal of Francophone Studies/Revue nordique des études francophones |
container_volume |
3 |
container_issue |
1 |
container_start_page |
150 |
op_container_end_page |
160 |
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1766019470539620352 |
spelling |
ftjfranorfon:oai:ojs.franorfon.org:article/43 2023-05-15T16:29:46+02:00 Cold crimes : enquête polaire et boréalisme dans la littérature française contemporaine Toudoire-Surlapierre, Frédérique 2020-11-02 application/pdf application/xml https://franorfon.org/jms/article/view/43 https://doi.org/10.16993/rnef.43 fra fre Stockholm University Press https://franorfon.org/jms/article/view/43/67 https://franorfon.org/jms/article/view/43/68 10.16993/rnef.43 https://franorfon.org/jms/article/view/43 doi:10.16993/rnef.43 Authors who publish with this journal agree to the following terms. If a submission is rejected or withdrawn prior to publication, all rights return to the author(s):Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).Submitting to the journal implicitly confirms that all named authors and rights holders have agreed to the above terms of publication. It is the submitting author's responsibility to ensure all authors and relevant institutional bodies have given their agreement at the point of submission.Note: some institutions require authors to seek written approval in relation to the terms of publication. Should this be required, authors can request a separate licence agreement document from the editorial team (e.g. authors who are Crown employees). Les auteurs qui publient avec cette revue acceptent les termes suivants. Si une soumission est rejetée ou retirée avant la publication, tous les droits reviennent à l'auteur ou aux auteurs :Les auteurs conservent le droit d'auteur et accordent à la revue le droit de première publication avec l'œuvre simultanément sous licence Creative Commons Attribution License qui permet à d'autres de partager l'œuvre avec u CC-BY Nordic Journal of Francophone Studies/ Revue nordique des études francophones; Vol 3, No 1 (2020); 150–160 2003-0401 borealism criminal fiction Nordic Noir cultural transfer generic export info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion 2020 ftjfranorfon https://doi.org/10.16993/rnef.43 2022-11-20T13:37:43Z If the Nordic imagination has existed in France for a long time, it is currently migrating and has become restricted to the extent that it is attracted by the poles. The aim of this article is to conduct an investigation in the French polar polar, to be interested in the articulation between borealism, Greenland and the very genre of criminal fiction. What are the issues of borealism when it takes the form of criminal fiction? What are the figures, the diagrams, the images, the archetypes, the narratives of the polar thrillers? What is this criminalization of the boreal imagination called? Or rather what symptoms and signs does it reveal? RésuméSi l’imaginaire nordique essaime en France depuis longtemps, il est actuellement en train de migrer et s’est boréalisé dans la mesure où il subit l’attirance des pôles. L’enjeu de cet article consiste à mener une enquête dans le polar polaire français, à s’intéresser à l’articulation entre le boréalisme, le Groenland et le genre même de la fiction criminelle. Quels sont les enjeux du boréalisme lorsqu’il prend la forme de la fiction criminelle ? Quelles sont les figures, les schémas, les images, archétypes, les trames narratives des polars polaires ? De quoi cette criminalisation de l’imaginaire boréal est-elle le nom ? Ou plutôt quels symptômes et quels signes révèle-t-elle ? Mots-clefs: boréalisme; Nordic noir; polar polaire; transfert culturel; exportation générique Article in Journal/Newspaper Greenland Groenland Nordic Journal of Francophone Studies Greenland Nordic Journal of Francophone Studies/Revue nordique des études francophones 3 1 150 160 |