V. V. Vereshchagin and the «invention» of the North in literature and journalism of the late XIX– early XX century (part two)

The paper, based on the book “On the Northern Dvina. Through wooden churches”, considers the artist V.V. Vereshchagin’s perception of the North. It is shown that it is based on his professional and artistic interest in the monuments of traditional wooden architecture of the XVI-XVII centuries. The a...

Full description

Bibliographic Details
Published in:Proceedings of the Komi Science Centre of the Ural Division of the Russian Academy of Sciences
Main Author: Vsevolodov A. V.
Format: Text
Language:Russian
Published: FSBI FIC "Komi Scientific Center of the Ural Branch of the Russian Academy of Sciences" 2024
Subjects:
Online Access:https://doi.org/10.19110/1994-5655-2024-1-67-71
id ftinfram:oai:naukaru.ru:art_81244
record_format openpolar
spelling ftinfram:oai:naukaru.ru:art_81244 2024-05-12T08:02:59+00:00 V. V. Vereshchagin and the «invention» of the North in literature and journalism of the late XIX– early XX century (part two) Vsevolodov A. V. 2024-04-09 https://doi.org/10.19110/1994-5655-2024-1-67-71 ru rus FSBI FIC "Komi Scientific Center of the Ural Branch of the Russian Academy of Sciences" 10.19110/1994-5655-2024-1-67-71 https://doi.org/10.19110/1994-5655-2024-1-67-71 Text 2024 ftinfram https://doi.org/10.19110/1994-5655-2024-1-67-71 2024-04-15T22:17:42Z The paper, based on the book “On the Northern Dvina. Through wooden churches”, considers the artist V.V. Vereshchagin’s perception of the North. It is shown that it is based on his professional and artistic interest in the monuments of traditional wooden architecture of the XVI-XVII centuries. The artist views the latter as a kind of classic – the pinnacle of Russian art, the personification of its tradition, destroyed or distorted by later stylistic experiments. Moreover, he even places them in a global cultural context, using very tendentious analogies based on his personal experience of acquaintance with the East. On the other hand, Vereshchagin is fully aware of and carefully records the ethnographic features of the Dvina area. Without dividing the North into regions or territories, perceiving it as a single nationally significant space, the artist resorts to subjective-emotional gradation as a means of differentiation: his assessment of the “quality” of a particular monument, settlement, or area is sometimes speculative, litereally depends on the mood. At the same time, the Vereshchagin text reveals key themes and motifs of the northern discourse of the 1890s-1910s, but otherwise articulated. Thus, the thesis that the North passed the peak of its development in the late Middle Ages is revealed through the interpretation of European and other borrowings in Russian architecture. The “remoteness” and “abandonment” of the region are shown as, on the one hand, the problem of “undermanagement”, inattention to the needs of the region, and on the other hand, a consequence of the weak infrastructure development of the northern provinces. Text dvina Scientific Publishing Center INFRA - M Pinnacle ENVELOPE(-54.900,-54.900,-61.067,-61.067) Proceedings of the Komi Science Centre of the Ural Division of the Russian Academy of Sciences 0 1 67 71
institution Open Polar
collection Scientific Publishing Center INFRA - M
op_collection_id ftinfram
language Russian
description The paper, based on the book “On the Northern Dvina. Through wooden churches”, considers the artist V.V. Vereshchagin’s perception of the North. It is shown that it is based on his professional and artistic interest in the monuments of traditional wooden architecture of the XVI-XVII centuries. The artist views the latter as a kind of classic – the pinnacle of Russian art, the personification of its tradition, destroyed or distorted by later stylistic experiments. Moreover, he even places them in a global cultural context, using very tendentious analogies based on his personal experience of acquaintance with the East. On the other hand, Vereshchagin is fully aware of and carefully records the ethnographic features of the Dvina area. Without dividing the North into regions or territories, perceiving it as a single nationally significant space, the artist resorts to subjective-emotional gradation as a means of differentiation: his assessment of the “quality” of a particular monument, settlement, or area is sometimes speculative, litereally depends on the mood. At the same time, the Vereshchagin text reveals key themes and motifs of the northern discourse of the 1890s-1910s, but otherwise articulated. Thus, the thesis that the North passed the peak of its development in the late Middle Ages is revealed through the interpretation of European and other borrowings in Russian architecture. The “remoteness” and “abandonment” of the region are shown as, on the one hand, the problem of “undermanagement”, inattention to the needs of the region, and on the other hand, a consequence of the weak infrastructure development of the northern provinces.
format Text
author Vsevolodov A. V.
spellingShingle Vsevolodov A. V.
V. V. Vereshchagin and the «invention» of the North in literature and journalism of the late XIX– early XX century (part two)
author_facet Vsevolodov A. V.
author_sort Vsevolodov A. V.
title V. V. Vereshchagin and the «invention» of the North in literature and journalism of the late XIX– early XX century (part two)
title_short V. V. Vereshchagin and the «invention» of the North in literature and journalism of the late XIX– early XX century (part two)
title_full V. V. Vereshchagin and the «invention» of the North in literature and journalism of the late XIX– early XX century (part two)
title_fullStr V. V. Vereshchagin and the «invention» of the North in literature and journalism of the late XIX– early XX century (part two)
title_full_unstemmed V. V. Vereshchagin and the «invention» of the North in literature and journalism of the late XIX– early XX century (part two)
title_sort v. v. vereshchagin and the «invention» of the north in literature and journalism of the late xix– early xx century (part two)
publisher FSBI FIC "Komi Scientific Center of the Ural Branch of the Russian Academy of Sciences"
publishDate 2024
url https://doi.org/10.19110/1994-5655-2024-1-67-71
long_lat ENVELOPE(-54.900,-54.900,-61.067,-61.067)
geographic Pinnacle
geographic_facet Pinnacle
genre dvina
genre_facet dvina
op_relation 10.19110/1994-5655-2024-1-67-71
https://doi.org/10.19110/1994-5655-2024-1-67-71
op_doi https://doi.org/10.19110/1994-5655-2024-1-67-71
container_title Proceedings of the Komi Science Centre of the Ural Division of the Russian Academy of Sciences
container_volume 0
container_issue 1
container_start_page 67
op_container_end_page 71
_version_ 1798845117395632128