A cinema of one’s own: Building/reconstructing Siberian indigenous peoples’ identity in recent cinema: examples from Sakha (Yakutia) Republic and the Republic of Khakassia

International audience This paper discusses indigenous cinema from Siberia and how this media is being used by the Siberian minorities as a means to (re)build their national identity after the collapse of USSR. It focuses on films from Sakha (Yakutia) Republic and the Republic of Khakassia, both aut...

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Main Author: Damiens, Caroline
Other Authors: Institut National des Langues et Civilisations Orientales (Inalco), Centre de recherches Europes-Eurasie (CREE EA 4513)
Format: Article in Journal/Newspaper
Language:English
Published: HAL CCSD 2014
Subjects:
Online Access:https://hal.science/hal-01434148
https://hal.science/hal-01434148/document
https://hal.science/hal-01434148/file/DAMIENS_cinema%20of%20one%27s%20own.pdf
https://doi.org/10.4119/UNIBI/indi-v5-i1-109
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author Damiens, Caroline
author2 Institut National des Langues et Civilisations Orientales (Inalco)
Centre de recherches Europes-Eurasie (CREE EA 4513)
author_facet Damiens, Caroline
author_sort Damiens, Caroline
collection Inalco (Institut National des Langues et Civilisations Orientales): HAL
description International audience This paper discusses indigenous cinema from Siberia and how this media is being used by the Siberian minorities as a means to (re)build their national identity after the collapse of USSR. It focuses on films from Sakha (Yakutia) Republic and the Republic of Khakassia, both autonomous republics within the Russian Federation, which are experiencing an ethnicity-based cultural revival. It shows that cinema plays a full part in this revitalization process. The article begins with a brief history of Sakha and Khakas feature films, which form the core of the studied corpus. Based on interviews of Khakas and Sakha filmmakers, it analyses why and how film can be considered a good vehicle for identity strengthening. Then, focusing on films themselves, be they amateur or more professional quality productions, if not commissioned by the local government, it examines how those films are rethinking the supranational (Russo-Soviet) narrative, re-imagining geography and trying to reconnect with Sakha and Khakas peoples' own past and traditions. Finally, it highlights the differences between Khakas and Sakha cinema through showing how these “national” film productions can express a strong or a weak feeling of identity.
format Article in Journal/Newspaper
genre Sakha
Yakutia
Yakutia Republic
Siberia
genre_facet Sakha
Yakutia
Yakutia Republic
Siberia
geographic Sakha
geographic_facet Sakha
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institution Open Polar
language English
op_collection_id ftinalco
op_doi https://doi.org/10.4119/UNIBI/indi-v5-i1-109
op_relation info:eu-repo/semantics/altIdentifier/doi/10.4119/UNIBI/indi-v5-i1-109
hal-01434148
https://hal.science/hal-01434148
https://hal.science/hal-01434148/document
https://hal.science/hal-01434148/file/DAMIENS_cinema%20of%20one%27s%20own.pdf
doi:10.4119/UNIBI/indi-v5-i1-109
op_rights info:eu-repo/semantics/OpenAccess
op_source InterDisciplines
https://hal.science/hal-01434148
InterDisciplines, 2014, Identities in media and music. Case-studies from national, regional and (trans-)local communities, 5 (1), pp.159-185. ⟨10.4119/UNIBI/indi-v5-i1-109⟩
publishDate 2014
publisher HAL CCSD
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spelling ftinalco:oai:HAL:hal-01434148v1 2025-01-17T00:31:51+00:00 A cinema of one’s own: Building/reconstructing Siberian indigenous peoples’ identity in recent cinema: examples from Sakha (Yakutia) Republic and the Republic of Khakassia Damiens, Caroline Institut National des Langues et Civilisations Orientales (Inalco) Centre de recherches Europes-Eurasie (CREE EA 4513) 2014 https://hal.science/hal-01434148 https://hal.science/hal-01434148/document https://hal.science/hal-01434148/file/DAMIENS_cinema%20of%20one%27s%20own.pdf https://doi.org/10.4119/UNIBI/indi-v5-i1-109 en eng HAL CCSD info:eu-repo/semantics/altIdentifier/doi/10.4119/UNIBI/indi-v5-i1-109 hal-01434148 https://hal.science/hal-01434148 https://hal.science/hal-01434148/document https://hal.science/hal-01434148/file/DAMIENS_cinema%20of%20one%27s%20own.pdf doi:10.4119/UNIBI/indi-v5-i1-109 info:eu-repo/semantics/OpenAccess InterDisciplines https://hal.science/hal-01434148 InterDisciplines, 2014, Identities in media and music. Case-studies from national, regional and (trans-)local communities, 5 (1), pp.159-185. ⟨10.4119/UNIBI/indi-v5-i1-109⟩ film nationalism Siberia cinéma construction nationale Sibérie [SHS.ART]Humanities and Social Sciences/Art and art history info:eu-repo/semantics/article Journal articles 2014 ftinalco https://doi.org/10.4119/UNIBI/indi-v5-i1-109 2023-09-20T16:25:17Z International audience This paper discusses indigenous cinema from Siberia and how this media is being used by the Siberian minorities as a means to (re)build their national identity after the collapse of USSR. It focuses on films from Sakha (Yakutia) Republic and the Republic of Khakassia, both autonomous republics within the Russian Federation, which are experiencing an ethnicity-based cultural revival. It shows that cinema plays a full part in this revitalization process. The article begins with a brief history of Sakha and Khakas feature films, which form the core of the studied corpus. Based on interviews of Khakas and Sakha filmmakers, it analyses why and how film can be considered a good vehicle for identity strengthening. Then, focusing on films themselves, be they amateur or more professional quality productions, if not commissioned by the local government, it examines how those films are rethinking the supranational (Russo-Soviet) narrative, re-imagining geography and trying to reconnect with Sakha and Khakas peoples' own past and traditions. Finally, it highlights the differences between Khakas and Sakha cinema through showing how these “national” film productions can express a strong or a weak feeling of identity. Article in Journal/Newspaper Sakha Yakutia Yakutia Republic Siberia Inalco (Institut National des Langues et Civilisations Orientales): HAL Sakha
spellingShingle film
nationalism
Siberia
cinéma
construction nationale
Sibérie
[SHS.ART]Humanities and Social Sciences/Art and art history
Damiens, Caroline
A cinema of one’s own: Building/reconstructing Siberian indigenous peoples’ identity in recent cinema: examples from Sakha (Yakutia) Republic and the Republic of Khakassia
title A cinema of one’s own: Building/reconstructing Siberian indigenous peoples’ identity in recent cinema: examples from Sakha (Yakutia) Republic and the Republic of Khakassia
title_full A cinema of one’s own: Building/reconstructing Siberian indigenous peoples’ identity in recent cinema: examples from Sakha (Yakutia) Republic and the Republic of Khakassia
title_fullStr A cinema of one’s own: Building/reconstructing Siberian indigenous peoples’ identity in recent cinema: examples from Sakha (Yakutia) Republic and the Republic of Khakassia
title_full_unstemmed A cinema of one’s own: Building/reconstructing Siberian indigenous peoples’ identity in recent cinema: examples from Sakha (Yakutia) Republic and the Republic of Khakassia
title_short A cinema of one’s own: Building/reconstructing Siberian indigenous peoples’ identity in recent cinema: examples from Sakha (Yakutia) Republic and the Republic of Khakassia
title_sort cinema of one’s own: building/reconstructing siberian indigenous peoples’ identity in recent cinema: examples from sakha (yakutia) republic and the republic of khakassia
topic film
nationalism
Siberia
cinéma
construction nationale
Sibérie
[SHS.ART]Humanities and Social Sciences/Art and art history
topic_facet film
nationalism
Siberia
cinéma
construction nationale
Sibérie
[SHS.ART]Humanities and Social Sciences/Art and art history
url https://hal.science/hal-01434148
https://hal.science/hal-01434148/document
https://hal.science/hal-01434148/file/DAMIENS_cinema%20of%20one%27s%20own.pdf
https://doi.org/10.4119/UNIBI/indi-v5-i1-109