Sami u svijetu nahvao: filmske biografije Dore Pejačević, Slave Raškaj i Marina Držića
By starting with a wider interpretation of the terms nazbilj people* and nahvao people*, where the first are real people and moral heroes, while the others are irrational and greedy, the author analyses the relationship of heroes/artists as nazbilj people and their surroundings as a group of nahvao...
Main Author: | |
---|---|
Format: | Text |
Language: | Croatian |
Published: |
Croatian Academy of Science and Split Literary Circles and Arts; knjizevni-krug-split@st.t-com.hr
2009
|
Subjects: | |
Online Access: | http://hrcak.srce.hr/72842 http://hrcak.srce.hr/file/108458 |
id |
fthrcak:oai:hrcak.srce.hr:72842 |
---|---|
record_format |
openpolar |
spelling |
fthrcak:oai:hrcak.srce.hr:72842 2023-05-15T18:12:19+02:00 Sami u svijetu nahvao: filmske biografije Dore Pejačević, Slave Raškaj i Marina Držića Alone in the nahvao World: Film Biographies of Dora Pejačević, Slava Raškaj and Marin Držić Kragić, Bruno; The Miroslav Krleža Institute of Lexicography, Zagreb; bruno.kragic@lzmk.hr 2009-05-03 pdf http://hrcak.srce.hr/72842 http://hrcak.srce.hr/file/108458 hr hrv Croatian Academy of Science and Split Literary Circles and Arts; knjizevni-krug-split@st.t-com.hr http://hrcak.srce.hr/72842 http://hrcak.srce.hr/file/108458 Open access Hvar City Theatre Days (knjizevni-krug-split@st.t-com.hr); Vol.35 No.1 text 2009 fthrcak 2012-10-27T16:57:04Z By starting with a wider interpretation of the terms nazbilj people* and nahvao people*, where the first are real people and moral heroes, while the others are irrational and greedy, the author analyses the relationship of heroes/artists as nazbilj people and their surroundings as a group of nahvao people in films Kontesa Dora (Countess Dora) (1993) about the composer Dora Pejačević, directed by Zvonimir Berković; 100 minuta slave (100 minutes of glory) (2004) about the painter Slava Raškaj, directed by Dalibor Matanić and Libertas (2006) about the playwright Marin Držić, directed by Veljko Bulajić. At the same time, that relationship, which in every three films ends by the defeat of the main characters and their ambitions, is analyzed through their stories as well as on the plan of visual composition of scenes. * These are terms for describing two kinds of people that Držić uses in his comedy Dundo Maroje. Nazbilj people are truthful and honest people, moral heroes, while nahvao people are those who are hypocrites, phonies and greedy people. Text sami Hrčak - Portal of scientific journals of Croatia |
institution |
Open Polar |
collection |
Hrčak - Portal of scientific journals of Croatia |
op_collection_id |
fthrcak |
language |
Croatian |
description |
By starting with a wider interpretation of the terms nazbilj people* and nahvao people*, where the first are real people and moral heroes, while the others are irrational and greedy, the author analyses the relationship of heroes/artists as nazbilj people and their surroundings as a group of nahvao people in films Kontesa Dora (Countess Dora) (1993) about the composer Dora Pejačević, directed by Zvonimir Berković; 100 minuta slave (100 minutes of glory) (2004) about the painter Slava Raškaj, directed by Dalibor Matanić and Libertas (2006) about the playwright Marin Držić, directed by Veljko Bulajić. At the same time, that relationship, which in every three films ends by the defeat of the main characters and their ambitions, is analyzed through their stories as well as on the plan of visual composition of scenes. * These are terms for describing two kinds of people that Držić uses in his comedy Dundo Maroje. Nazbilj people are truthful and honest people, moral heroes, while nahvao people are those who are hypocrites, phonies and greedy people. |
format |
Text |
author |
Kragić, Bruno; The Miroslav Krleža Institute of Lexicography, Zagreb; bruno.kragic@lzmk.hr |
spellingShingle |
Kragić, Bruno; The Miroslav Krleža Institute of Lexicography, Zagreb; bruno.kragic@lzmk.hr Sami u svijetu nahvao: filmske biografije Dore Pejačević, Slave Raškaj i Marina Držića |
author_facet |
Kragić, Bruno; The Miroslav Krleža Institute of Lexicography, Zagreb; bruno.kragic@lzmk.hr |
author_sort |
Kragić, Bruno; The Miroslav Krleža Institute of Lexicography, Zagreb; bruno.kragic@lzmk.hr |
title |
Sami u svijetu nahvao: filmske biografije Dore Pejačević, Slave Raškaj i Marina Držića |
title_short |
Sami u svijetu nahvao: filmske biografije Dore Pejačević, Slave Raškaj i Marina Držića |
title_full |
Sami u svijetu nahvao: filmske biografije Dore Pejačević, Slave Raškaj i Marina Držića |
title_fullStr |
Sami u svijetu nahvao: filmske biografije Dore Pejačević, Slave Raškaj i Marina Držića |
title_full_unstemmed |
Sami u svijetu nahvao: filmske biografije Dore Pejačević, Slave Raškaj i Marina Držića |
title_sort |
sami u svijetu nahvao: filmske biografije dore pejačević, slave raškaj i marina držića |
publisher |
Croatian Academy of Science and Split Literary Circles and Arts; knjizevni-krug-split@st.t-com.hr |
publishDate |
2009 |
url |
http://hrcak.srce.hr/72842 http://hrcak.srce.hr/file/108458 |
genre |
sami |
genre_facet |
sami |
op_source |
Hvar City Theatre Days (knjizevni-krug-split@st.t-com.hr); Vol.35 No.1 |
op_relation |
http://hrcak.srce.hr/72842 http://hrcak.srce.hr/file/108458 |
op_rights |
Open access |
_version_ |
1766184866514206720 |