Osvrt na likovni postav izložbe "Sv. Vlaho u povijesti i sadašnjosti"

• Main Author: Michl, Ivona
• Format: Review
• Language: Croatian
• Published: Museum documentation centre 2015
• Subjects: Prikaz izložbe; Dubrovački muzeji; Sveti Vlaho; Beluga; Beluga*
• Online Access: http://hrcak.srce.hr/174248; http://hrcak.srce.hr/file/257159

Dubrovački su muzeji tijekom 2012. priredili središnju izložbu Sv.Vlaho u povijesti i sadašnjosti. Trajala je od 16. svibnja do 31. srpnja, odnosno, s produljenjem, do 16. listopada i bila je postavljena u Kneževu dvoru i Žitnici Rupe. Izložba i prateći programi realizirani su u povodu obilježavanja 1040. obljetnice štovanja kulta Sv. Vlaha u Dubrovniku te 140. obljetnice osnutka Dubrovačkih muzeja. Izložba je koncipirana u dvije glavne tematske cjeline: u Kneževu je dvoru prezentiran razvoj kulta u starom Dubrovniku, odnosno u Dubrovačkoj Republici - Sveti Vlaho u državnoj simbolici, arhitekturi i umjetnosti do danas, dok je pučka Festa svetog Vlaha prezentirana u Žitnici Rupe. During 2012, Dubrovnik Museums prepared their annual central exhibition, this year St Blaise in History and the Present. It lasted from May 16 to October 16 and was mounted in the Rector’s Palace and in the Rupe Granary. The exhibition and the accompanying programme were produced in order to mark the 1040th anniversary of the veneration of the cult of St Blaise in Dubrovnik and the 140th anniversary of the founding of Dubrovnik Museums. The exhibition was conceived around two main thematic units. In the Rector’s Palace the development of the cult in old Dubrovnik, i.e. in the Republic, was presented, with St Blaise in state symbolism, architecture and art down to the present day. The popular Feast of St Blaise was presented in the Rupe Granary or Ethnographic Museum. We wished to familiarise visitors, as attractively as possible, with all the hidden and inaccessible depictions of the Patron Saint, which was done in collaboration with Studio Beluga, a Dubrovnik firm specialising in the making of creative and high quality visual communications (3D visualisations, visual identities, graphic and Web design, interactive design, touchscreen approaches and marketing).