Sonic Boom Booms: Travel Through Sound

This PhD research project investigates the phenomenological affect of the sonic object. Through a multi-disciplinary body of work composed of installation, performance, and recorded sound work, I interrogate the vibratory transference of affect through the medium of sound. The research was conducted...

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Bibliographic Details
Main Author: Nash, Travers Heath
Other Authors: Ross Woodrow, Ian Burns
Format: Other/Unknown Material
Language:English
Published: Griffith University 2016
Subjects:
Online Access:http://hdl.handle.net/10072/366251
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spelling ftgriffithuniv:oai:research-repository.griffith.edu.au:10072/366251 2023-05-15T16:51:25+02:00 Sonic Boom Booms: Travel Through Sound Nash, Travers Heath Ross Woodrow Ian Burns 2016 application/pdf http://hdl.handle.net/10072/366251 English eng Griffith University Sonic object Sound-generating technological object-hood Sound (Medium) Griffith thesis 2016 ftgriffithuniv 2018-07-30T11:01:24Z This PhD research project investigates the phenomenological affect of the sonic object. Through a multi-disciplinary body of work composed of installation, performance, and recorded sound work, I interrogate the vibratory transference of affect through the medium of sound. The research was conducted in various locations throughout the world, where I worked as an artistic nomad in residencies within the human defined borders of India, Nepal, China, Finland, Iceland, Spain, and Australia throughout my candidature. Through the manipulation of found objects, my installation work examined the visual and sonic aesthetics of the various geographical locations I was experiencing through my journey. The addition of hand built circuitry and electronic apparatus created sonic vibration to the apparent static objects; in turn generating affective synchronic resonances between the work and its audience. My performances attempted to extend the possibilities of creating meaningful connections between audience and sound-generating technological object-hood. I explored different roles of both the object and audience in this work, examining the possibilities of interaction and engagement. The methods of instigating participation from the audience were always enhanced by sonic vibration. My recorded sound works delved deeper in the physiological and psychological affect of pure sonic vibration. Throughout the research project, notions of value were constantly questioned, as I utilised discarded objects and selected sonic frequencies that moved beyond any systemised standardisation of taste, exploring sound for its affective qualities that encouraged deep listening to find the harmony among the noise. Thesis (PhD Doctorate) Doctor of Philosophy (PhD) Queensland Colege of Art Arts, Education and Law Full Text Other/Unknown Material Iceland Griffith University: Griffith Research Online Queensland
institution Open Polar
collection Griffith University: Griffith Research Online
op_collection_id ftgriffithuniv
language English
topic Sonic object
Sound-generating technological object-hood
Sound (Medium)
spellingShingle Sonic object
Sound-generating technological object-hood
Sound (Medium)
Nash, Travers Heath
Sonic Boom Booms: Travel Through Sound
topic_facet Sonic object
Sound-generating technological object-hood
Sound (Medium)
description This PhD research project investigates the phenomenological affect of the sonic object. Through a multi-disciplinary body of work composed of installation, performance, and recorded sound work, I interrogate the vibratory transference of affect through the medium of sound. The research was conducted in various locations throughout the world, where I worked as an artistic nomad in residencies within the human defined borders of India, Nepal, China, Finland, Iceland, Spain, and Australia throughout my candidature. Through the manipulation of found objects, my installation work examined the visual and sonic aesthetics of the various geographical locations I was experiencing through my journey. The addition of hand built circuitry and electronic apparatus created sonic vibration to the apparent static objects; in turn generating affective synchronic resonances between the work and its audience. My performances attempted to extend the possibilities of creating meaningful connections between audience and sound-generating technological object-hood. I explored different roles of both the object and audience in this work, examining the possibilities of interaction and engagement. The methods of instigating participation from the audience were always enhanced by sonic vibration. My recorded sound works delved deeper in the physiological and psychological affect of pure sonic vibration. Throughout the research project, notions of value were constantly questioned, as I utilised discarded objects and selected sonic frequencies that moved beyond any systemised standardisation of taste, exploring sound for its affective qualities that encouraged deep listening to find the harmony among the noise. Thesis (PhD Doctorate) Doctor of Philosophy (PhD) Queensland Colege of Art Arts, Education and Law Full Text
author2 Ross Woodrow
Ian Burns
format Other/Unknown Material
author Nash, Travers Heath
author_facet Nash, Travers Heath
author_sort Nash, Travers Heath
title Sonic Boom Booms: Travel Through Sound
title_short Sonic Boom Booms: Travel Through Sound
title_full Sonic Boom Booms: Travel Through Sound
title_fullStr Sonic Boom Booms: Travel Through Sound
title_full_unstemmed Sonic Boom Booms: Travel Through Sound
title_sort sonic boom booms: travel through sound
publisher Griffith University
publishDate 2016
url http://hdl.handle.net/10072/366251
geographic Queensland
geographic_facet Queensland
genre Iceland
genre_facet Iceland
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