Live Audio-Visual Art + First Nations Culture
This essay focuses on a selection of First Nations artists that have envisioned their own unique style within the sphere of ”˜Live Cinema’ performance, and other associated genres such as ”˜Vjing’ and ”˜Scratch Video’ – relatively new forms of artistic practice that here I conceptualize as being mod...
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ftgoldsmithunojs:oai:ojs.gold.ac.uk:article/81 2023-10-01T03:55:58+02:00 Live Audio-Visual Art + First Nations Culture 2Bears, Jackson 2013-07-15 application/pdf https://journals.gold.ac.uk/index.php/lea/article/view/81 eng eng Leonardo Electronic Almanac https://journals.gold.ac.uk/index.php/lea/article/view/81/62 https://journals.gold.ac.uk/index.php/lea/article/view/81 Copyright (c) 2014 Leonardo Electronic Almanac Leonardo Electronic Almanac; Vol. 19 No. 3 (2013): Live Visuals 1071-4391 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Peer-reviewed Article 2013 ftgoldsmithunojs 2023-09-02T18:34:03Z This essay focuses on a selection of First Nations artists that have envisioned their own unique style within the sphere of ”˜Live Cinema’ performance, and other associated genres such as ”˜Vjing’ and ”˜Scratch Video’ – relatively new forms of artistic practice that here I conceptualize as being modernized versions of our ancient traditions of storytelling. Following a ”˜remix’ logic, this essay means to explore some aspects particular to the art of live audiovisual performance, and the ”˜rhythmic’ aesthetic at the heart of Live Cinema that has attracted a number of artists from my generation to make work in these fields, and develop their own strategies for creative expression that remain faithful to our traditions as Onkwehonwe (Indigenous peoples). [1]Onkwehonwe, a Kanien’kehaka (Mohawk) word meaning ”˜original people.’ Article in Journal/Newspaper First Nations Goldsmiths, University of London: Journals Online |
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Goldsmiths, University of London: Journals Online |
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ftgoldsmithunojs |
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English |
description |
This essay focuses on a selection of First Nations artists that have envisioned their own unique style within the sphere of ”˜Live Cinema’ performance, and other associated genres such as ”˜Vjing’ and ”˜Scratch Video’ – relatively new forms of artistic practice that here I conceptualize as being modernized versions of our ancient traditions of storytelling. Following a ”˜remix’ logic, this essay means to explore some aspects particular to the art of live audiovisual performance, and the ”˜rhythmic’ aesthetic at the heart of Live Cinema that has attracted a number of artists from my generation to make work in these fields, and develop their own strategies for creative expression that remain faithful to our traditions as Onkwehonwe (Indigenous peoples). [1]Onkwehonwe, a Kanien’kehaka (Mohawk) word meaning ”˜original people.’ |
format |
Article in Journal/Newspaper |
author |
2Bears, Jackson |
spellingShingle |
2Bears, Jackson Live Audio-Visual Art + First Nations Culture |
author_facet |
2Bears, Jackson |
author_sort |
2Bears, Jackson |
title |
Live Audio-Visual Art + First Nations Culture |
title_short |
Live Audio-Visual Art + First Nations Culture |
title_full |
Live Audio-Visual Art + First Nations Culture |
title_fullStr |
Live Audio-Visual Art + First Nations Culture |
title_full_unstemmed |
Live Audio-Visual Art + First Nations Culture |
title_sort |
live audio-visual art + first nations culture |
publisher |
Leonardo Electronic Almanac |
publishDate |
2013 |
url |
https://journals.gold.ac.uk/index.php/lea/article/view/81 |
genre |
First Nations |
genre_facet |
First Nations |
op_source |
Leonardo Electronic Almanac; Vol. 19 No. 3 (2013): Live Visuals 1071-4391 |
op_relation |
https://journals.gold.ac.uk/index.php/lea/article/view/81/62 https://journals.gold.ac.uk/index.php/lea/article/view/81 |
op_rights |
Copyright (c) 2014 Leonardo Electronic Almanac |
_version_ |
1778524938185998336 |