Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar

The group exhibition Sex Ecologies explores gender, sex, and sexuality in the context of ecology. The exhibition is founded in the belief that environmental and social justice go hand in hand. Through a transdisciplinary approach, the exhibition critiques understandings of nature, gender, sexuality,...

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Main Author: Hameed, Ayesha
Format: Text
Language:unknown
Published: 2021
Subjects:
Online Access:https://research.gold.ac.uk/id/eprint/35565/
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spelling ftgoldsmithuniv:oai:eprints.gold.ac.uk:35565 2024-04-21T08:04:06+00:00 Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar Hameed, Ayesha 2021-12-09 https://research.gold.ac.uk/id/eprint/35565/ unknown Hameed, Ayesha <https://research.gold.ac.uk/view/goldsmiths/Hameed=3AAyesha=3A=3A.html>. 2021. Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar. In: "Sex Ecologies", Kunsthall Trondheim, Norway, 9 December 2021 - 6 March 2022. [Show/Exhibition] Show/Exhibition NonPeerReviewed none 2021 ftgoldsmithuniv 2024-03-27T15:09:12Z The group exhibition Sex Ecologies explores gender, sex, and sexuality in the context of ecology. The exhibition is founded in the belief that environmental and social justice go hand in hand. Through a transdisciplinary approach, the exhibition critiques understandings of nature, gender, sexuality, and race that attempt to objectify and naturalize them. For example, “laws against nature” used to criminalize queer sexuality, and in many places still do. These norms are justified through evolutionary narratives exclusively permitting heterosexual reproduction. Everything that does not fit this norm is considered unhealthy, polluted, or “degenerate.” These norms have proven detrimental to humans and to the thing we call nature alike. Sex Ecologies presents newly commissioned works by nine artists made specifically for the exhibition! The works address surrogacy and male pregnancy, the connections between the hair of a Black girl as she is coming of age and the roots of trees, ecological BDSM with toxicity and microplastics, productive contamination in oysters, mythologies centered on the Greenlandic mother of the sea, the connectivity between a human body and the Nidelva river while láibmat (drifting in North Sámi language), an immersive microbial dancefloor, the trade routes from Cameroon to the banlieues of France of the safou fruit, or the shipworms eating away at Christopher Columbus’s ships as decolonial agents. The nine artists participated in regular online meetings to workshop their artworks with the exhibition curators and with each other. The process was accompanied by an advisory board for cross-pollination composed of researchers from disciplines like gender studies, environmental humanities, communications, and Indigenous studies. This methodology is unusual for group exhibitions, where artists mostly work alone and do not meet until the opening. We are looking forward to show you what has become our most extensive group exhibition to date on 9 December! Text greenlandic Goldsmiths University of London: Goldsmiths Research Online
institution Open Polar
collection Goldsmiths University of London: Goldsmiths Research Online
op_collection_id ftgoldsmithuniv
language unknown
description The group exhibition Sex Ecologies explores gender, sex, and sexuality in the context of ecology. The exhibition is founded in the belief that environmental and social justice go hand in hand. Through a transdisciplinary approach, the exhibition critiques understandings of nature, gender, sexuality, and race that attempt to objectify and naturalize them. For example, “laws against nature” used to criminalize queer sexuality, and in many places still do. These norms are justified through evolutionary narratives exclusively permitting heterosexual reproduction. Everything that does not fit this norm is considered unhealthy, polluted, or “degenerate.” These norms have proven detrimental to humans and to the thing we call nature alike. Sex Ecologies presents newly commissioned works by nine artists made specifically for the exhibition! The works address surrogacy and male pregnancy, the connections between the hair of a Black girl as she is coming of age and the roots of trees, ecological BDSM with toxicity and microplastics, productive contamination in oysters, mythologies centered on the Greenlandic mother of the sea, the connectivity between a human body and the Nidelva river while láibmat (drifting in North Sámi language), an immersive microbial dancefloor, the trade routes from Cameroon to the banlieues of France of the safou fruit, or the shipworms eating away at Christopher Columbus’s ships as decolonial agents. The nine artists participated in regular online meetings to workshop their artworks with the exhibition curators and with each other. The process was accompanied by an advisory board for cross-pollination composed of researchers from disciplines like gender studies, environmental humanities, communications, and Indigenous studies. This methodology is unusual for group exhibitions, where artists mostly work alone and do not meet until the opening. We are looking forward to show you what has become our most extensive group exhibition to date on 9 December!
format Text
author Hameed, Ayesha
spellingShingle Hameed, Ayesha
Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar
author_facet Hameed, Ayesha
author_sort Hameed, Ayesha
title Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar
title_short Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar
title_full Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar
title_fullStr Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar
title_full_unstemmed Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar
title_sort sex ecologies, kunsthall trondheim and raw material company, dakar
publishDate 2021
url https://research.gold.ac.uk/id/eprint/35565/
genre greenlandic
genre_facet greenlandic
op_relation Hameed, Ayesha <https://research.gold.ac.uk/view/goldsmiths/Hameed=3AAyesha=3A=3A.html>. 2021. Sex Ecologies, Kunsthall Trondheim and RAW Material Company, Dakar. In: "Sex Ecologies", Kunsthall Trondheim, Norway, 9 December 2021 - 6 March 2022. [Show/Exhibition]
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