Sculpture as Fieldwork

This conference considers multi-perspectival approaches to ‘fieldwork’ as an avenue of enquiry for thinking about sculptural practice. From earths and underworlds, remote landscapes, extreme locations and even invisible particles as the resource for artistic investigations, new insights will be gath...

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Bibliographic Details
Main Author: Coutts, Marion
Format: Conference Object
Language:English
Published: 2019
Subjects:
Online Access:https://research.gold.ac.uk/id/eprint/29770/
https://research.gold.ac.uk/id/eprint/29770/1/Sculpture%20as%20Fieldwork%20PROGRAMME.docx
https://research.gold.ac.uk/id/eprint/29770/3/MC%20Sculpture%20as%20Fieldwork%20conference%20text%20for%20print.pdf
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spelling ftgoldsmithuniv:oai:eprints.gold.ac.uk:29770 2023-05-15T13:42:16+02:00 Sculpture as Fieldwork Coutts, Marion 2019-07-06 text https://research.gold.ac.uk/id/eprint/29770/ https://research.gold.ac.uk/id/eprint/29770/1/Sculpture%20as%20Fieldwork%20PROGRAMME.docx https://research.gold.ac.uk/id/eprint/29770/3/MC%20Sculpture%20as%20Fieldwork%20conference%20text%20for%20print.pdf eng eng https://research.gold.ac.uk/id/eprint/29770/1/Sculpture%20as%20Fieldwork%20PROGRAMME.docx https://research.gold.ac.uk/id/eprint/29770/3/MC%20Sculpture%20as%20Fieldwork%20conference%20text%20for%20print.pdf Coutts, Marion <https://research.gold.ac.uk/view/goldsmiths/Coutts=3AMarion=3A=3A.html>. 2019. 'Sculpture as Fieldwork'. In: Sculpture as Fieldwork. Henry Moore Lecture Theatre, Leeds Art Gallery, United Kingdom 6 July 2019. [Conference or Workshop Item] cc_by_4 CC-BY Conference or Workshop Item NonPeerReviewed restricted 2019 ftgoldsmithuniv 2022-11-06T18:15:21Z This conference considers multi-perspectival approaches to ‘fieldwork’ as an avenue of enquiry for thinking about sculptural practice. From earths and underworlds, remote landscapes, extreme locations and even invisible particles as the resource for artistic investigations, new insights will be gathered in response to the self-generating spaces of sculptural immersion and engagement with the properties and atmospheres of material environments. Saturday 6 July 2019, 11am - 5:30pm Henry Moore Lecture Theatre, Leeds Art Gallery From 10:15 Registration 10:45 Welcome and introductions Earth and Underworlds: Self-generating Environments 11:00 ‘ink of the under-mind’: Writing the Modernist Cave Dr Holly Corfield Carr (Writer/researcher, University of Cambridge) 11:30 Sculpting Resiliency Professor Emily Puthoff (Associate Professor of Art and artist, State University of New York, New Paltz) 12:00 Discussion chaired by Laurence Sillars (Head of the Henry Moore Institute) 12:30 - 1:30 Lunch (provided) Particles (Invisible Fields) 1:30 Art as experience at CERN Mónica Bello (Curator and Head of Arts at CERN, Geneva) 2:00 Invisible Fields Dr Ele Carpenter (Reader in Curating, Goldsmiths, University of London) 2:30 Discussion chaired by Dr Rowan Bailey (University of Huddersfield) 3:00 - 3:30 Tea and coffee break Remote Lands – Edges, Rims and Poles 3:30 Icebergs and Rocks: Writing the Plutonic Landscape Marion Coutts (Senior Lecturer in Fine Art and artist, Goldsmiths, University of London) 4:00 Antarctic Turns Chris Dobrowolski (Independent artist) 4:45 Discussion chaired by Dr Brigitte Jurack (Manchester Metropolitan University) 5:30 Concluding observations 6:00 - 7:30 Drinks Reception at the Henry Moore Institute Conference Object Antarc* Antarctic Iceberg* Goldsmiths University of London: Goldsmiths Research Online Antarctic Bello ENVELOPE(-56.933,-56.933,-64.333,-64.333) Carr ENVELOPE(130.717,130.717,-66.117,-66.117) Dobrowolski ENVELOPE(100.750,100.750,-66.267,-66.267) Mónica ENVELOPE(-75.533,-75.533,-69.817,-69.817)
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collection Goldsmiths University of London: Goldsmiths Research Online
op_collection_id ftgoldsmithuniv
language English
description This conference considers multi-perspectival approaches to ‘fieldwork’ as an avenue of enquiry for thinking about sculptural practice. From earths and underworlds, remote landscapes, extreme locations and even invisible particles as the resource for artistic investigations, new insights will be gathered in response to the self-generating spaces of sculptural immersion and engagement with the properties and atmospheres of material environments. Saturday 6 July 2019, 11am - 5:30pm Henry Moore Lecture Theatre, Leeds Art Gallery From 10:15 Registration 10:45 Welcome and introductions Earth and Underworlds: Self-generating Environments 11:00 ‘ink of the under-mind’: Writing the Modernist Cave Dr Holly Corfield Carr (Writer/researcher, University of Cambridge) 11:30 Sculpting Resiliency Professor Emily Puthoff (Associate Professor of Art and artist, State University of New York, New Paltz) 12:00 Discussion chaired by Laurence Sillars (Head of the Henry Moore Institute) 12:30 - 1:30 Lunch (provided) Particles (Invisible Fields) 1:30 Art as experience at CERN Mónica Bello (Curator and Head of Arts at CERN, Geneva) 2:00 Invisible Fields Dr Ele Carpenter (Reader in Curating, Goldsmiths, University of London) 2:30 Discussion chaired by Dr Rowan Bailey (University of Huddersfield) 3:00 - 3:30 Tea and coffee break Remote Lands – Edges, Rims and Poles 3:30 Icebergs and Rocks: Writing the Plutonic Landscape Marion Coutts (Senior Lecturer in Fine Art and artist, Goldsmiths, University of London) 4:00 Antarctic Turns Chris Dobrowolski (Independent artist) 4:45 Discussion chaired by Dr Brigitte Jurack (Manchester Metropolitan University) 5:30 Concluding observations 6:00 - 7:30 Drinks Reception at the Henry Moore Institute
format Conference Object
author Coutts, Marion
spellingShingle Coutts, Marion
Sculpture as Fieldwork
author_facet Coutts, Marion
author_sort Coutts, Marion
title Sculpture as Fieldwork
title_short Sculpture as Fieldwork
title_full Sculpture as Fieldwork
title_fullStr Sculpture as Fieldwork
title_full_unstemmed Sculpture as Fieldwork
title_sort sculpture as fieldwork
publishDate 2019
url https://research.gold.ac.uk/id/eprint/29770/
https://research.gold.ac.uk/id/eprint/29770/1/Sculpture%20as%20Fieldwork%20PROGRAMME.docx
https://research.gold.ac.uk/id/eprint/29770/3/MC%20Sculpture%20as%20Fieldwork%20conference%20text%20for%20print.pdf
long_lat ENVELOPE(-56.933,-56.933,-64.333,-64.333)
ENVELOPE(130.717,130.717,-66.117,-66.117)
ENVELOPE(100.750,100.750,-66.267,-66.267)
ENVELOPE(-75.533,-75.533,-69.817,-69.817)
geographic Antarctic
Bello
Carr
Dobrowolski
Mónica
geographic_facet Antarctic
Bello
Carr
Dobrowolski
Mónica
genre Antarc*
Antarctic
Iceberg*
genre_facet Antarc*
Antarctic
Iceberg*
op_relation https://research.gold.ac.uk/id/eprint/29770/1/Sculpture%20as%20Fieldwork%20PROGRAMME.docx
https://research.gold.ac.uk/id/eprint/29770/3/MC%20Sculpture%20as%20Fieldwork%20conference%20text%20for%20print.pdf
Coutts, Marion <https://research.gold.ac.uk/view/goldsmiths/Coutts=3AMarion=3A=3A.html>. 2019. 'Sculpture as Fieldwork'. In: Sculpture as Fieldwork. Henry Moore Lecture Theatre, Leeds Art Gallery, United Kingdom 6 July 2019. [Conference or Workshop Item]
op_rights cc_by_4
op_rightsnorm CC-BY
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