Sculpture as Fieldwork

This conference considers multi-perspectival approaches to ‘fieldwork’ as an avenue of enquiry for thinking about sculptural practice. From earths and underworlds, remote landscapes, extreme locations and even invisible particles as the resource for artistic investigations, new insights will be gath...

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Bibliographic Details
Main Author: Coutts, Marion
Format: Conference Object
Language:English
Published: 2019
Subjects:
Online Access:https://research.gold.ac.uk/id/eprint/29770/
https://research.gold.ac.uk/id/eprint/29770/1/Sculpture%20as%20Fieldwork%20PROGRAMME.docx
https://research.gold.ac.uk/id/eprint/29770/3/MC%20Sculpture%20as%20Fieldwork%20conference%20text%20for%20print.pdf
Description
Summary:This conference considers multi-perspectival approaches to ‘fieldwork’ as an avenue of enquiry for thinking about sculptural practice. From earths and underworlds, remote landscapes, extreme locations and even invisible particles as the resource for artistic investigations, new insights will be gathered in response to the self-generating spaces of sculptural immersion and engagement with the properties and atmospheres of material environments. Saturday 6 July 2019, 11am - 5:30pm Henry Moore Lecture Theatre, Leeds Art Gallery From 10:15 Registration 10:45 Welcome and introductions Earth and Underworlds: Self-generating Environments 11:00 ‘ink of the under-mind’: Writing the Modernist Cave Dr Holly Corfield Carr (Writer/researcher, University of Cambridge) 11:30 Sculpting Resiliency Professor Emily Puthoff (Associate Professor of Art and artist, State University of New York, New Paltz) 12:00 Discussion chaired by Laurence Sillars (Head of the Henry Moore Institute) 12:30 - 1:30 Lunch (provided) Particles (Invisible Fields) 1:30 Art as experience at CERN Mónica Bello (Curator and Head of Arts at CERN, Geneva) 2:00 Invisible Fields Dr Ele Carpenter (Reader in Curating, Goldsmiths, University of London) 2:30 Discussion chaired by Dr Rowan Bailey (University of Huddersfield) 3:00 - 3:30 Tea and coffee break Remote Lands – Edges, Rims and Poles 3:30 Icebergs and Rocks: Writing the Plutonic Landscape Marion Coutts (Senior Lecturer in Fine Art and artist, Goldsmiths, University of London) 4:00 Antarctic Turns Chris Dobrowolski (Independent artist) 4:45 Discussion chaired by Dr Brigitte Jurack (Manchester Metropolitan University) 5:30 Concluding observations 6:00 - 7:30 Drinks Reception at the Henry Moore Institute