First Nations Popular Music in Canada: Musical Meaning and the Politics of Identity

The musics of First Nations popular musicians "Wapistan" Lawrence Martin and the Innu group Kashtin are examined as polysemic signs whose meaning is mediated both socially and politically in the ongoing construction of First Nations socio-cultural identity. Musical meanings on individual,...

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Published in:Canadian University Music Review
Main Author: Scales, Christopher
Format: Text
Language:English
Published: Canadian University Music Society / Société de musique des universités canadiennes 1999
Subjects:
Online Access:http://id.erudit.org/iderudit/1014450ar
https://doi.org/10.7202/1014450ar
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spelling fterudit:oai:erudit.org:1014450ar 2023-05-15T16:14:03+02:00 First Nations Popular Music in Canada: Musical Meaning and the Politics of Identity Scales, Christopher 1999 http://id.erudit.org/iderudit/1014450ar https://doi.org/10.7202/1014450ar en eng Canadian University Music Society / Société de musique des universités canadiennes Érudit Canadian University Music Review vol. 19 no. 2 (1999) All Rights Reserved © Canadian University Music Society / Société de musique des universités canadiennes, 1999 text 1999 fterudit https://doi.org/10.7202/1014450ar 2013-08-24T23:41:33Z The musics of First Nations popular musicians "Wapistan" Lawrence Martin and the Innu group Kashtin are examined as polysemic signs whose meaning is mediated both socially and politically in the ongoing construction of First Nations socio-cultural identity. Musical meanings on individual, local, national, and international levels are dependent on the socio-political positioning of both the performers and the audience. Because socio-political positions are themselves fluid, political meanings are, as well, in constant flux. As a polysemic sign, First Nations popular music is a locus for these various meanings and a site for the construction and deconstruction of political discourse. Text First Nations Érudit.org (Université Montréal) Canada Canadian University Music Review 19 2 94 101
institution Open Polar
collection Érudit.org (Université Montréal)
op_collection_id fterudit
language English
description The musics of First Nations popular musicians "Wapistan" Lawrence Martin and the Innu group Kashtin are examined as polysemic signs whose meaning is mediated both socially and politically in the ongoing construction of First Nations socio-cultural identity. Musical meanings on individual, local, national, and international levels are dependent on the socio-political positioning of both the performers and the audience. Because socio-political positions are themselves fluid, political meanings are, as well, in constant flux. As a polysemic sign, First Nations popular music is a locus for these various meanings and a site for the construction and deconstruction of political discourse.
format Text
author Scales, Christopher
spellingShingle Scales, Christopher
First Nations Popular Music in Canada: Musical Meaning and the Politics of Identity
author_facet Scales, Christopher
author_sort Scales, Christopher
title First Nations Popular Music in Canada: Musical Meaning and the Politics of Identity
title_short First Nations Popular Music in Canada: Musical Meaning and the Politics of Identity
title_full First Nations Popular Music in Canada: Musical Meaning and the Politics of Identity
title_fullStr First Nations Popular Music in Canada: Musical Meaning and the Politics of Identity
title_full_unstemmed First Nations Popular Music in Canada: Musical Meaning and the Politics of Identity
title_sort first nations popular music in canada: musical meaning and the politics of identity
publisher Canadian University Music Society / Société de musique des universités canadiennes
publishDate 1999
url http://id.erudit.org/iderudit/1014450ar
https://doi.org/10.7202/1014450ar
geographic Canada
geographic_facet Canada
genre First Nations
genre_facet First Nations
op_relation Canadian University Music Review
vol. 19 no. 2 (1999)
op_rights All Rights Reserved © Canadian University Music Society / Société de musique des universités canadiennes, 1999
op_doi https://doi.org/10.7202/1014450ar
container_title Canadian University Music Review
container_volume 19
container_issue 2
container_start_page 94
op_container_end_page 101
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