Irish-Newfoundland Step Dancing and Cultural Identity in Newfoundland
Step dancing in Newfoundland and Labrador has endured a significant contextual shift in order to remain relevant as both cultural piece and performance genre and it continues to evolve in context and function today, while adhering to Newfoundland’s collective identity. Through its examination of the...
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Association Canadienne d'Ethnologie et de Folklore
2008
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fterudit:oai:erudit.org:018838ar 2024-09-09T19:53:16+00:00 Irish-Newfoundland Step Dancing and Cultural Identity in Newfoundland Walsh, Kristin Harris 2008 http://id.erudit.org/iderudit/018838ar https://doi.org/10.7202/018838ar en eng Association Canadienne d'Ethnologie et de Folklore Érudit Ethnologies vol. 30 no. 1 (2008) http://id.erudit.org/iderudit/018838ar doi:10.7202/018838ar Tous droits réservés © Ethnologies, Université Laval, 2008 text 2008 fterudit https://doi.org/10.7202/018838ar 2024-07-25T16:40:20Z Step dancing in Newfoundland and Labrador has endured a significant contextual shift in order to remain relevant as both cultural piece and performance genre and it continues to evolve in context and function today, while adhering to Newfoundland’s collective identity. Through its examination of the St. Pat’s Dancers, a St. John’s-based children’s step dancing group, this article addresses the larger philosophical questions of authenticity, heritage and revival in vernacular dance. As a case study in Newfoundland vernacular dance, the St. Pat’s Dancers links together notions of heritage promotion and preservation, and the commodification of culture through the lens of Irishness that is prevalent in Newfoundland culture. Le step dancing à Terre-Neuve et au Labrador a subi un important changement contextuel afin de conserver sa pertinence en tant qu’objet culturel et genre performatif et le contexte dans lequel il se développe, ainsi que sa fonction, continuent d’évoluer à l’heure actuelle tout en collant à l’identité collective de Terre-Neuve. Au travers de l’étude des danseurs de St Pat, un groupe de jeunes « step danseurs » de St John’s, cet article aborde des questions philosophiques plus larges concernant l’authenticité, le patrimoine et le renouveau dans la danse vernaculaire. L’exemple des danseurs de St Pat associe les notions de mise en valeur et de conservation du patrimoine à la marchandisation de la culture au travers du sentiment identitaire irlandais qui prévaut à Terre-Neuve. Text Newfoundland Terre-Neuve Érudit.org (Université Montréal) Newfoundland Ethnologies 30 1 125 140 |
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Step dancing in Newfoundland and Labrador has endured a significant contextual shift in order to remain relevant as both cultural piece and performance genre and it continues to evolve in context and function today, while adhering to Newfoundland’s collective identity. Through its examination of the St. Pat’s Dancers, a St. John’s-based children’s step dancing group, this article addresses the larger philosophical questions of authenticity, heritage and revival in vernacular dance. As a case study in Newfoundland vernacular dance, the St. Pat’s Dancers links together notions of heritage promotion and preservation, and the commodification of culture through the lens of Irishness that is prevalent in Newfoundland culture. Le step dancing à Terre-Neuve et au Labrador a subi un important changement contextuel afin de conserver sa pertinence en tant qu’objet culturel et genre performatif et le contexte dans lequel il se développe, ainsi que sa fonction, continuent d’évoluer à l’heure actuelle tout en collant à l’identité collective de Terre-Neuve. Au travers de l’étude des danseurs de St Pat, un groupe de jeunes « step danseurs » de St John’s, cet article aborde des questions philosophiques plus larges concernant l’authenticité, le patrimoine et le renouveau dans la danse vernaculaire. L’exemple des danseurs de St Pat associe les notions de mise en valeur et de conservation du patrimoine à la marchandisation de la culture au travers du sentiment identitaire irlandais qui prévaut à Terre-Neuve. |
format |
Text |
author |
Walsh, Kristin Harris |
spellingShingle |
Walsh, Kristin Harris Irish-Newfoundland Step Dancing and Cultural Identity in Newfoundland |
author_facet |
Walsh, Kristin Harris |
author_sort |
Walsh, Kristin Harris |
title |
Irish-Newfoundland Step Dancing and Cultural Identity in Newfoundland |
title_short |
Irish-Newfoundland Step Dancing and Cultural Identity in Newfoundland |
title_full |
Irish-Newfoundland Step Dancing and Cultural Identity in Newfoundland |
title_fullStr |
Irish-Newfoundland Step Dancing and Cultural Identity in Newfoundland |
title_full_unstemmed |
Irish-Newfoundland Step Dancing and Cultural Identity in Newfoundland |
title_sort |
irish-newfoundland step dancing and cultural identity in newfoundland |
publisher |
Association Canadienne d'Ethnologie et de Folklore |
publishDate |
2008 |
url |
http://id.erudit.org/iderudit/018838ar https://doi.org/10.7202/018838ar |
geographic |
Newfoundland |
geographic_facet |
Newfoundland |
genre |
Newfoundland Terre-Neuve |
genre_facet |
Newfoundland Terre-Neuve |
op_relation |
Ethnologies vol. 30 no. 1 (2008) http://id.erudit.org/iderudit/018838ar doi:10.7202/018838ar |
op_rights |
Tous droits réservés © Ethnologies, Université Laval, 2008 |
op_doi |
https://doi.org/10.7202/018838ar |
container_title |
Ethnologies |
container_volume |
30 |
container_issue |
1 |
container_start_page |
125 |
op_container_end_page |
140 |
_version_ |
1809922794335502336 |