Supporting Communities in Conducting Creative Research Panel

• Format: Text
• Language: unknown
• Published: Emily Carr University of Art and Design and OCAD University
• Subjects: Research; Research > Moral and ethical aspects; Indigenous people; Indigenous data sovereignty; Ethics; British Columbia; Canada; Carr; First Nations; inuit
• Online Access: https://ecuad.arcabc.ca/islandora/object/ecuad%3A18314

Wrapping up the series Conducting Creative Research (CCR), the Supporting Communities in Conducting Creative Research Panel took place on February 8, 2023. The panel focused on supporting Indigenous communities through ethical creative research. Panelists will describe creative research projects that impact communities, and discuss new models for research ethics in Indigenous, First Nations, Métis, and Inuit contexts. This event launched the new guideline statement, In a Good Way: Principles Guiding Indigenous Research Ethics at Emily Carr University. https://www.ecuad.ca/academics/research-area/research-office/research-ethics-board#in-a-good-way:-principles-guiding-indigenous-research-ethics-at-emily-carr-university. This presentation was a part of a collaborative series between Emily Carr University of Art and Design (ECU) and OCAD University (OCAD U). The series explores themes around responsible conduct in art and design research. The Conducting Creative Research events were made possible with a SRCR Education and Training Support (SETS) Grant from the Secretariat on Responsible Conduct of Research through the Panel on Research Ethics (PRE) and the Panel on Responsible Conduct (PRCR) of Research on behalf of the three federal research granting agencies: The Canadian Institutes of Health Research (CIHR), the Natural Science and Engineering Research Council of Canada (NSERC), and the Social Sciences and Humanities Research Council of Canada (SSHRC). Panelists: Nakkita Trimble has been instrumental in the re-claiming of Nisga’a tattooing methods of skin stitching and hand poking - techniques her ancestors would have used. Nakkita’s first exhibit was a solo exhibit at the Nisga’a Museum in Grenville, British Columbia in 2014. The exhibit featured the oral history of Nisga’a Tattooing prior to contact. The oral history was passed down from Freda Morven and the Council of Elders comprised of some Matriarchs and Chiefs of the four main villages in the Nass Valley. The exhibit featured the first modern recorded ...