The quatrefoil motif and its probable origins in Sakha folk ornamental art

The quatrefoil motif is a popular ornament in Sakha decorative and folk arts and crafts. It is popular not only in Yakutia, but all over the world. Until now, however, there have been no generalized works on this ornamental motif. Its symbolic signs have not been studied. Our study has revealed that...

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Published in:Siberian Research
Main Authors: Tikhonova E.D., Tikhonov D.G.
Format: Article in Journal/Newspaper
Language:English
Russian
Published: Сибирские исследования 2021
Subjects:
D
R
Online Access:https://doi.org/10.33384/26587270.2021.05.01.11e
https://doaj.org/article/ed6aaf44d1dd481481d1166055924e2f
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spelling ftdoajarticles:oai:doaj.org/article:ed6aaf44d1dd481481d1166055924e2f 2023-05-15T18:45:06+02:00 The quatrefoil motif and its probable origins in Sakha folk ornamental art Tikhonova E.D. Tikhonov D.G. 2021-06-01T00:00:00Z https://doi.org/10.33384/26587270.2021.05.01.11e https://doaj.org/article/ed6aaf44d1dd481481d1166055924e2f EN RU eng rus Сибирские исследования https://siberes.ru/gallery/Quatrefoil.pdf https://doaj.org/toc/2658-7181 https://doaj.org/toc/2658-7270 doi:10.33384/26587270.2021.05.01.11e 2658-7181 2658-7270 https://doaj.org/article/ed6aaf44d1dd481481d1166055924e2f Сибирские исследования, Vol 5, Iss 1, Pp 52-57 (2021) sakha folk ornamental art ornament quatrefoil motif origins halaf culture ancient china xiongnu turkic peoples History (General) and history of Europe D Medicine R article 2021 ftdoajarticles https://doi.org/10.33384/26587270.2021.05.01.11e 2022-12-31T04:54:18Z The quatrefoil motif is a popular ornament in Sakha decorative and folk arts and crafts. It is popular not only in Yakutia, but all over the world. Until now, however, there have been no generalized works on this ornamental motif. Its symbolic signs have not been studied. Our study has revealed that the quatrefoil motif in ornamentation and decorative art dates back to the Neolithic period in the Halaf culture of Mesopotamia around 5765 BC. A number of researchers believe that this motif was a symbol of male fertility. We hypothesized that the quatrefoil motif probably appeared in the seals of Caucasian persimmon merchants and depicted the quatrefoil of its calyx. Thanks to the growing influence of trade, this motif has spread around the world. The oriental persimmon, as an important product for the well-being of the ancient Chinese population, became an image of the quatrefoil motif, which was adopted by the Xiongnu as a symbol of protection and resurrection. From them, the motif probably spread widely among the Turkic peoples. The Sakha apparently borrowed this motif from the Xiongnu, as indicated by the abundance of ornamental forms and the presence of archaeological, anthropological, and genetic data, which show the existence of sufficiently close links with the Xiongnu culture. The quatrefoil motif similar to the decorative forms of Gothic cathedrals was probably introduced to the Middle Lena by representatives of the Chaatas and Tyukhtyat cultures in Khakassia. Article in Journal/Newspaper Yakutia Directory of Open Access Journals: DOAJ Articles Sakha Siberian Research 5 1 52 57
institution Open Polar
collection Directory of Open Access Journals: DOAJ Articles
op_collection_id ftdoajarticles
language English
Russian
topic sakha folk ornamental art
ornament
quatrefoil motif
origins
halaf culture
ancient china
xiongnu
turkic peoples
History (General) and history of Europe
D
Medicine
R
spellingShingle sakha folk ornamental art
ornament
quatrefoil motif
origins
halaf culture
ancient china
xiongnu
turkic peoples
History (General) and history of Europe
D
Medicine
R
Tikhonova E.D.
Tikhonov D.G.
The quatrefoil motif and its probable origins in Sakha folk ornamental art
topic_facet sakha folk ornamental art
ornament
quatrefoil motif
origins
halaf culture
ancient china
xiongnu
turkic peoples
History (General) and history of Europe
D
Medicine
R
description The quatrefoil motif is a popular ornament in Sakha decorative and folk arts and crafts. It is popular not only in Yakutia, but all over the world. Until now, however, there have been no generalized works on this ornamental motif. Its symbolic signs have not been studied. Our study has revealed that the quatrefoil motif in ornamentation and decorative art dates back to the Neolithic period in the Halaf culture of Mesopotamia around 5765 BC. A number of researchers believe that this motif was a symbol of male fertility. We hypothesized that the quatrefoil motif probably appeared in the seals of Caucasian persimmon merchants and depicted the quatrefoil of its calyx. Thanks to the growing influence of trade, this motif has spread around the world. The oriental persimmon, as an important product for the well-being of the ancient Chinese population, became an image of the quatrefoil motif, which was adopted by the Xiongnu as a symbol of protection and resurrection. From them, the motif probably spread widely among the Turkic peoples. The Sakha apparently borrowed this motif from the Xiongnu, as indicated by the abundance of ornamental forms and the presence of archaeological, anthropological, and genetic data, which show the existence of sufficiently close links with the Xiongnu culture. The quatrefoil motif similar to the decorative forms of Gothic cathedrals was probably introduced to the Middle Lena by representatives of the Chaatas and Tyukhtyat cultures in Khakassia.
format Article in Journal/Newspaper
author Tikhonova E.D.
Tikhonov D.G.
author_facet Tikhonova E.D.
Tikhonov D.G.
author_sort Tikhonova E.D.
title The quatrefoil motif and its probable origins in Sakha folk ornamental art
title_short The quatrefoil motif and its probable origins in Sakha folk ornamental art
title_full The quatrefoil motif and its probable origins in Sakha folk ornamental art
title_fullStr The quatrefoil motif and its probable origins in Sakha folk ornamental art
title_full_unstemmed The quatrefoil motif and its probable origins in Sakha folk ornamental art
title_sort quatrefoil motif and its probable origins in sakha folk ornamental art
publisher Сибирские исследования
publishDate 2021
url https://doi.org/10.33384/26587270.2021.05.01.11e
https://doaj.org/article/ed6aaf44d1dd481481d1166055924e2f
geographic Sakha
geographic_facet Sakha
genre Yakutia
genre_facet Yakutia
op_source Сибирские исследования, Vol 5, Iss 1, Pp 52-57 (2021)
op_relation https://siberes.ru/gallery/Quatrefoil.pdf
https://doaj.org/toc/2658-7181
https://doaj.org/toc/2658-7270
doi:10.33384/26587270.2021.05.01.11e
2658-7181
2658-7270
https://doaj.org/article/ed6aaf44d1dd481481d1166055924e2f
op_doi https://doi.org/10.33384/26587270.2021.05.01.11e
container_title Siberian Research
container_volume 5
container_issue 1
container_start_page 52
op_container_end_page 57
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