Necessary Labour(s): Doing the Work of Undoing
Necessary Labour(s): Doing the work of undoing, plenary session with Salad Hilowle, Katarina Pirak Sikku and Temi Odumosu, recorded on November 18th, 2021 as a part of the PARSE 4th biennial research conference on Violence. Sweden’s colonial archives are sites of documented histories with unacknowle...
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University of Gothenburg
2022
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ftdoajarticles:oai:doaj.org/article:c1316a73d8d94c2593a1b7404da8d629 2023-05-15T18:12:35+02:00 Necessary Labour(s): Doing the Work of Undoing Salad Hilowle Jyoti Mistry Temi Odumosu Katarina Pirak Sikku 2022-12-01T00:00:00Z https://doaj.org/article/c1316a73d8d94c2593a1b7404da8d629 EN eng University of Gothenburg https://parsejournal.com/article/necessary-labours-doing-the-work-of-undoing/ https://doaj.org/toc/2002-0511 https://doaj.org/toc/2002-0953 2002-0511 2002-0953 https://doaj.org/article/c1316a73d8d94c2593a1b7404da8d629 Parse Journal, Vol Violence: Aesthetics, Iss 15 (2022) pirak sikku salad hilowle jyoti mistry temi odumosu katarina pirak necessary labour Arts in general NX1-820 article 2022 ftdoajarticles 2023-02-05T01:30:37Z Necessary Labour(s): Doing the work of undoing, plenary session with Salad Hilowle, Katarina Pirak Sikku and Temi Odumosu, recorded on November 18th, 2021 as a part of the PARSE 4th biennial research conference on Violence. Sweden’s colonial archives are sites of documented histories with unacknowledged narratives of violence. The repository of photographs and documents require radical re-examination through decolonial perspectives to make visible those memories and experiences that have been occluded, or to offer reparative possibilities. Katarina Pirak Sikku’s research in the State Institute for Racial Biology archive at Uppsala University is revealed in careful gestures honours Sami ancestors and family members. Salad Hilowle’s production of Vanus Labor (2021), an installation and short film featured in GIBCA 2021, intercepts the colonial gaze by revisiting the production of European Art history and its reproduction of African subjects. The plenary addresses how these two artists have strategically worked at undoing the colonial archive through decolonial labour. By using artistic methods with archival material and subverting their status as official records in national (and international) discourse – these artistic practices are necessary interventions to the singularity of colonial histories that make possible acts of remembrance in histories otherwise not seen. With an introduction by Jyoti Mistry. Article in Journal/Newspaper sami Directory of Open Access Journals: DOAJ Articles |
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Directory of Open Access Journals: DOAJ Articles |
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English |
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pirak sikku salad hilowle jyoti mistry temi odumosu katarina pirak necessary labour Arts in general NX1-820 |
spellingShingle |
pirak sikku salad hilowle jyoti mistry temi odumosu katarina pirak necessary labour Arts in general NX1-820 Salad Hilowle Jyoti Mistry Temi Odumosu Katarina Pirak Sikku Necessary Labour(s): Doing the Work of Undoing |
topic_facet |
pirak sikku salad hilowle jyoti mistry temi odumosu katarina pirak necessary labour Arts in general NX1-820 |
description |
Necessary Labour(s): Doing the work of undoing, plenary session with Salad Hilowle, Katarina Pirak Sikku and Temi Odumosu, recorded on November 18th, 2021 as a part of the PARSE 4th biennial research conference on Violence. Sweden’s colonial archives are sites of documented histories with unacknowledged narratives of violence. The repository of photographs and documents require radical re-examination through decolonial perspectives to make visible those memories and experiences that have been occluded, or to offer reparative possibilities. Katarina Pirak Sikku’s research in the State Institute for Racial Biology archive at Uppsala University is revealed in careful gestures honours Sami ancestors and family members. Salad Hilowle’s production of Vanus Labor (2021), an installation and short film featured in GIBCA 2021, intercepts the colonial gaze by revisiting the production of European Art history and its reproduction of African subjects. The plenary addresses how these two artists have strategically worked at undoing the colonial archive through decolonial labour. By using artistic methods with archival material and subverting their status as official records in national (and international) discourse – these artistic practices are necessary interventions to the singularity of colonial histories that make possible acts of remembrance in histories otherwise not seen. With an introduction by Jyoti Mistry. |
format |
Article in Journal/Newspaper |
author |
Salad Hilowle Jyoti Mistry Temi Odumosu Katarina Pirak Sikku |
author_facet |
Salad Hilowle Jyoti Mistry Temi Odumosu Katarina Pirak Sikku |
author_sort |
Salad Hilowle |
title |
Necessary Labour(s): Doing the Work of Undoing |
title_short |
Necessary Labour(s): Doing the Work of Undoing |
title_full |
Necessary Labour(s): Doing the Work of Undoing |
title_fullStr |
Necessary Labour(s): Doing the Work of Undoing |
title_full_unstemmed |
Necessary Labour(s): Doing the Work of Undoing |
title_sort |
necessary labour(s): doing the work of undoing |
publisher |
University of Gothenburg |
publishDate |
2022 |
url |
https://doaj.org/article/c1316a73d8d94c2593a1b7404da8d629 |
genre |
sami |
genre_facet |
sami |
op_source |
Parse Journal, Vol Violence: Aesthetics, Iss 15 (2022) |
op_relation |
https://parsejournal.com/article/necessary-labours-doing-the-work-of-undoing/ https://doaj.org/toc/2002-0511 https://doaj.org/toc/2002-0953 2002-0511 2002-0953 https://doaj.org/article/c1316a73d8d94c2593a1b7404da8d629 |
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1766185098708779008 |