En kvinnas plats i världsordningen

An Essential Trait in the Works of Pia Arke and Marguerite Duras Contemporary arts and literature provide a record of alternative narratives of globalization. This essay discusses how the global world system is reconfigured in two different aesthetic endeavors: the so-called »India Cycle« of Marguer...

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Published in:Tidskrift för litteraturvetenskap
Main Author: Stefan Jonsson
Format: Article in Journal/Newspaper
Language:Danish
English
Norwegian
Swedish
Published: Föreningen för utgivande av Tidskrift för litteraturvetenskap 2010
Subjects:
P
Online Access:https://doi.org/10.54797/tfl.v40i2.11959
https://doaj.org/article/c0a51696ecad438990ef930d13c84428
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spelling ftdoajarticles:oai:doaj.org/article:c0a51696ecad438990ef930d13c84428 2023-11-12T04:18:06+01:00 En kvinnas plats i världsordningen Stefan Jonsson 2010-01-01T00:00:00Z https://doi.org/10.54797/tfl.v40i2.11959 https://doaj.org/article/c0a51696ecad438990ef930d13c84428 DA EN NO SV dan eng nor swe Föreningen för utgivande av Tidskrift för litteraturvetenskap https://publicera.kb.se/tfl/article/view/11959 https://doaj.org/toc/2001-094X doi:10.54797/tfl.v40i2.11959 2001-094X https://doaj.org/article/c0a51696ecad438990ef930d13c84428 Tidskrift för Litteraturvetenskap, Vol 40, Iss 2 (2010) Globalization and literature postcolonial studies subalternity female subjectivity Marguerite Duras Pia Arke Language and Literature P article 2010 ftdoajarticles https://doi.org/10.54797/tfl.v40i2.11959 2023-10-22T00:42:41Z An Essential Trait in the Works of Pia Arke and Marguerite Duras Contemporary arts and literature provide a record of alternative narratives of globalization. This essay discusses how the global world system is reconfigured in two different aesthetic endeavors: the so-called »India Cycle« of Marguerite Duras and the visual artwork of Greenlandic-Danish artist Pia Arke. The essay suggests that both Duras and Arke constitute what may be defined as global narratives, and, furthermore, that both approach what may be termed »the essential trait« of contemporary global history. This essential trait is made visible – or, indeed, audible – through the pertinent figure of a subaltern female subject, which the reader or viewer perceives as occupying the very margin or edge of the global order. It is argued that this position still remains untheorized in postcolonial cultural theory. Finally, the essay presents a model through which this figure may be understood, while it also insists on the figure’s importance as a touchstone and corrective of urgent political and theoretical problems of our era. Article in Journal/Newspaper greenlandic Directory of Open Access Journals: DOAJ Articles Marguerite ENVELOPE(141.378,141.378,-66.787,-66.787) Tidskrift för litteraturvetenskap 40 2 3 20
institution Open Polar
collection Directory of Open Access Journals: DOAJ Articles
op_collection_id ftdoajarticles
language Danish
English
Norwegian
Swedish
topic Globalization and literature
postcolonial studies
subalternity
female subjectivity
Marguerite Duras
Pia Arke
Language and Literature
P
spellingShingle Globalization and literature
postcolonial studies
subalternity
female subjectivity
Marguerite Duras
Pia Arke
Language and Literature
P
Stefan Jonsson
En kvinnas plats i världsordningen
topic_facet Globalization and literature
postcolonial studies
subalternity
female subjectivity
Marguerite Duras
Pia Arke
Language and Literature
P
description An Essential Trait in the Works of Pia Arke and Marguerite Duras Contemporary arts and literature provide a record of alternative narratives of globalization. This essay discusses how the global world system is reconfigured in two different aesthetic endeavors: the so-called »India Cycle« of Marguerite Duras and the visual artwork of Greenlandic-Danish artist Pia Arke. The essay suggests that both Duras and Arke constitute what may be defined as global narratives, and, furthermore, that both approach what may be termed »the essential trait« of contemporary global history. This essential trait is made visible – or, indeed, audible – through the pertinent figure of a subaltern female subject, which the reader or viewer perceives as occupying the very margin or edge of the global order. It is argued that this position still remains untheorized in postcolonial cultural theory. Finally, the essay presents a model through which this figure may be understood, while it also insists on the figure’s importance as a touchstone and corrective of urgent political and theoretical problems of our era.
format Article in Journal/Newspaper
author Stefan Jonsson
author_facet Stefan Jonsson
author_sort Stefan Jonsson
title En kvinnas plats i världsordningen
title_short En kvinnas plats i världsordningen
title_full En kvinnas plats i världsordningen
title_fullStr En kvinnas plats i världsordningen
title_full_unstemmed En kvinnas plats i världsordningen
title_sort en kvinnas plats i världsordningen
publisher Föreningen för utgivande av Tidskrift för litteraturvetenskap
publishDate 2010
url https://doi.org/10.54797/tfl.v40i2.11959
https://doaj.org/article/c0a51696ecad438990ef930d13c84428
long_lat ENVELOPE(141.378,141.378,-66.787,-66.787)
geographic Marguerite
geographic_facet Marguerite
genre greenlandic
genre_facet greenlandic
op_source Tidskrift för Litteraturvetenskap, Vol 40, Iss 2 (2010)
op_relation https://publicera.kb.se/tfl/article/view/11959
https://doaj.org/toc/2001-094X
doi:10.54797/tfl.v40i2.11959
2001-094X
https://doaj.org/article/c0a51696ecad438990ef930d13c84428
op_doi https://doi.org/10.54797/tfl.v40i2.11959
container_title Tidskrift för litteraturvetenskap
container_volume 40
container_issue 2
container_start_page 3
op_container_end_page 20
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