Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty
The article considers the question of locality and universality regarding two locations and populations: the Inuit of the Canadian North, and the Aran Islanders living off the western coast of Ireland. These locations provide the setting for Robert J. Flaherty’s documentary films Nanook of the North...
Published in: | Open Library of Humanities |
---|---|
Main Author: | |
Format: | Article in Journal/Newspaper |
Language: | English Spanish |
Published: |
Open Library of Humanities
2023
|
Subjects: | |
Online Access: | https://doi.org/10.16995/olh.8866 https://doaj.org/article/98c12ab9be8143ffb16903588d446b29 |
id |
ftdoajarticles:oai:doaj.org/article:98c12ab9be8143ffb16903588d446b29 |
---|---|
record_format |
openpolar |
spelling |
ftdoajarticles:oai:doaj.org/article:98c12ab9be8143ffb16903588d446b29 2024-09-15T18:04:55+00:00 Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty Krisztina Kodó 2023-04-01T00:00:00Z https://doi.org/10.16995/olh.8866 https://doaj.org/article/98c12ab9be8143ffb16903588d446b29 EN ES eng spa Open Library of Humanities https://olh.openlibhums.org/article/id/8866/ https://olh.openlibhums.org/article/8866/galley/23005/download/ https://doaj.org/toc/2056-6700 2056-6700 doi:10.16995/olh.8866 https://doaj.org/article/98c12ab9be8143ffb16903588d446b29 Open Library of Humanities, Vol 9, Iss 1 (2023) Robert J. Flaherty Eskimo-Inuit Aran Islander Canadian Northern Myth Noble Savage locality versus universality History of scholarship and learning. The humanities AZ20-999 article 2023 ftdoajarticles https://doi.org/10.16995/olh.8866 2024-08-05T17:49:27Z The article considers the question of locality and universality regarding two locations and populations: the Inuit of the Canadian North, and the Aran Islanders living off the western coast of Ireland. These locations provide the setting for Robert J. Flaherty’s documentary films Nanook of the North (1922) and Man of Aran (1934). The two films attempt to reveal the essence of human nature through illustrations of human beings living under elemental conditions. Comparing the two films, this article explores tendencies toward locality and universality. It addresses the cinematic medium in relation to Walter Benjamin’s ‘The Work of Art in the Age of Mechanical Reproduction’ (1935) and the effects of the culture industry as described in Max Horkheimer and Theodor Adorno’s critical essay, ‘The Culture Industry: Enlightenment as Mass Deception’ (1944). The article considers whether Flaherty’s films prove wrong Benjamin’s argument that modern technology erases the aura surrounding works of art in pre-technological times. This article argues that the aura of Flaherty’s films may instead be considered an artistic effect that is specific to modern times, expressing the poetic vision of their maker. Article in Journal/Newspaper eskimo* inuit Directory of Open Access Journals: DOAJ Articles Open Library of Humanities 36 1 |
institution |
Open Polar |
collection |
Directory of Open Access Journals: DOAJ Articles |
op_collection_id |
ftdoajarticles |
language |
English Spanish |
topic |
Robert J. Flaherty Eskimo-Inuit Aran Islander Canadian Northern Myth Noble Savage locality versus universality History of scholarship and learning. The humanities AZ20-999 |
spellingShingle |
Robert J. Flaherty Eskimo-Inuit Aran Islander Canadian Northern Myth Noble Savage locality versus universality History of scholarship and learning. The humanities AZ20-999 Krisztina Kodó Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty |
topic_facet |
Robert J. Flaherty Eskimo-Inuit Aran Islander Canadian Northern Myth Noble Savage locality versus universality History of scholarship and learning. The humanities AZ20-999 |
description |
The article considers the question of locality and universality regarding two locations and populations: the Inuit of the Canadian North, and the Aran Islanders living off the western coast of Ireland. These locations provide the setting for Robert J. Flaherty’s documentary films Nanook of the North (1922) and Man of Aran (1934). The two films attempt to reveal the essence of human nature through illustrations of human beings living under elemental conditions. Comparing the two films, this article explores tendencies toward locality and universality. It addresses the cinematic medium in relation to Walter Benjamin’s ‘The Work of Art in the Age of Mechanical Reproduction’ (1935) and the effects of the culture industry as described in Max Horkheimer and Theodor Adorno’s critical essay, ‘The Culture Industry: Enlightenment as Mass Deception’ (1944). The article considers whether Flaherty’s films prove wrong Benjamin’s argument that modern technology erases the aura surrounding works of art in pre-technological times. This article argues that the aura of Flaherty’s films may instead be considered an artistic effect that is specific to modern times, expressing the poetic vision of their maker. |
format |
Article in Journal/Newspaper |
author |
Krisztina Kodó |
author_facet |
Krisztina Kodó |
author_sort |
Krisztina Kodó |
title |
Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty |
title_short |
Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty |
title_full |
Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty |
title_fullStr |
Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty |
title_full_unstemmed |
Local and Universal: The Canadian Inuit and the Irish Aran Islanders in the Films of Robert J. Flaherty |
title_sort |
local and universal: the canadian inuit and the irish aran islanders in the films of robert j. flaherty |
publisher |
Open Library of Humanities |
publishDate |
2023 |
url |
https://doi.org/10.16995/olh.8866 https://doaj.org/article/98c12ab9be8143ffb16903588d446b29 |
genre |
eskimo* inuit |
genre_facet |
eskimo* inuit |
op_source |
Open Library of Humanities, Vol 9, Iss 1 (2023) |
op_relation |
https://olh.openlibhums.org/article/id/8866/ https://olh.openlibhums.org/article/8866/galley/23005/download/ https://doaj.org/toc/2056-6700 2056-6700 doi:10.16995/olh.8866 https://doaj.org/article/98c12ab9be8143ffb16903588d446b29 |
op_doi |
https://doi.org/10.16995/olh.8866 |
container_title |
Open Library of Humanities |
container_volume |
36 |
container_issue |
1 |
_version_ |
1810442539729158144 |