Nordover med filmkamera - fra Wellman til Nobile

The Heroic Era in Polar Exploration is filled with fascinating stories about interesting men, and the Race for the Poles is richly described in hundreds of books. The Heroic Era in Polar Exploration coincided with the conception of film technology and rise of commercial cinema, and many polar explor...

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Bibliographic Details
Published in:Nordlit
Main Author: Jan Anders Diesen
Format: Article in Journal/Newspaper
Language:English
Norwegian
Published: Septentrio Academic Publishing 2012
Subjects:
Online Access:https://doi.org/10.7557/13.2317
https://doaj.org/article/7ddb531d072e4eac98ef4378da17377b
id ftdoajarticles:oai:doaj.org/article:7ddb531d072e4eac98ef4378da17377b
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spelling ftdoajarticles:oai:doaj.org/article:7ddb531d072e4eac98ef4378da17377b 2023-05-15T14:00:16+02:00 Nordover med filmkamera - fra Wellman til Nobile Jan Anders Diesen 2012-05-01T00:00:00Z https://doi.org/10.7557/13.2317 https://doaj.org/article/7ddb531d072e4eac98ef4378da17377b EN NO eng nor Septentrio Academic Publishing https://septentrio.uit.no/index.php/nordlit/article/view/2317 https://doaj.org/toc/0809-1668 https://doaj.org/toc/1503-2086 doi:10.7557/13.2317 0809-1668 1503-2086 https://doaj.org/article/7ddb531d072e4eac98ef4378da17377b Nordlit: Tidsskrift i litteratur og kultur, Vol 16, Iss 1 (2012) Ekspedisjonsfilmer filmavis mediebegivenhet Wellman Amundsen Byrd Norwegian literature PT8301-9155 article 2012 ftdoajarticles https://doi.org/10.7557/13.2317 2022-12-30T23:58:52Z The Heroic Era in Polar Exploration is filled with fascinating stories about interesting men, and the Race for the Poles is richly described in hundreds of books. The Heroic Era in Polar Exploration coincided with the conception of film technology and rise of commercial cinema, and many polar explorers saw potential in utilising this new technology as a research tool. As a result there exists a range of films from the Polar Explorations, but since their making and initial screenings they have received little attention. The story of these films is also an interesting one, although it has not yet been written. A few years after the production of the first film cameras, the explorer Carsten Borchgrevink brought one along on his British Antarctic Expedition in 1898. His main sponsor, a newspaper publisher, wanted to make news films, but the cinematograph, the film reel and the filming skills were not sufficiently developed to capture living images from the polar region. Our record of this first attempt at making a polar film is limited to one scene from when the expedition is leaving London.The first explorer to succeed in filming in the Arctic was Anthony Fiala in 1902, and since his breakthrough the cinematograph became standard scientific equipment on all polar expeditions. The Mechanical Era in Polar Exploration came with the aeroplanes, the airships and the telegraph. Roald Amundsen played a major role here; he claimed his idea about using aeroplanes was as important to the polar exploration as Nansen´s use of skies and dogsledges in the heroic era. This article tells the story about explorers with film camera trying to reach the North Pole from Spitzbergen. Wellman, Amundsen, Byrd and Nobile are the main characters. The story of their fantastic expeditions is told by others; this is the story about their films, and how the films from the Arctic developed from just documenting landscape and animal life until they became proper documentary films. Between those types of film, we have had amateur film footage, ... Article in Journal/Newspaper Antarc* Antarctic Arctic North Pole Spitzbergen Directory of Open Access Journals: DOAJ Articles Arctic Antarctic Byrd North Pole Nobile ENVELOPE(-61.433,-61.433,-64.550,-64.550) Wellman ENVELOPE(-61.400,-61.400,-64.483,-64.483) Borchgrevink ENVELOPE(23.133,23.133,-72.117,-72.117) Nordlit 16 1 243
institution Open Polar
collection Directory of Open Access Journals: DOAJ Articles
op_collection_id ftdoajarticles
language English
Norwegian
topic Ekspedisjonsfilmer
filmavis
mediebegivenhet
Wellman
Amundsen
Byrd
Norwegian literature
PT8301-9155
spellingShingle Ekspedisjonsfilmer
filmavis
mediebegivenhet
Wellman
Amundsen
Byrd
Norwegian literature
PT8301-9155
Jan Anders Diesen
Nordover med filmkamera - fra Wellman til Nobile
topic_facet Ekspedisjonsfilmer
filmavis
mediebegivenhet
Wellman
Amundsen
Byrd
Norwegian literature
PT8301-9155
description The Heroic Era in Polar Exploration is filled with fascinating stories about interesting men, and the Race for the Poles is richly described in hundreds of books. The Heroic Era in Polar Exploration coincided with the conception of film technology and rise of commercial cinema, and many polar explorers saw potential in utilising this new technology as a research tool. As a result there exists a range of films from the Polar Explorations, but since their making and initial screenings they have received little attention. The story of these films is also an interesting one, although it has not yet been written. A few years after the production of the first film cameras, the explorer Carsten Borchgrevink brought one along on his British Antarctic Expedition in 1898. His main sponsor, a newspaper publisher, wanted to make news films, but the cinematograph, the film reel and the filming skills were not sufficiently developed to capture living images from the polar region. Our record of this first attempt at making a polar film is limited to one scene from when the expedition is leaving London.The first explorer to succeed in filming in the Arctic was Anthony Fiala in 1902, and since his breakthrough the cinematograph became standard scientific equipment on all polar expeditions. The Mechanical Era in Polar Exploration came with the aeroplanes, the airships and the telegraph. Roald Amundsen played a major role here; he claimed his idea about using aeroplanes was as important to the polar exploration as Nansen´s use of skies and dogsledges in the heroic era. This article tells the story about explorers with film camera trying to reach the North Pole from Spitzbergen. Wellman, Amundsen, Byrd and Nobile are the main characters. The story of their fantastic expeditions is told by others; this is the story about their films, and how the films from the Arctic developed from just documenting landscape and animal life until they became proper documentary films. Between those types of film, we have had amateur film footage, ...
format Article in Journal/Newspaper
author Jan Anders Diesen
author_facet Jan Anders Diesen
author_sort Jan Anders Diesen
title Nordover med filmkamera - fra Wellman til Nobile
title_short Nordover med filmkamera - fra Wellman til Nobile
title_full Nordover med filmkamera - fra Wellman til Nobile
title_fullStr Nordover med filmkamera - fra Wellman til Nobile
title_full_unstemmed Nordover med filmkamera - fra Wellman til Nobile
title_sort nordover med filmkamera - fra wellman til nobile
publisher Septentrio Academic Publishing
publishDate 2012
url https://doi.org/10.7557/13.2317
https://doaj.org/article/7ddb531d072e4eac98ef4378da17377b
long_lat ENVELOPE(-61.433,-61.433,-64.550,-64.550)
ENVELOPE(-61.400,-61.400,-64.483,-64.483)
ENVELOPE(23.133,23.133,-72.117,-72.117)
geographic Arctic
Antarctic
Byrd
North Pole
Nobile
Wellman
Borchgrevink
geographic_facet Arctic
Antarctic
Byrd
North Pole
Nobile
Wellman
Borchgrevink
genre Antarc*
Antarctic
Arctic
North Pole
Spitzbergen
genre_facet Antarc*
Antarctic
Arctic
North Pole
Spitzbergen
op_source Nordlit: Tidsskrift i litteratur og kultur, Vol 16, Iss 1 (2012)
op_relation https://septentrio.uit.no/index.php/nordlit/article/view/2317
https://doaj.org/toc/0809-1668
https://doaj.org/toc/1503-2086
doi:10.7557/13.2317
0809-1668
1503-2086
https://doaj.org/article/7ddb531d072e4eac98ef4378da17377b
op_doi https://doi.org/10.7557/13.2317
container_title Nordlit
container_volume 16
container_issue 1
container_start_page 243
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