Wilderness from an ecosemiotic perspective
"Wilderness" is a concept which has undergone a radical change in recent years. Owing to the scale of global destruction of the wilderness and its various ecosystems, the idea of wilderness has been transformed from its original negative sense as an Other into a matter of public concern. T...
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University of Tartu Press
2001
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ftdoajarticles:oai:doaj.org/article:7801225275d04978b537366474cbba84 2023-05-15T15:09:03+02:00 Wilderness from an ecosemiotic perspective Christina Ljungberg 2001-12-01T00:00:00Z https://doi.org/10.12697/SSS.2001.29.1.11 https://doaj.org/article/7801225275d04978b537366474cbba84 EN RU eng rus University of Tartu Press https://ojs.utlib.ee/index.php/sss/article/view/17693 https://doaj.org/toc/1406-4243 https://doaj.org/toc/1736-7409 doi:10.12697/SSS.2001.29.1.11 1406-4243 1736-7409 https://doaj.org/article/7801225275d04978b537366474cbba84 Sign Systems Studies, Vol 29, Iss 1 (2001) Language. Linguistic theory. Comparative grammar P101-410 article 2001 ftdoajarticles https://doi.org/10.12697/SSS.2001.29.1.11 2022-12-31T08:34:29Z "Wilderness" is a concept which has undergone a radical change in recent years. Owing to the scale of global destruction of the wilderness and its various ecosystems, the idea of wilderness has been transformed from its original negative sense as an Other into a matter of public concern. This as replaced the understanding of "wilderness " not only as a place but as a category closely linked with the development of buman culture. As the result of human practice and representation, nature is thus also political Models and concepts of nature in the creative arts can be indicative of a certain culture's relationship with nature, as they communicate prevailing ideologies. This is particularly pertinent to concepts of nature in Canada where wilderness includes vast tracts of forests, lakes and an Arctic North, which has led to a distinctively Canadian relationship between Canadians and their natural environment. The change in the literary representations of interactions between humankind and environment in Canadian fiction - from the "double vision" resulting from the view of the wilderness both as a threatening Other and free space; to the view of threatened nature as a means of identification; and, finally, as a post-modem place of transgression and possibility - invites questions about both the semiotic threshold between nature and culture, and about the function of boundaries in the constitution of identity. Article in Journal/Newspaper Arctic Directory of Open Access Journals: DOAJ Articles Arctic Canada Sign Systems Studies 29 1 169 186 |
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Open Polar |
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Directory of Open Access Journals: DOAJ Articles |
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ftdoajarticles |
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English Russian |
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Language. Linguistic theory. Comparative grammar P101-410 |
spellingShingle |
Language. Linguistic theory. Comparative grammar P101-410 Christina Ljungberg Wilderness from an ecosemiotic perspective |
topic_facet |
Language. Linguistic theory. Comparative grammar P101-410 |
description |
"Wilderness" is a concept which has undergone a radical change in recent years. Owing to the scale of global destruction of the wilderness and its various ecosystems, the idea of wilderness has been transformed from its original negative sense as an Other into a matter of public concern. This as replaced the understanding of "wilderness " not only as a place but as a category closely linked with the development of buman culture. As the result of human practice and representation, nature is thus also political Models and concepts of nature in the creative arts can be indicative of a certain culture's relationship with nature, as they communicate prevailing ideologies. This is particularly pertinent to concepts of nature in Canada where wilderness includes vast tracts of forests, lakes and an Arctic North, which has led to a distinctively Canadian relationship between Canadians and their natural environment. The change in the literary representations of interactions between humankind and environment in Canadian fiction - from the "double vision" resulting from the view of the wilderness both as a threatening Other and free space; to the view of threatened nature as a means of identification; and, finally, as a post-modem place of transgression and possibility - invites questions about both the semiotic threshold between nature and culture, and about the function of boundaries in the constitution of identity. |
format |
Article in Journal/Newspaper |
author |
Christina Ljungberg |
author_facet |
Christina Ljungberg |
author_sort |
Christina Ljungberg |
title |
Wilderness from an ecosemiotic perspective |
title_short |
Wilderness from an ecosemiotic perspective |
title_full |
Wilderness from an ecosemiotic perspective |
title_fullStr |
Wilderness from an ecosemiotic perspective |
title_full_unstemmed |
Wilderness from an ecosemiotic perspective |
title_sort |
wilderness from an ecosemiotic perspective |
publisher |
University of Tartu Press |
publishDate |
2001 |
url |
https://doi.org/10.12697/SSS.2001.29.1.11 https://doaj.org/article/7801225275d04978b537366474cbba84 |
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Arctic Canada |
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Arctic Canada |
genre |
Arctic |
genre_facet |
Arctic |
op_source |
Sign Systems Studies, Vol 29, Iss 1 (2001) |
op_relation |
https://ojs.utlib.ee/index.php/sss/article/view/17693 https://doaj.org/toc/1406-4243 https://doaj.org/toc/1736-7409 doi:10.12697/SSS.2001.29.1.11 1406-4243 1736-7409 https://doaj.org/article/7801225275d04978b537366474cbba84 |
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https://doi.org/10.12697/SSS.2001.29.1.11 |
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Sign Systems Studies |
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29 |
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1 |
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169 |
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186 |
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