Auden and MacNeice: Their Last Will and Testament – Thirties Classic or Existential Pause?
This article focuses on the last chapter of W.H. Auden and Louis MacNeice’s 1937 travel narrative: Letters from Iceland, written entirely in terza rima and entitled “Their Last Will and Testament”. A humorous parody of a legal document, the 23-page-long poem consists of an inventory of miscellaneous...
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Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA)
2015
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Online Access: | https://doi.org/10.4000/erea.4379 https://doaj.org/article/55bb8953981e44ddbce9fbb3df5d8e1f |
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ftdoajarticles:oai:doaj.org/article:55bb8953981e44ddbce9fbb3df5d8e1f 2023-05-15T16:47:50+02:00 Auden and MacNeice: Their Last Will and Testament – Thirties Classic or Existential Pause? Sara R. GREAVES 2015-06-01T00:00:00Z https://doi.org/10.4000/erea.4379 https://doaj.org/article/55bb8953981e44ddbce9fbb3df5d8e1f EN FR eng fre Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) http://journals.openedition.org/erea/4379 https://doaj.org/toc/1638-1718 1638-1718 doi:10.4000/erea.4379 https://doaj.org/article/55bb8953981e44ddbce9fbb3df5d8e1f E-REA, Vol 12 (2015) travel literature burlesque the Thirties existential Angst Terza rima Dante English language PE1-3729 Social sciences (General) H1-99 article 2015 ftdoajarticles https://doi.org/10.4000/erea.4379 2022-12-31T14:52:30Z This article focuses on the last chapter of W.H. Auden and Louis MacNeice’s 1937 travel narrative: Letters from Iceland, written entirely in terza rima and entitled “Their Last Will and Testament”. A humorous parody of a legal document, the 23-page-long poem consists of an inventory of miscellaneous bequests and their legatees, some of whom are prominent figures of the British establishment, considered against the sombre backdrop of the mounting threat of Nazism. The second part of the article deals more specifically with Auden, and the text is discussed in relation to Auden’s poetry as a whole as a rewriting of Dante’s Inferno, including his system of ‘contrapasso’ in the treatment of sinners, thereby shedding light on the poet’s quest for a language of (spiritual) healing. While the Iceland trip was an opportunity for Auden and MacNeice to remove themselves physically from the European theatre and observe it from outside, it also brought a near-the-bone reminder of what seemed to be already lost in terms of English poetry’s audience and role, and an experience of exile and alienation. Article in Journal/Newspaper Iceland Directory of Open Access Journals: DOAJ Articles Rima ENVELOPE(-45.400,-45.400,-60.633,-60.633) E-rea 12.2 |
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Directory of Open Access Journals: DOAJ Articles |
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ftdoajarticles |
language |
English French |
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travel literature burlesque the Thirties existential Angst Terza rima Dante English language PE1-3729 Social sciences (General) H1-99 |
spellingShingle |
travel literature burlesque the Thirties existential Angst Terza rima Dante English language PE1-3729 Social sciences (General) H1-99 Sara R. GREAVES Auden and MacNeice: Their Last Will and Testament – Thirties Classic or Existential Pause? |
topic_facet |
travel literature burlesque the Thirties existential Angst Terza rima Dante English language PE1-3729 Social sciences (General) H1-99 |
description |
This article focuses on the last chapter of W.H. Auden and Louis MacNeice’s 1937 travel narrative: Letters from Iceland, written entirely in terza rima and entitled “Their Last Will and Testament”. A humorous parody of a legal document, the 23-page-long poem consists of an inventory of miscellaneous bequests and their legatees, some of whom are prominent figures of the British establishment, considered against the sombre backdrop of the mounting threat of Nazism. The second part of the article deals more specifically with Auden, and the text is discussed in relation to Auden’s poetry as a whole as a rewriting of Dante’s Inferno, including his system of ‘contrapasso’ in the treatment of sinners, thereby shedding light on the poet’s quest for a language of (spiritual) healing. While the Iceland trip was an opportunity for Auden and MacNeice to remove themselves physically from the European theatre and observe it from outside, it also brought a near-the-bone reminder of what seemed to be already lost in terms of English poetry’s audience and role, and an experience of exile and alienation. |
format |
Article in Journal/Newspaper |
author |
Sara R. GREAVES |
author_facet |
Sara R. GREAVES |
author_sort |
Sara R. GREAVES |
title |
Auden and MacNeice: Their Last Will and Testament – Thirties Classic or Existential Pause? |
title_short |
Auden and MacNeice: Their Last Will and Testament – Thirties Classic or Existential Pause? |
title_full |
Auden and MacNeice: Their Last Will and Testament – Thirties Classic or Existential Pause? |
title_fullStr |
Auden and MacNeice: Their Last Will and Testament – Thirties Classic or Existential Pause? |
title_full_unstemmed |
Auden and MacNeice: Their Last Will and Testament – Thirties Classic or Existential Pause? |
title_sort |
auden and macneice: their last will and testament – thirties classic or existential pause? |
publisher |
Laboratoire d’Etudes et de Recherches sur le Monde Anglophone (LERMA) |
publishDate |
2015 |
url |
https://doi.org/10.4000/erea.4379 https://doaj.org/article/55bb8953981e44ddbce9fbb3df5d8e1f |
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ENVELOPE(-45.400,-45.400,-60.633,-60.633) |
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Rima |
geographic_facet |
Rima |
genre |
Iceland |
genre_facet |
Iceland |
op_source |
E-REA, Vol 12 (2015) |
op_relation |
http://journals.openedition.org/erea/4379 https://doaj.org/toc/1638-1718 1638-1718 doi:10.4000/erea.4379 https://doaj.org/article/55bb8953981e44ddbce9fbb3df5d8e1f |
op_doi |
https://doi.org/10.4000/erea.4379 |
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E-rea |
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12.2 |
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1766037935508946944 |