Kabaret, det revolusjonære og poetiske
In Norway, the theatrical avant-garde, 1920–1950, was oriented towards cabaret dramaturgy and symbolism. There also developed a direction of political theatre, as well as tendencies towards a more poetic-theatrical kind of theatre. Directors such as Agnes Mowinckel and Hans Jacob Nilsen were central...
| Published in: | Teatervitenskapelige studier |
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| Main Author: | |
| Format: | Article in Journal/Newspaper |
| Language: | Danish English Norwegian Swedish |
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Bergen Open Access Publishing
2019
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| Subjects: | |
| Online Access: | https://doi.org/10.15845/tvs.v0i1.2605 https://doaj.org/article/430769c569bf440d958f2556cc4437c9 |