Литература как миф и гипертекст в „Бесконечном тупике” Дмитрия Галковского (к реконструкции историософской модели)

• Published in: Studia Rossica Posnaniensia
• Main Author: Roman Szubin
• Format: Article in Journal/Newspaper
• Language: German; English; Polish; Russian
• Published: Adam Mickiewicz University Press 2018
• Subjects: History of Russia. Soviet Union. Former Soviet Republics; DK1-4735; Philology. Linguistics; P1-1091; Literature (General); PN1-6790; Тупик
• Online Access: https://doi.org/10.14746/strp.2016.41.20; https://doaj.org/article/395c41b2cf84494cb6b6022fe958f46a

This article is devoted to reconstruction of the historiosophical concept in Dmitry Galkovsky's novel The Infinite Deadlock (Бесконечный тупик). The author pays particular attention to the criteria of historiosophy: mythologism, ambivalence of consciousness, hesychast tradition, eidetic language, a universal man (absolute personality). He highlights the demythological factor in Galkovsky's creative work, its cultural and national nihilism. The author analyzes the image of the main character's identity, who is capable of identifying himself, who is humiliated or ingenious. In passing, the author considers the idea of common history in which the eras which dialectically deny each other's coexistence.