Medieval Naturalia

The nascent global age at the close of the Middle Ages introduced exotic objects from distant lands into Western Europe. Exotica from the natural world – naturalia – were frequently fashioned into ecclesiastical and seigniorial artifacts and housed in treasuries. The materials were sometimes re-iden...

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Published in:Medievalista online
Main Author: Chantal Stein
Format: Article in Journal/Newspaper
Language:German
English
Spanish
French
Italian
Portuguese
Published: Instituto de Estudos Medievais 2021
Subjects:
Online Access:https://doi.org/10.4000/medievalista.3902
https://doaj.org/article/314b003b39de4c92a61536172fa2a253
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spelling ftdoajarticles:oai:doaj.org/article:314b003b39de4c92a61536172fa2a253 2023-05-15T17:14:11+02:00 Medieval Naturalia Chantal Stein 2021-01-01T00:00:00Z https://doi.org/10.4000/medievalista.3902 https://doaj.org/article/314b003b39de4c92a61536172fa2a253 DE EN ES FR IT PT ger eng spa fre ita por Instituto de Estudos Medievais http://journals.openedition.org/medievalista/3902 https://doaj.org/toc/1646-740X 1646-740X doi:10.4000/medievalista.3902 https://doaj.org/article/314b003b39de4c92a61536172fa2a253 Medievalista, Pp 211-241 (2021) Naturalia Exotica Animals Unicorn Treasuries History (General) D1-2009 Medieval history D111-203 article 2021 ftdoajarticles https://doi.org/10.4000/medievalista.3902 2022-12-31T12:09:04Z The nascent global age at the close of the Middle Ages introduced exotic objects from distant lands into Western Europe. Exotica from the natural world – naturalia – were frequently fashioned into ecclesiastical and seigniorial artifacts and housed in treasuries. The materials were sometimes re-identified in their new contexts, such as narwhal tusks understood as unicorn horns, which bestowed upon them additional meanings associated with those allegorical mythical creatures. This work investigates the movement, alteration, and use of such re-identified naturalia in late medieval society leading up to the Age of Discovery. It focuses on naturalia that retained their distinct morphological features after working, following the hypothesis that the identity of the animal, as indexed by a recognizable form or set of physical characteristics, was important. It additionally considers symbolic connotations and occult properties deriving from allegorization of matter to study the role played by the ornamentation of naturalia. This paper explores the discourse between extant tangible objects and contemporary texts such as bestiaries, lapidaries, and alchemical compendia to examine how the iconography of the artifact’s form and the iconology of the ornamentation contributed to the overall signification of the naturalia. Article in Journal/Newspaper narwhal* Directory of Open Access Journals: DOAJ Articles Medievalista online 29 211 241
institution Open Polar
collection Directory of Open Access Journals: DOAJ Articles
op_collection_id ftdoajarticles
language German
English
Spanish
French
Italian
Portuguese
topic Naturalia
Exotica
Animals
Unicorn
Treasuries
History (General)
D1-2009
Medieval history
D111-203
spellingShingle Naturalia
Exotica
Animals
Unicorn
Treasuries
History (General)
D1-2009
Medieval history
D111-203
Chantal Stein
Medieval Naturalia
topic_facet Naturalia
Exotica
Animals
Unicorn
Treasuries
History (General)
D1-2009
Medieval history
D111-203
description The nascent global age at the close of the Middle Ages introduced exotic objects from distant lands into Western Europe. Exotica from the natural world – naturalia – were frequently fashioned into ecclesiastical and seigniorial artifacts and housed in treasuries. The materials were sometimes re-identified in their new contexts, such as narwhal tusks understood as unicorn horns, which bestowed upon them additional meanings associated with those allegorical mythical creatures. This work investigates the movement, alteration, and use of such re-identified naturalia in late medieval society leading up to the Age of Discovery. It focuses on naturalia that retained their distinct morphological features after working, following the hypothesis that the identity of the animal, as indexed by a recognizable form or set of physical characteristics, was important. It additionally considers symbolic connotations and occult properties deriving from allegorization of matter to study the role played by the ornamentation of naturalia. This paper explores the discourse between extant tangible objects and contemporary texts such as bestiaries, lapidaries, and alchemical compendia to examine how the iconography of the artifact’s form and the iconology of the ornamentation contributed to the overall signification of the naturalia.
format Article in Journal/Newspaper
author Chantal Stein
author_facet Chantal Stein
author_sort Chantal Stein
title Medieval Naturalia
title_short Medieval Naturalia
title_full Medieval Naturalia
title_fullStr Medieval Naturalia
title_full_unstemmed Medieval Naturalia
title_sort medieval naturalia
publisher Instituto de Estudos Medievais
publishDate 2021
url https://doi.org/10.4000/medievalista.3902
https://doaj.org/article/314b003b39de4c92a61536172fa2a253
genre narwhal*
genre_facet narwhal*
op_source Medievalista, Pp 211-241 (2021)
op_relation http://journals.openedition.org/medievalista/3902
https://doaj.org/toc/1646-740X
1646-740X
doi:10.4000/medievalista.3902
https://doaj.org/article/314b003b39de4c92a61536172fa2a253
op_doi https://doi.org/10.4000/medievalista.3902
container_title Medievalista online
container_issue 29
container_start_page 211
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