L'île mouvante de Caliban : île théâtrale et île autochtone, deux mises en scène de La Tempête par Robert Lepage
Through two productions of Shakespeare's The Tempest by Canadian director Robert Lepage—a play in Wendake acted by Wendat actors, and an opera—Caliban's island moves from a natural forest in an Indian reserve to the Scala of Milano. Theatre in nature or play within the play, both productio...
Published in: | Caliban |
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Main Author: | |
Format: | Article in Journal/Newspaper |
Language: | English French |
Published: |
Presses Universitaires du Midi
2014
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Subjects: | |
Online Access: | https://doi.org/10.4000/caliban.562 https://doaj.org/article/30bbb7dfd4af434e86d73b255e5c45c7 |
Summary: | Through two productions of Shakespeare's The Tempest by Canadian director Robert Lepage—a play in Wendake acted by Wendat actors, and an opera—Caliban's island moves from a natural forest in an Indian reserve to the Scala of Milano. Theatre in nature or play within the play, both productions appear as reappropriations of Shakespeare's play, in which Caliban and Ariel stand for all Aborigenes dispossessed by colonization represented by a complex Prospero who makes First Nations his slaves while appearing as their reflection. |
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