Humor in Mohawk Girls: the Deft Interweaving of Gender and Race

The sitcom Mohawk Girls (2014-2017) calls for a change in racialized and gendered identity models. Mohawk Girls deftly approaches racial issues, often in a serious tone, all the while giving its audience what it expects from a sitcom: witty dialogue, many of which play on issues of gender. Through t...

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Bibliographic Details
Main Author: Jean Sébastien
Format: Article in Journal/Newspaper
Language:English
Spanish
Italian
Published: University of Bologna 2018
Subjects:
Online Access:https://doi.org/10.6092/issn.2421-454X/8398
https://doaj.org/article/2daf5ea61e1545aa8cf7307512bbf1d5
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spelling ftdoajarticles:oai:doaj.org/article:2daf5ea61e1545aa8cf7307512bbf1d5 2023-05-15T16:15:36+02:00 Humor in Mohawk Girls: the Deft Interweaving of Gender and Race Jean Sébastien 2018-07-01T00:00:00Z https://doi.org/10.6092/issn.2421-454X/8398 https://doaj.org/article/2daf5ea61e1545aa8cf7307512bbf1d5 EN ES IT eng spa ita University of Bologna https://series.unibo.it/article/view/8398 https://doaj.org/toc/2421-454X 2421-454X doi:10.6092/issn.2421-454X/8398 https://doaj.org/article/2daf5ea61e1545aa8cf7307512bbf1d5 Series. International journal of tv serial narratives, Vol 4, Iss 1, Pp 31-42 (2018) sitcom First Nations humor race gender Communication. Mass media P87-96 article 2018 ftdoajarticles https://doi.org/10.6092/issn.2421-454X/8398 2022-12-31T16:05:42Z The sitcom Mohawk Girls (2014-2017) calls for a change in racialized and gendered identity models. Mohawk Girls deftly approaches racial issues, often in a serious tone, all the while giving its audience what it expects from a sitcom: witty dialogue, many of which play on issues of gender. Through the analysis of two episodes of the sitcom’s first season, we look at how the show represents issues of race on a reservation and how racialism is part of the community’s unspoken norms. Choosing to produce a sitcom, a genre heavily rooted in white North American culture, comes out as an act of resilience that is manifested by the First Nations’ director and producers. In the analysis of the documentary work of director Tracey Deer, an argument has been made to the effect that this resilience has historical roots in the culture of Hodinöhsö:ni' nations (once referred to as the Iroquois). In order for these communities to adjust to, at times, abrupt changes in their population, adoption of individuals or groups of individuals has long been an important cultural institution. This can be illustrated by the fact that the integration of a neighboring group to the Hodinöhsö:ni' is referred to in the group’s own culture as an adoption where an outside eye might see it as the outcome of a political alliance. The show, through exaggeration and grotesque, takes on the issues of gender and its games of seduction, all the while considering the ambiguous interplay of seduction and domination. These borrowings are helpful in breaching a critical indent into the unwearied oppression that white society imposes on First Nations. Article in Journal/Newspaper First Nations Directory of Open Access Journals: DOAJ Articles
institution Open Polar
collection Directory of Open Access Journals: DOAJ Articles
op_collection_id ftdoajarticles
language English
Spanish
Italian
topic sitcom
First Nations
humor
race
gender
Communication. Mass media
P87-96
spellingShingle sitcom
First Nations
humor
race
gender
Communication. Mass media
P87-96
Jean Sébastien
Humor in Mohawk Girls: the Deft Interweaving of Gender and Race
topic_facet sitcom
First Nations
humor
race
gender
Communication. Mass media
P87-96
description The sitcom Mohawk Girls (2014-2017) calls for a change in racialized and gendered identity models. Mohawk Girls deftly approaches racial issues, often in a serious tone, all the while giving its audience what it expects from a sitcom: witty dialogue, many of which play on issues of gender. Through the analysis of two episodes of the sitcom’s first season, we look at how the show represents issues of race on a reservation and how racialism is part of the community’s unspoken norms. Choosing to produce a sitcom, a genre heavily rooted in white North American culture, comes out as an act of resilience that is manifested by the First Nations’ director and producers. In the analysis of the documentary work of director Tracey Deer, an argument has been made to the effect that this resilience has historical roots in the culture of Hodinöhsö:ni' nations (once referred to as the Iroquois). In order for these communities to adjust to, at times, abrupt changes in their population, adoption of individuals or groups of individuals has long been an important cultural institution. This can be illustrated by the fact that the integration of a neighboring group to the Hodinöhsö:ni' is referred to in the group’s own culture as an adoption where an outside eye might see it as the outcome of a political alliance. The show, through exaggeration and grotesque, takes on the issues of gender and its games of seduction, all the while considering the ambiguous interplay of seduction and domination. These borrowings are helpful in breaching a critical indent into the unwearied oppression that white society imposes on First Nations.
format Article in Journal/Newspaper
author Jean Sébastien
author_facet Jean Sébastien
author_sort Jean Sébastien
title Humor in Mohawk Girls: the Deft Interweaving of Gender and Race
title_short Humor in Mohawk Girls: the Deft Interweaving of Gender and Race
title_full Humor in Mohawk Girls: the Deft Interweaving of Gender and Race
title_fullStr Humor in Mohawk Girls: the Deft Interweaving of Gender and Race
title_full_unstemmed Humor in Mohawk Girls: the Deft Interweaving of Gender and Race
title_sort humor in mohawk girls: the deft interweaving of gender and race
publisher University of Bologna
publishDate 2018
url https://doi.org/10.6092/issn.2421-454X/8398
https://doaj.org/article/2daf5ea61e1545aa8cf7307512bbf1d5
genre First Nations
genre_facet First Nations
op_source Series. International journal of tv serial narratives, Vol 4, Iss 1, Pp 31-42 (2018)
op_relation https://series.unibo.it/article/view/8398
https://doaj.org/toc/2421-454X
2421-454X
doi:10.6092/issn.2421-454X/8398
https://doaj.org/article/2daf5ea61e1545aa8cf7307512bbf1d5
op_doi https://doi.org/10.6092/issn.2421-454X/8398
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