Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’
Gillian Beer has shown that the Darwinian plot radically changed the way the world was perceived, hence the way literature was written. Symbols and metaphors are used to convey complex issues such as the mutations brought by science, radical changes which were so hard to grasp. Thus, many of Thomas...
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Université Toulouse - Jean Jaurès
2010
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ftdoajarticles:oai:doaj.org/article:2bd2b1702ddc40f690ed7dfebf85bfae 2023-05-15T15:03:12+02:00 Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’ Catherine Lanone 2010-03-01T00:00:00Z https://doi.org/10.4000/miranda.676 https://doaj.org/article/2bd2b1702ddc40f690ed7dfebf85bfae EN FR eng fre Université Toulouse - Jean Jaurès http://journals.openedition.org/miranda/676 https://doaj.org/toc/2108-6559 2108-6559 doi:10.4000/miranda.676 https://doaj.org/article/2bd2b1702ddc40f690ed7dfebf85bfae Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 1 (2010) archaeopteryx arctic bird design destiny evolution Sociology (General) HM401-1281 article 2010 ftdoajarticles https://doi.org/10.4000/miranda.676 2022-12-31T15:00:37Z Gillian Beer has shown that the Darwinian plot radically changed the way the world was perceived, hence the way literature was written. Symbols and metaphors are used to convey complex issues such as the mutations brought by science, radical changes which were so hard to grasp. Thus, many of Thomas Hardy's images and metaphors, whether in his poems or his novels, can only be understood if one bears in mind the impact of Darwinism upon the Victorian frame of mind. This paper focuses on the way two key images (Hardy's vision of mechanical birds and ominous icebergs as cogs of destiny) may be highlighted by today's readings of the Darwinian legacy, such as Richard Dawkins' 1986 The Blind Watchmaker: both may be read as symptoms of an ontological paradigmatic shift, as Thomas Hardy grappled with the philosophical contradictions of a new era. Article in Journal/Newspaper Arctic Iceberg* Directory of Open Access Journals: DOAJ Articles Arctic Miranda 1 |
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Open Polar |
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Directory of Open Access Journals: DOAJ Articles |
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ftdoajarticles |
language |
English French |
topic |
archaeopteryx arctic bird design destiny evolution Sociology (General) HM401-1281 |
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archaeopteryx arctic bird design destiny evolution Sociology (General) HM401-1281 Catherine Lanone Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’ |
topic_facet |
archaeopteryx arctic bird design destiny evolution Sociology (General) HM401-1281 |
description |
Gillian Beer has shown that the Darwinian plot radically changed the way the world was perceived, hence the way literature was written. Symbols and metaphors are used to convey complex issues such as the mutations brought by science, radical changes which were so hard to grasp. Thus, many of Thomas Hardy's images and metaphors, whether in his poems or his novels, can only be understood if one bears in mind the impact of Darwinism upon the Victorian frame of mind. This paper focuses on the way two key images (Hardy's vision of mechanical birds and ominous icebergs as cogs of destiny) may be highlighted by today's readings of the Darwinian legacy, such as Richard Dawkins' 1986 The Blind Watchmaker: both may be read as symptoms of an ontological paradigmatic shift, as Thomas Hardy grappled with the philosophical contradictions of a new era. |
format |
Article in Journal/Newspaper |
author |
Catherine Lanone |
author_facet |
Catherine Lanone |
author_sort |
Catherine Lanone |
title |
Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’ |
title_short |
Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’ |
title_full |
Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’ |
title_fullStr |
Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’ |
title_full_unstemmed |
Mechanical Birds and Shapes of Ice: Hardy’s Vision of the ‘Blind Watchmaker’ |
title_sort |
mechanical birds and shapes of ice: hardy’s vision of the ‘blind watchmaker’ |
publisher |
Université Toulouse - Jean Jaurès |
publishDate |
2010 |
url |
https://doi.org/10.4000/miranda.676 https://doaj.org/article/2bd2b1702ddc40f690ed7dfebf85bfae |
geographic |
Arctic |
geographic_facet |
Arctic |
genre |
Arctic Iceberg* |
genre_facet |
Arctic Iceberg* |
op_source |
Miranda: Revue Pluridisciplinaire du Monde Anglophone, Vol 1 (2010) |
op_relation |
http://journals.openedition.org/miranda/676 https://doaj.org/toc/2108-6559 2108-6559 doi:10.4000/miranda.676 https://doaj.org/article/2bd2b1702ddc40f690ed7dfebf85bfae |
op_doi |
https://doi.org/10.4000/miranda.676 |
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Miranda |
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1766335089351852032 |