No Reprieve for Tasmanian Rock Art

The Australian State of Tasmania, at latitude 42 degrees south, became an island about 8,000 years ago when the sea rose to its present level, following the melting of polar and glacial ice that covered much of the land mass. After that time, the Tasmanian Aboriginal rock art developed independently...

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Published in:Arts
Main Author: Peter C. Sims
Format: Article in Journal/Newspaper
Language:English
Published: MDPI AG 2013
Subjects:
Online Access:https://doi.org/10.3390/arts2040182
https://doaj.org/article/25d8cef4e47b4631a8bfc358726fa8bb
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spelling ftdoajarticles:oai:doaj.org/article:25d8cef4e47b4631a8bfc358726fa8bb 2023-05-15T18:25:32+02:00 No Reprieve for Tasmanian Rock Art Peter C. Sims 2013-10-01T00:00:00Z https://doi.org/10.3390/arts2040182 https://doaj.org/article/25d8cef4e47b4631a8bfc358726fa8bb EN eng MDPI AG http://www.mdpi.com/2076-0752/2/4/182 https://doaj.org/toc/2076-0752 doi:10.3390/arts2040182 2076-0752 https://doaj.org/article/25d8cef4e47b4631a8bfc358726fa8bb Arts, Vol 2, Iss 4, Pp 182-224 (2013) Australia Tasmania World Heritage National Heritage Tarkine Coast Aboriginal rock art Arts in general NX1-820 article 2013 ftdoajarticles https://doi.org/10.3390/arts2040182 2022-12-30T22:33:01Z The Australian State of Tasmania, at latitude 42 degrees south, became an island about 8,000 years ago when the sea rose to its present level, following the melting of polar and glacial ice that covered much of the land mass. After that time, the Tasmanian Aboriginal rock art developed independently of mainland Australia, with its form being basically linear with some naturalistic figures and a predominance of cupules. The petroglyphs with one lithophone site occur on various rock substrates varying in hardness from granite to sandstone. Many sites exist along the western coastline that borders the Southern Ocean where the landscape in some places has changed little since the arrival of Europeans in 1803. The significance of this Tasmanian Aboriginal cultural heritage along what is now known as the Tarkine Coast, named after an Aboriginal band that once inhabited this area, was recognised by the Australian Government in February 2013 when a 21,000 ha strip, 2 km wide, was inscribed on its National Heritage Register, being one of 98 special places listed in the country. However, politics and racism hamper its management. This paper is based on the results of 40 years of field recording of the Tasmanian Aboriginal rock art sites, many of which remain unpublished. Article in Journal/Newspaper Southern Ocean Directory of Open Access Journals: DOAJ Articles Southern Ocean Arts 2 4 182 224
institution Open Polar
collection Directory of Open Access Journals: DOAJ Articles
op_collection_id ftdoajarticles
language English
topic Australia
Tasmania
World Heritage
National Heritage
Tarkine Coast
Aboriginal rock art
Arts in general
NX1-820
spellingShingle Australia
Tasmania
World Heritage
National Heritage
Tarkine Coast
Aboriginal rock art
Arts in general
NX1-820
Peter C. Sims
No Reprieve for Tasmanian Rock Art
topic_facet Australia
Tasmania
World Heritage
National Heritage
Tarkine Coast
Aboriginal rock art
Arts in general
NX1-820
description The Australian State of Tasmania, at latitude 42 degrees south, became an island about 8,000 years ago when the sea rose to its present level, following the melting of polar and glacial ice that covered much of the land mass. After that time, the Tasmanian Aboriginal rock art developed independently of mainland Australia, with its form being basically linear with some naturalistic figures and a predominance of cupules. The petroglyphs with one lithophone site occur on various rock substrates varying in hardness from granite to sandstone. Many sites exist along the western coastline that borders the Southern Ocean where the landscape in some places has changed little since the arrival of Europeans in 1803. The significance of this Tasmanian Aboriginal cultural heritage along what is now known as the Tarkine Coast, named after an Aboriginal band that once inhabited this area, was recognised by the Australian Government in February 2013 when a 21,000 ha strip, 2 km wide, was inscribed on its National Heritage Register, being one of 98 special places listed in the country. However, politics and racism hamper its management. This paper is based on the results of 40 years of field recording of the Tasmanian Aboriginal rock art sites, many of which remain unpublished.
format Article in Journal/Newspaper
author Peter C. Sims
author_facet Peter C. Sims
author_sort Peter C. Sims
title No Reprieve for Tasmanian Rock Art
title_short No Reprieve for Tasmanian Rock Art
title_full No Reprieve for Tasmanian Rock Art
title_fullStr No Reprieve for Tasmanian Rock Art
title_full_unstemmed No Reprieve for Tasmanian Rock Art
title_sort no reprieve for tasmanian rock art
publisher MDPI AG
publishDate 2013
url https://doi.org/10.3390/arts2040182
https://doaj.org/article/25d8cef4e47b4631a8bfc358726fa8bb
geographic Southern Ocean
geographic_facet Southern Ocean
genre Southern Ocean
genre_facet Southern Ocean
op_source Arts, Vol 2, Iss 4, Pp 182-224 (2013)
op_relation http://www.mdpi.com/2076-0752/2/4/182
https://doaj.org/toc/2076-0752
doi:10.3390/arts2040182
2076-0752
https://doaj.org/article/25d8cef4e47b4631a8bfc358726fa8bb
op_doi https://doi.org/10.3390/arts2040182
container_title Arts
container_volume 2
container_issue 4
container_start_page 182
op_container_end_page 224
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