Cinema e contraluz: limiares da repressão na cultura midiática argentina
This paper examines the backlighting technique used in Argentine movies (mainly Valentín, Kamchatka, and The Secret in Their Eyes), seen as a kind of narrative composition in which events related to dictatorships and other forms of repression operate in the dark, but strongly affect the fate of the...
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Language: | English Spanish French Italian Portuguese |
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Pontíficia Universidade Católica de São Paulo
2014
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ftdoajarticles:oai:doaj.org/article:22b2eec678c343f49d2620755e9d6628 2023-05-15T16:59:11+02:00 Cinema e contraluz: limiares da repressão na cultura midiática argentina Márcio Serelle 2014-12-01T00:00:00Z https://doi.org/10.1590/1982-25542014217052 https://doaj.org/article/22b2eec678c343f49d2620755e9d6628 EN ES FR IT PT eng spa fre ita por Pontíficia Universidade Católica de São Paulo http://revistas.pucsp.br/index.php/galaxia/article/view/17052/15779 https://doaj.org/toc/1519-311X https://doaj.org/toc/1982-2553 doi:10.1590/1982-25542014217052 1519-311X 1982-2553 https://doaj.org/article/22b2eec678c343f49d2620755e9d6628 Galáxia, Vol 14, Iss 28, Pp 83-94 (2014) argentine cinema authoritarianism media culture Language and Literature P Philology. Linguistics P1-1091 Communication. Mass media P87-96 article 2014 ftdoajarticles https://doi.org/10.1590/1982-25542014217052 2022-12-31T01:07:12Z This paper examines the backlighting technique used in Argentine movies (mainly Valentín, Kamchatka, and The Secret in Their Eyes), seen as a kind of narrative composition in which events related to dictatorships and other forms of repression operate in the dark, but strongly affect the fate of the characters. Starting from a brief overview of the internationalization of the Argentine film industry, which, as early as the mid-1980s, had already articulated conventional dramatic structures and political denunciation, this study analyzes how part of the cinema of this century represents the violence of authoritarian states. Be it through imaginative investment, metalanguage, or allegory, these narratives renounce graphic images of the violence of repressive apparatuses and create dramaturgical compositions of highly effective communication. Thus, this work discusses the reflective capacity of these films as it pertains to the relationship between the fictional, mediatic and social contexts. Article in Journal/Newspaper Kamchatka Directory of Open Access Journals: DOAJ Articles Argentina Argentine Valentín ENVELOPE(-54.650,-54.650,-61.100,-61.100) Galáxia (São Paulo) 14 28 83 94 |
institution |
Open Polar |
collection |
Directory of Open Access Journals: DOAJ Articles |
op_collection_id |
ftdoajarticles |
language |
English Spanish French Italian Portuguese |
topic |
argentine cinema authoritarianism media culture Language and Literature P Philology. Linguistics P1-1091 Communication. Mass media P87-96 |
spellingShingle |
argentine cinema authoritarianism media culture Language and Literature P Philology. Linguistics P1-1091 Communication. Mass media P87-96 Márcio Serelle Cinema e contraluz: limiares da repressão na cultura midiática argentina |
topic_facet |
argentine cinema authoritarianism media culture Language and Literature P Philology. Linguistics P1-1091 Communication. Mass media P87-96 |
description |
This paper examines the backlighting technique used in Argentine movies (mainly Valentín, Kamchatka, and The Secret in Their Eyes), seen as a kind of narrative composition in which events related to dictatorships and other forms of repression operate in the dark, but strongly affect the fate of the characters. Starting from a brief overview of the internationalization of the Argentine film industry, which, as early as the mid-1980s, had already articulated conventional dramatic structures and political denunciation, this study analyzes how part of the cinema of this century represents the violence of authoritarian states. Be it through imaginative investment, metalanguage, or allegory, these narratives renounce graphic images of the violence of repressive apparatuses and create dramaturgical compositions of highly effective communication. Thus, this work discusses the reflective capacity of these films as it pertains to the relationship between the fictional, mediatic and social contexts. |
format |
Article in Journal/Newspaper |
author |
Márcio Serelle |
author_facet |
Márcio Serelle |
author_sort |
Márcio Serelle |
title |
Cinema e contraluz: limiares da repressão na cultura midiática argentina |
title_short |
Cinema e contraluz: limiares da repressão na cultura midiática argentina |
title_full |
Cinema e contraluz: limiares da repressão na cultura midiática argentina |
title_fullStr |
Cinema e contraluz: limiares da repressão na cultura midiática argentina |
title_full_unstemmed |
Cinema e contraluz: limiares da repressão na cultura midiática argentina |
title_sort |
cinema e contraluz: limiares da repressão na cultura midiática argentina |
publisher |
Pontíficia Universidade Católica de São Paulo |
publishDate |
2014 |
url |
https://doi.org/10.1590/1982-25542014217052 https://doaj.org/article/22b2eec678c343f49d2620755e9d6628 |
long_lat |
ENVELOPE(-54.650,-54.650,-61.100,-61.100) |
geographic |
Argentina Argentine Valentín |
geographic_facet |
Argentina Argentine Valentín |
genre |
Kamchatka |
genre_facet |
Kamchatka |
op_source |
Galáxia, Vol 14, Iss 28, Pp 83-94 (2014) |
op_relation |
http://revistas.pucsp.br/index.php/galaxia/article/view/17052/15779 https://doaj.org/toc/1519-311X https://doaj.org/toc/1982-2553 doi:10.1590/1982-25542014217052 1519-311X 1982-2553 https://doaj.org/article/22b2eec678c343f49d2620755e9d6628 |
op_doi |
https://doi.org/10.1590/1982-25542014217052 |
container_title |
Galáxia (São Paulo) |
container_volume |
14 |
container_issue |
28 |
container_start_page |
83 |
op_container_end_page |
94 |
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1766051391033311232 |