Cinema e contraluz: limiares da repressão na cultura midiática argentina

This paper examines the backlighting technique used in Argentine movies (mainly Valentín, Kamchatka, and The Secret in Their Eyes), seen as a kind of narrative composition in which events related to dictatorships and other forms of repression operate in the dark, but strongly affect the fate of the...

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Published in:Galáxia (São Paulo)
Main Author: Márcio Serelle
Format: Article in Journal/Newspaper
Language:English
Spanish
French
Italian
Portuguese
Published: Pontíficia Universidade Católica de São Paulo 2014
Subjects:
P
Online Access:https://doi.org/10.1590/1982-25542014217052
https://doaj.org/article/22b2eec678c343f49d2620755e9d6628
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spelling ftdoajarticles:oai:doaj.org/article:22b2eec678c343f49d2620755e9d6628 2023-05-15T16:59:11+02:00 Cinema e contraluz: limiares da repressão na cultura midiática argentina Márcio Serelle 2014-12-01T00:00:00Z https://doi.org/10.1590/1982-25542014217052 https://doaj.org/article/22b2eec678c343f49d2620755e9d6628 EN ES FR IT PT eng spa fre ita por Pontíficia Universidade Católica de São Paulo http://revistas.pucsp.br/index.php/galaxia/article/view/17052/15779 https://doaj.org/toc/1519-311X https://doaj.org/toc/1982-2553 doi:10.1590/1982-25542014217052 1519-311X 1982-2553 https://doaj.org/article/22b2eec678c343f49d2620755e9d6628 Galáxia, Vol 14, Iss 28, Pp 83-94 (2014) argentine cinema authoritarianism media culture Language and Literature P Philology. Linguistics P1-1091 Communication. Mass media P87-96 article 2014 ftdoajarticles https://doi.org/10.1590/1982-25542014217052 2022-12-31T01:07:12Z This paper examines the backlighting technique used in Argentine movies (mainly Valentín, Kamchatka, and The Secret in Their Eyes), seen as a kind of narrative composition in which events related to dictatorships and other forms of repression operate in the dark, but strongly affect the fate of the characters. Starting from a brief overview of the internationalization of the Argentine film industry, which, as early as the mid-1980s, had already articulated conventional dramatic structures and political denunciation, this study analyzes how part of the cinema of this century represents the violence of authoritarian states. Be it through imaginative investment, metalanguage, or allegory, these narratives renounce graphic images of the violence of repressive apparatuses and create dramaturgical compositions of highly effective communication. Thus, this work discusses the reflective capacity of these films as it pertains to the relationship between the fictional, mediatic and social contexts. Article in Journal/Newspaper Kamchatka Directory of Open Access Journals: DOAJ Articles Argentina Argentine Valentín ENVELOPE(-54.650,-54.650,-61.100,-61.100) Galáxia (São Paulo) 14 28 83 94
institution Open Polar
collection Directory of Open Access Journals: DOAJ Articles
op_collection_id ftdoajarticles
language English
Spanish
French
Italian
Portuguese
topic argentine cinema
authoritarianism
media culture
Language and Literature
P
Philology. Linguistics
P1-1091
Communication. Mass media
P87-96
spellingShingle argentine cinema
authoritarianism
media culture
Language and Literature
P
Philology. Linguistics
P1-1091
Communication. Mass media
P87-96
Márcio Serelle
Cinema e contraluz: limiares da repressão na cultura midiática argentina
topic_facet argentine cinema
authoritarianism
media culture
Language and Literature
P
Philology. Linguistics
P1-1091
Communication. Mass media
P87-96
description This paper examines the backlighting technique used in Argentine movies (mainly Valentín, Kamchatka, and The Secret in Their Eyes), seen as a kind of narrative composition in which events related to dictatorships and other forms of repression operate in the dark, but strongly affect the fate of the characters. Starting from a brief overview of the internationalization of the Argentine film industry, which, as early as the mid-1980s, had already articulated conventional dramatic structures and political denunciation, this study analyzes how part of the cinema of this century represents the violence of authoritarian states. Be it through imaginative investment, metalanguage, or allegory, these narratives renounce graphic images of the violence of repressive apparatuses and create dramaturgical compositions of highly effective communication. Thus, this work discusses the reflective capacity of these films as it pertains to the relationship between the fictional, mediatic and social contexts.
format Article in Journal/Newspaper
author Márcio Serelle
author_facet Márcio Serelle
author_sort Márcio Serelle
title Cinema e contraluz: limiares da repressão na cultura midiática argentina
title_short Cinema e contraluz: limiares da repressão na cultura midiática argentina
title_full Cinema e contraluz: limiares da repressão na cultura midiática argentina
title_fullStr Cinema e contraluz: limiares da repressão na cultura midiática argentina
title_full_unstemmed Cinema e contraluz: limiares da repressão na cultura midiática argentina
title_sort cinema e contraluz: limiares da repressão na cultura midiática argentina
publisher Pontíficia Universidade Católica de São Paulo
publishDate 2014
url https://doi.org/10.1590/1982-25542014217052
https://doaj.org/article/22b2eec678c343f49d2620755e9d6628
long_lat ENVELOPE(-54.650,-54.650,-61.100,-61.100)
geographic Argentina
Argentine
Valentín
geographic_facet Argentina
Argentine
Valentín
genre Kamchatka
genre_facet Kamchatka
op_source Galáxia, Vol 14, Iss 28, Pp 83-94 (2014)
op_relation http://revistas.pucsp.br/index.php/galaxia/article/view/17052/15779
https://doaj.org/toc/1519-311X
https://doaj.org/toc/1982-2553
doi:10.1590/1982-25542014217052
1519-311X
1982-2553
https://doaj.org/article/22b2eec678c343f49d2620755e9d6628
op_doi https://doi.org/10.1590/1982-25542014217052
container_title Galáxia (São Paulo)
container_volume 14
container_issue 28
container_start_page 83
op_container_end_page 94
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