Manifesting Rights on Cloth: Regalia and Relations on the Northwest Coast

Using buttons and beads sewn on wool and calico, Northwest Coast First Nations women fashion the robes and aprons essential to ongoing expressions of inherited prerogatives and rights. Each piece of regalia is carefully crafted to include signifying materials and motifs, telling of the origins or re...

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Published in:Arts
Main Author: Kathryn Bunn-Marcuse
Format: Article in Journal/Newspaper
Language:English
Published: MDPI AG 2023
Subjects:
Online Access:https://doi.org/10.3390/arts12050216
https://doaj.org/article/084a725678544c4f8bf076ebfef93781
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spelling ftdoajarticles:oai:doaj.org/article:084a725678544c4f8bf076ebfef93781 2023-11-12T04:17:12+01:00 Manifesting Rights on Cloth: Regalia and Relations on the Northwest Coast Kathryn Bunn-Marcuse 2023-10-01T00:00:00Z https://doi.org/10.3390/arts12050216 https://doaj.org/article/084a725678544c4f8bf076ebfef93781 EN eng MDPI AG https://www.mdpi.com/2076-0752/12/5/216 https://doaj.org/toc/2076-0752 doi:10.3390/arts12050216 2076-0752 https://doaj.org/article/084a725678544c4f8bf076ebfef93781 Arts, Vol 12, Iss 216, p 216 (2023) Indigenous art history regalia clothing Northwest Coast women’s art Kwakw a k a ’wakw Arts in general NX1-820 article 2023 ftdoajarticles https://doi.org/10.3390/arts12050216 2023-10-29T00:37:10Z Using buttons and beads sewn on wool and calico, Northwest Coast First Nations women fashion the robes and aprons essential to ongoing expressions of inherited prerogatives and rights. Each piece of regalia is carefully crafted to include signifying materials and motifs, telling of the origins or relations of their owners. These creations exist as part of a holistic system that integrates material artworks within ceremony, including song, dance, and oratory, which in turn uphold the laws expressed through potlatching. Shifting scholarly focus from Northwest Coast carving traditions, this paper recenters textile arts within a holistic, culturally focused context while addressing issues of gender, the effects of colonial practices, and the damage wrought by salvage anthropology as it fragmented cultural information across archives. Women’s artistic productions embody long-held technical and aesthetic knowledge connected to oral histories and cultural practices. Restoring Indigenous perspectives connecting tangible and intangible cultural heritage counterbalances the aesthetic emphasis that has dominated Northwest Coast art history. Article in Journal/Newspaper First Nations Directory of Open Access Journals: DOAJ Articles Arts 12 5 216
institution Open Polar
collection Directory of Open Access Journals: DOAJ Articles
op_collection_id ftdoajarticles
language English
topic Indigenous art history
regalia
clothing
Northwest Coast
women’s art
Kwakw a k a ’wakw
Arts in general
NX1-820
spellingShingle Indigenous art history
regalia
clothing
Northwest Coast
women’s art
Kwakw a k a ’wakw
Arts in general
NX1-820
Kathryn Bunn-Marcuse
Manifesting Rights on Cloth: Regalia and Relations on the Northwest Coast
topic_facet Indigenous art history
regalia
clothing
Northwest Coast
women’s art
Kwakw a k a ’wakw
Arts in general
NX1-820
description Using buttons and beads sewn on wool and calico, Northwest Coast First Nations women fashion the robes and aprons essential to ongoing expressions of inherited prerogatives and rights. Each piece of regalia is carefully crafted to include signifying materials and motifs, telling of the origins or relations of their owners. These creations exist as part of a holistic system that integrates material artworks within ceremony, including song, dance, and oratory, which in turn uphold the laws expressed through potlatching. Shifting scholarly focus from Northwest Coast carving traditions, this paper recenters textile arts within a holistic, culturally focused context while addressing issues of gender, the effects of colonial practices, and the damage wrought by salvage anthropology as it fragmented cultural information across archives. Women’s artistic productions embody long-held technical and aesthetic knowledge connected to oral histories and cultural practices. Restoring Indigenous perspectives connecting tangible and intangible cultural heritage counterbalances the aesthetic emphasis that has dominated Northwest Coast art history.
format Article in Journal/Newspaper
author Kathryn Bunn-Marcuse
author_facet Kathryn Bunn-Marcuse
author_sort Kathryn Bunn-Marcuse
title Manifesting Rights on Cloth: Regalia and Relations on the Northwest Coast
title_short Manifesting Rights on Cloth: Regalia and Relations on the Northwest Coast
title_full Manifesting Rights on Cloth: Regalia and Relations on the Northwest Coast
title_fullStr Manifesting Rights on Cloth: Regalia and Relations on the Northwest Coast
title_full_unstemmed Manifesting Rights on Cloth: Regalia and Relations on the Northwest Coast
title_sort manifesting rights on cloth: regalia and relations on the northwest coast
publisher MDPI AG
publishDate 2023
url https://doi.org/10.3390/arts12050216
https://doaj.org/article/084a725678544c4f8bf076ebfef93781
genre First Nations
genre_facet First Nations
op_source Arts, Vol 12, Iss 216, p 216 (2023)
op_relation https://www.mdpi.com/2076-0752/12/5/216
https://doaj.org/toc/2076-0752
doi:10.3390/arts12050216
2076-0752
https://doaj.org/article/084a725678544c4f8bf076ebfef93781
op_doi https://doi.org/10.3390/arts12050216
container_title Arts
container_volume 12
container_issue 5
container_start_page 216
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