Escenas de caza nos petróglifos galegos e portugueses

There are about 3000 surfaces with rock art in the Atlantic Galician area and northern Portugal. They show abstract motifs such as ring and reticulated ones, spirals, labyrinths, cups, lines . and a minority group of naturalistic style where we cluster horsemanship, weapons and hunting scenes. We wo...

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Main Author: Vilar Pedreira, Xosé Lois
Format: Article in Journal/Newspaper
Language:Galician
Published: 2014
Subjects:
Online Access:https://dialnet.unirioja.es/servlet/oaiart?codigo=9464345
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spelling ftdialnet:oai:dialnet.unirioja.es:ART0001669596 2024-06-02T08:12:48+00:00 Escenas de caza nos petróglifos galegos e portugueses Vilar Pedreira, Xosé Lois 2014 application/pdf https://dialnet.unirioja.es/servlet/oaiart?codigo=9464345 glg glg https://dialnet.unirioja.es/servlet/oaiart?codigo=9464345 (Revista) ISSN 2340-2644 LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI Revista de Estudos Miñoráns, ISSN 2340-2644, Nº. 12-13, 2014, pags. 119-134 text (article) 2014 ftdialnet 2024-05-07T23:43:14Z There are about 3000 surfaces with rock art in the Atlantic Galician area and northern Portugal. They show abstract motifs such as ring and reticulated ones, spirals, labyrinths, cups, lines . and a minority group of naturalistic style where we cluster horsemanship, weapons and hunting scenes. We would like to stand out the bibliographical information about the last ones because some authors quote eight, others a dozen and a half and some others about twenty. We are going to deal with more than forty surfaces. Some of them simpler and others more complex with a common iconography between Laxe (A Coruña) and the megalithic paintings in Orca dos Juncais in the area of Viseu. It is usually the hunting of a male-deer with exaggerated antler and sometimes they engrave the phallus. The hunter is a man with outspread arms displaying weapons, hounding or deerstalking being helped by dogs, sometimes with traps and exceptionally with the presence of cylindrical idols, and weapons. In short, engravings in leaning or vertical rocks located to be seen in their eagerness of perpetuity, with that iconographic content to pass on the idea of power, status, authority, superiority of the masculine world through the hunting and subjugation of maledeers as one of the most powerful animals in Galician nature. Perhaps a totemic a Na fachada atlántica galega e do norte portugués sabemos, polo momento, dunhas 3000 superficies con gravados rupestres nas que aparecen representados motivos abstractos (circos, espirais, labirintos, coviñas, reticulados, liñas, .) e un grupo minoritario de motivos que chamamos figurados ou naturalistas no que agrupamos equitación, armas e escenas de caza. Sobre estas últimas queremos chamar a atención xa que as fontes bibliográficas citan oito, ducia e media, unha vintena delas; nós imos tratar máis de corenta superficies, unhas máis simples e outras máis complexas, cunha iconografía común entre Laxe (A Coruña) e as pinturas megalíticas da Orca dos Juncais na zona de Viseu. É sempre caza de cervo macho, ... Article in Journal/Newspaper Orca Dialnet - Portada de revistas (Universidad de La Rioja) Polo ENVELOPE(28.967,28.967,65.600,65.600)
institution Open Polar
collection Dialnet - Portada de revistas (Universidad de La Rioja)
op_collection_id ftdialnet
language Galician
description There are about 3000 surfaces with rock art in the Atlantic Galician area and northern Portugal. They show abstract motifs such as ring and reticulated ones, spirals, labyrinths, cups, lines . and a minority group of naturalistic style where we cluster horsemanship, weapons and hunting scenes. We would like to stand out the bibliographical information about the last ones because some authors quote eight, others a dozen and a half and some others about twenty. We are going to deal with more than forty surfaces. Some of them simpler and others more complex with a common iconography between Laxe (A Coruña) and the megalithic paintings in Orca dos Juncais in the area of Viseu. It is usually the hunting of a male-deer with exaggerated antler and sometimes they engrave the phallus. The hunter is a man with outspread arms displaying weapons, hounding or deerstalking being helped by dogs, sometimes with traps and exceptionally with the presence of cylindrical idols, and weapons. In short, engravings in leaning or vertical rocks located to be seen in their eagerness of perpetuity, with that iconographic content to pass on the idea of power, status, authority, superiority of the masculine world through the hunting and subjugation of maledeers as one of the most powerful animals in Galician nature. Perhaps a totemic a Na fachada atlántica galega e do norte portugués sabemos, polo momento, dunhas 3000 superficies con gravados rupestres nas que aparecen representados motivos abstractos (circos, espirais, labirintos, coviñas, reticulados, liñas, .) e un grupo minoritario de motivos que chamamos figurados ou naturalistas no que agrupamos equitación, armas e escenas de caza. Sobre estas últimas queremos chamar a atención xa que as fontes bibliográficas citan oito, ducia e media, unha vintena delas; nós imos tratar máis de corenta superficies, unhas máis simples e outras máis complexas, cunha iconografía común entre Laxe (A Coruña) e as pinturas megalíticas da Orca dos Juncais na zona de Viseu. É sempre caza de cervo macho, ...
format Article in Journal/Newspaper
author Vilar Pedreira, Xosé Lois
spellingShingle Vilar Pedreira, Xosé Lois
Escenas de caza nos petróglifos galegos e portugueses
author_facet Vilar Pedreira, Xosé Lois
author_sort Vilar Pedreira, Xosé Lois
title Escenas de caza nos petróglifos galegos e portugueses
title_short Escenas de caza nos petróglifos galegos e portugueses
title_full Escenas de caza nos petróglifos galegos e portugueses
title_fullStr Escenas de caza nos petróglifos galegos e portugueses
title_full_unstemmed Escenas de caza nos petróglifos galegos e portugueses
title_sort escenas de caza nos petróglifos galegos e portugueses
publishDate 2014
url https://dialnet.unirioja.es/servlet/oaiart?codigo=9464345
long_lat ENVELOPE(28.967,28.967,65.600,65.600)
geographic Polo
geographic_facet Polo
genre Orca
genre_facet Orca
op_source Revista de Estudos Miñoráns, ISSN 2340-2644, Nº. 12-13, 2014, pags. 119-134
op_relation https://dialnet.unirioja.es/servlet/oaiart?codigo=9464345
(Revista) ISSN 2340-2644
op_rights LICENCIA DE USO: Los documentos a texto completo incluidos en Dialnet son de acceso libre y propiedad de sus autores y/o editores. Por tanto, cualquier acto de reproducción, distribución, comunicación pública y/o transformación total o parcial requiere el consentimiento expreso y escrito de aquéllos. Cualquier enlace al texto completo de estos documentos deberá hacerse a través de la URL oficial de éstos en Dialnet. Más información: https://dialnet.unirioja.es/info/derechosOAI | INTELLECTUAL PROPERTY RIGHTS STATEMENT: Full text documents hosted by Dialnet are protected by copyright and/or related rights. This digital object is accessible without charge, but its use is subject to the licensing conditions set by its authors or editors. Unless expressly stated otherwise in the licensing conditions, you are free to linking, browsing, printing and making a copy for your own personal purposes. All other acts of reproduction and communication to the public are subject to the licensing conditions expressed by editors and authors and require consent from them. Any link to this document should be made using its official URL in Dialnet. More info: https://dialnet.unirioja.es/info/derechosOAI
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