Joiking life narratives. The performance of indigenous self-perception in Sami life stories : Joiking life narratives. The performance of indigenous self-perception in Sami life stories

The Sami are the only indigenous population formally recognized in the EU, nevertheless, this significant acknowledgment came only in relatively recent times, after centuries of forced assimilation policies and thanks to crucial fights for self-determination and identity recognition. This article in...

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Main Author: Renzi, Nicola
Format: Text
Language:English
Published: Antropologia e Teatro. Rivista di Studi 2021
Subjects:
Online Access:https://dx.doi.org/10.6092/issn.2039-2281/11621
https://antropologiaeteatro.unibo.it/article/view/11621
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spelling ftdatacite:10.6092/issn.2039-2281/11621 2023-05-15T18:10:54+02:00 Joiking life narratives. The performance of indigenous self-perception in Sami life stories : Joiking life narratives. The performance of indigenous self-perception in Sami life stories Renzi, Nicola 2021 https://dx.doi.org/10.6092/issn.2039-2281/11621 https://antropologiaeteatro.unibo.it/article/view/11621 en eng Antropologia e Teatro. Rivista di Studi Creative Commons Attribution 3.0 Unported https://creativecommons.org/licenses/by/3.0/legalcode cc-by-3.0 CC-BY Text Article article-journal ScholarlyArticle 2021 ftdatacite https://doi.org/10.6092/issn.2039-2281/11621 2021-11-05T12:55:41Z The Sami are the only indigenous population formally recognized in the EU, nevertheless, this significant acknowledgment came only in relatively recent times, after centuries of forced assimilation policies and thanks to crucial fights for self-determination and identity recognition. This article intends to offer an analysis of two cases of Sami life narratives orally transmitted as joiks, musical expressions traditionally sung a cappella and characterized by a highly descriptive value. The focus is to present, through a set of transdisciplinary approaches, intimate and social perceptions of indigeneity and the related narrative outcomes which may take place in the peculiar empathic relationship established between the narrator-performer and the audience. Lawra Somby’s Im manne gåarkah and Niiles-Jouni Aikio’s Ieš joiks will respectively direct the study through 1) the author’s individual life experience and perception of the colonial assimilation and the consequent language loss and 2) a rare case of self-joiking, an acoustic self-portrait or musical autobiography which through both verbal and musical components aims at the narration and interpretation of a Sami’s own life experience. : Antropologia e Teatro. Rivista di Studi, N. 13 (2021) Text sami DataCite Metadata Store (German National Library of Science and Technology)
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description The Sami are the only indigenous population formally recognized in the EU, nevertheless, this significant acknowledgment came only in relatively recent times, after centuries of forced assimilation policies and thanks to crucial fights for self-determination and identity recognition. This article intends to offer an analysis of two cases of Sami life narratives orally transmitted as joiks, musical expressions traditionally sung a cappella and characterized by a highly descriptive value. The focus is to present, through a set of transdisciplinary approaches, intimate and social perceptions of indigeneity and the related narrative outcomes which may take place in the peculiar empathic relationship established between the narrator-performer and the audience. Lawra Somby’s Im manne gåarkah and Niiles-Jouni Aikio’s Ieš joiks will respectively direct the study through 1) the author’s individual life experience and perception of the colonial assimilation and the consequent language loss and 2) a rare case of self-joiking, an acoustic self-portrait or musical autobiography which through both verbal and musical components aims at the narration and interpretation of a Sami’s own life experience. : Antropologia e Teatro. Rivista di Studi, N. 13 (2021)
format Text
author Renzi, Nicola
spellingShingle Renzi, Nicola
Joiking life narratives. The performance of indigenous self-perception in Sami life stories : Joiking life narratives. The performance of indigenous self-perception in Sami life stories
author_facet Renzi, Nicola
author_sort Renzi, Nicola
title Joiking life narratives. The performance of indigenous self-perception in Sami life stories : Joiking life narratives. The performance of indigenous self-perception in Sami life stories
title_short Joiking life narratives. The performance of indigenous self-perception in Sami life stories : Joiking life narratives. The performance of indigenous self-perception in Sami life stories
title_full Joiking life narratives. The performance of indigenous self-perception in Sami life stories : Joiking life narratives. The performance of indigenous self-perception in Sami life stories
title_fullStr Joiking life narratives. The performance of indigenous self-perception in Sami life stories : Joiking life narratives. The performance of indigenous self-perception in Sami life stories
title_full_unstemmed Joiking life narratives. The performance of indigenous self-perception in Sami life stories : Joiking life narratives. The performance of indigenous self-perception in Sami life stories
title_sort joiking life narratives. the performance of indigenous self-perception in sami life stories : joiking life narratives. the performance of indigenous self-perception in sami life stories
publisher Antropologia e Teatro. Rivista di Studi
publishDate 2021
url https://dx.doi.org/10.6092/issn.2039-2281/11621
https://antropologiaeteatro.unibo.it/article/view/11621
genre sami
genre_facet sami
op_rights Creative Commons Attribution 3.0 Unported
https://creativecommons.org/licenses/by/3.0/legalcode
cc-by-3.0
op_rightsnorm CC-BY
op_doi https://doi.org/10.6092/issn.2039-2281/11621
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